Montefiore's skill with imagery is such that he immerses the reader in an utterly ethereal landscape, only to snap them into horror as men emerge from rippling sunflowers with 'swords streaked with blood and grass,' and that soft horizon is suddenly filled 'squadrons of tanks like steel cockroaches.' Montefiore can effortlessly meld beauty with battle. Vivid and impeccably researched.
The Time Literary Supplement
Mythic and murderous violence in Russia. . . there are power-drunk Nazis and Soviet traitors, including a particularly memorable villain. Written with brio & deep knowledge of its fascinating subject matter. Red Sky at Noonis a deeply satisfying page turner. There are atrocities on all sides and a smidgen of love as Benya falls for a brave Italian nurse. A subplot follows the ill-starred affair between Stalin's daughter and a Jewish writer. But Benya's struggle to keep his humanity is the memorable spine of the book”
The Times "Best of the Month" (London)
Red Sky at Noon is an epic adventure story set against the backdrop of the most awful war in human history. The master historian shape-shifts into the brilliant novelist. Ridiculously good.”
For the sheer pleasure of being swept away in an epic tale of love and war by a master storyteller, Red Sky At Noon by Simon Sebag Montefiore had me enthralled from beginning to end. This is the final part of his Moscow trilogy – a series of compelling historical novels in the great tradition of Scott, Thackeray and Tolstoy.”
It's Lonesome Dove meets Stalingrad. A band of outlaws riding and fighting for their lives on sweeping plainsbut these bandits are not battling tribes in the Wild West, they are on the grasslands of south Russia at war with Nazi Germany and its ally, the Italians. Our hero is not a Texas Ranger but a Jewish writer named Benya Golden. Montefiore has brought his understand of Russian history to life here with great gusto traversing Gulags, battlefields and Kremlin but Golden is a lover not a fighter...”
I devoured Red Sky at Noon. A heart-stopping, heartbreaking, technicolor epic. A grand homage to the Russian masters Babel & Grossman, echoes of Hemingway & Dostoevsky, and a propulsive delight that is entirely Montefiore's own. Gripping storytelling allied with intimate, unsqueamish knowledge of Russian historya special combination.”
Historian, biographer, and novelist Montefiore has garnered critical acclaim and commercial success in each discipline, and his latest demonstrates his deftness in crafting a deeply engaging story that is only enriched by his skills as a historian and biographer. Offering historical accuracy, a fine empathy for his characters, and a story that illuminates the operatic tragedy of Stalin’s rule, Red Sky at Noon is brilliant on multiple levels.”
In this third volume of The Moscow Trilogy, the fate of combatants and civilians is often harsh. With his feel for vivid and immediate drama and impressive research, the author evokes the extreme turbulence and violence impacting on individuals. Writing with passion, Montefiore makes the point that, up against the huge forces of war, the struggle for personal resolution can be tragicbut never wasted.
Amidst the killing and the chaos, a group of prisoners are offered a chance of redemption on a secret mission behind enemy lines on horseback. Montefiore has a keen sense of place and an eye of unexpected details. Switching between the frontline on the Russian steppes and Stalin in the Kremlin, this is an exciting and fast-paced adventure and a lament for love in dark and brutal times.
A gripping novel. Montefiore is brilliant at depicting brooding menace. As the penal battalions are given increasingly risky missions, it is Benya's journey on horseback that we follow behind enemy lines in the grasslands of southern Russia. An epic tale. The language is arresting. It's all beautifully done: a western on the eastern front.
The gripping final installment of The Moscow Trilogy tells of a man wrongly imprisoned in the Gulags and his fight for redemption. Meticulously researched. In this searing tale of love and war, most moving is the redemptive relationship between a soldier and a nurse that blooms amid the brutality. An homage to the author's favorite Russian writers and the Western masterpieces of Larry McMurtry, Cormac McCarthy and Elmore Leonard, such influences pervade this atmospheric tale told in the author's distinct own voice.
The worthy conclusion to [the Moscow Trilogy]. The vivid interplay between a war story and a love story, and between the Kremlin and the frontline, grants the novel its momentum. Like so much historical fiction, Red Sky at Noon keeps readers turning pages not to learn the end but to better understand the individuals who brought about this end. A gripping adventure, a compelling history, and a work that adds humanity to stories we thought we already knew.”
A wonderful novel. Highly atmospheric. A truly absorbing read.Red Sky at Noon is like Cormac McCarthywith Nazis and Cossacks. ”
★ 10/30/2017 Montefiore’s third novel in his Moscow Trilogy (after Sashenka and One Night in Winter) is a stunning World War II story set on the bloody Russian front outside Stalingrad in July 1942. Benya Golden is a Jewish writer and political prisoner unjustly convicted of treason and sentenced to 10 years in the gulag. Stalin organizes criminals, convicts, and political prisoners into penal battalions known as Smertniki, the Dead Ones, who are thrown into battle as cannon fodder to be redeemed only by combat death or wounds. Benya is assigned to a penal Cossack cavalry regiment that becomes trapped behind enemy lines after a disastrous frontal assault. Only Benya and six other men survive the attack. They link up with a band of partisans, not knowing they are part of a high-level Russian deception plan involving Stalingrad’s defense. Ambush, capture, escape, interrogation, and execution await the Smertniki, as the Germans and their Axis allies and the Russians slaughter each other. Benya’s brief, intense romance with an Italian nurse gives him hope where he expects only death, but there is one more mission he must complete before his life is redeemed. (Stalin and his daughter Svetlana play a role in this story, too.) Montefiore’s immersive portrayal of the Eastern Front makes this a gripping, convincing tale. (Jan.)
"Montefiore's encyclopedic knowledge of Russian history gives his stories a gripping vibrancy. There's a twist to the end of the story that is by turns satisfying and heartbreaking. In the end, love does win out."
"An important and gripping description of conditions early in World War II in Russia, particularly the extensive use of horse cavalry, of which—I suspect—most of us have been unaware."
"For the sheer pleasure of being swept away in an epic tale of love and war by a master storyteller, Red Sky At Noon by Simon Sebag Montefiore had me enthralled from beginning to end. This is the final part of his Moscow trilogy – a series of compelling historical novels in the great tradition of Scott, Thackeray and Tolstoy."
a Best Book of the Year Sunday Herald (UK)
"Historian, biographer, and novelist Montefiore has garnered critical acclaim and commercial success in each discipline, and his latest demonstrates his deftness in crafting a deeply engaging story that is only enriched by his skills as a historian and biographer. Offering historical accuracy, a fine empathy for his characters, and a story that illuminates the operatic tragedy of Stalin’s rule, Red Sky at Noon is brilliant on multiple levels."
"Historian, biographer, and novelist Montefiore has garnered critical acclaim and commercial success in each discipline, and his latest demonstrates his deftness in crafting a deeply engaging story that is only enriched by his skills as a historian and biographer. Offering historical accuracy, a fine empathy for his characters, and a story that illuminates the operatic tragedy of Stalin’s rule, Red Sky at Noon is brilliant on multiple levels."
Riveting, evocative, affecting and tragic. Montefiore is a masterful writer and a marvelous storyteller, and the way he peels back the layers propels the reader onward, eager to learn the key to the mystery.
The Seattle Times (Praise for Simon Sebag Montefiore)
Montefiore is a natural storyteller who brings his encyclopedic knowledge of Russian history to life in language that glitters. Montefiore shows that the historian seeking the truth must call upon creativity as much as upon meticulous research. Here’s hoping we get more spellbinding historical fiction from him.
The Washington Post (Praise for Simon Sebag Montefiore)
Intensely moving, with an unforgettable climax that will touch the hardest heart.
A dispatch from the days of blood and thunder. Benya's struggle to keep his humanity is the memorable spine of the book.
Written with brio and deep knowledge of the fascinating subject matter. Deeply satisfying.
The Times "Book of the Month" (London)
Riveting, evocative, affecting and tragic. Montefiore is a masterful writer and a marvelous storyteller, and the way he peels back the layers propels the reader onward, eager to learn the key to the mystery.
Montefiore is a natural storyteller who brings his encyclopedic knowledge of Russian history to life in language that glitters. Montefiore shows that the historian seeking the truth must call upon creativity as much as upon meticulous research. Here’s hoping we get more spellbinding historical fiction from him.
10/15/2017 Focusing with romantic verve on the cavalry units deployed in the run-up to the Battle of Stalingrad, Montefiore picks up the story of Benya Golden, a lover of the titular protagonist of Sashenka. Benya was a political prisoner in the Gulag when Stalin's Order 227 created penal battalions whereby prisoners could redeem themselves by fighting for the Motherland. Benya is allowed to join a mounted unit battling on the shores of the Don River. In a febrile medley of Italian and German invaders, Cossack partisans, and Soviet defenders, Benya earns not only the respect of his criminal compatriots but also the love of an Italian nurse. In an intense counterpoint, Stalin's daughter Svetlana Stalina carries on a torrid teenage love affair in Moscow. Montefiore has legions of fans for his histories (The Romanovs), but his "Moscow Trilogy"(One Night in Winter; Sashenka) opens the floodgates to the imaginative re-creation of archival facts. VERDICT Benya's story animates a ten-day, desperate struggle in Stalin's huge gamble against the Nazi war machine. World War II fiction aficionados will want to read this.—Barbara Conaty, Falls Church, VA
This audiobook is an example of a book that is better to experience as a listener than as a reader. The final novel in Montefiore’s Moscow Trilogy takes the listener into the psyche of Benya Golden, a Jewish Communist sentenced to a gulag in 1942 during the final period of Hitler’s Russian invasion. Narrator Simon Bubb masterfully conveys the physical and psychological trauma Golden experiences, allowing listeners to empathize with the prisoner’s deepest fears and emotions. As the story evolves, so does Bubb’s performance, his tone and delivery capturing Golden and the darkness of life under Stalin’s brutal regime. D.J.S. Winner of AudioFile Earphones Award © AudioFile 2018, Portland, Maine
2017-09-28 Montefiore's (The Romanovs, 2016, etc.) World War II novel traces 10 eventful days in the life of Benya Golden, a Russian political prisoner who has joined the fight against the Nazis.It's July 1942, and the Russian army is in disarray: though they are still officially on the Allied side, many soldiers have defected and joined the fight for Hitler. But Russians on both sides, as depicted by Montefiore, are invariably monsters who rape and murder at the slightest provocation. So it makes little sense that Golden, a writer in his 40s who's been a prisoner and a soldier but has never killed anyone, has survived to this point—especially since his regiment of prisoners is deemed expendable by Stalin and sent on a series of suicide missions. The book doesn't really come to life until the middle, when Golden, who has strayed from his regiment and been wounded, falls in love with Fabiana, the Italian nurse who saves his life. Pursued as a Jew by the Nazis and as a defector by the Allies, Golden must choose between losing his love and endangering her life. This gives the book all the romance it needs, but Montefiore also adds a subplot in which Stalin's daughter falls in love with a wartime journalist. These sections underline his point about Stalin's brutality but are sentimentally written and do little to advance the story.A novel this ambitious could use a little more moral nuance, as the characters are either all good or (in most cases) all evil. Yet the gritty war scenes and the lovers' pursuit keep the pages turning.