Reimagining Brazilian Television: Luiz Fernando Carvalho's Contemporary Vision

Reimagining Brazilian Television: Luiz Fernando Carvalho's Contemporary Vision

by Eli Lee Carter
Reimagining Brazilian Television: Luiz Fernando Carvalho's Contemporary Vision

Reimagining Brazilian Television: Luiz Fernando Carvalho's Contemporary Vision

by Eli Lee Carter

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Overview

The Brazilian television industry is one of the most productive and commercially successful in the world. At the forefront of this industry is TV Globo and its production of standardized telenovelas, which millions of Brazilians and viewers from over 130 countries watch nightly. Eli Lee Carter examines the field of television production by focusing on the work of one of Brazil’s greatest living directors, Luiz Fernando Carvalho. Through an emphasis on Carvalho’s thirty-plus year career working for TV Globo, his unique mode of production, and his development of a singular aesthetic as a reaction to the dominant telenovela genre, Carter sheds new light on Brazilian television’s history, its current state, and where it is going—as new legislation and technology push it increasingly toward a post-network era.

Product Details

ISBN-13: 9780822964988
Publisher: University of Pittsburgh Press
Publication date: 04/05/2018
Series: Latinx and Latin American Profiles
Edition description: 1
Pages: 288
Product dimensions: 6.00(w) x 9.00(h) x 0.90(d)

About the Author

Eli Lee Carter is assistant professor of Portugese at the University of Virginia. 

Table of Contents

Acknowledgments ix

Introduction 3

Chapter 1 Asserting the Creative Role of the Television Director in a Writer's World 21

Chapter 2 Creating through the Preproduction Process 45

Chapter 3 Setting the Stage: From the Teleteatro to the Microseries 66

Chapter 4 Establishing the Aesthetic Tone: The Opening Scene and Motifs 91

Chapter 5 Rediscovering and Reappropriating Ancestral Roots 133

Chapter 6 Taking the Show on the Road: Itinerant Television 174

Chapter 7 Changing with a Changing Landscape 211

Conclusion Reimagining the (Anti-)Telenovela 236

Notes 249

Bibliography 261

Index 275

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