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Narrated by David Chandler
William Kent KruegerUnabridged — 10 hours, 23 minutes
Narrated by David Chandler
William Kent KruegerUnabridged — 10 hours, 23 minutes
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Cork O'Connor, a former sheriff whose Indian bloodline gives him tribal access, is one of those hometown heroes you rarely see (and can hardly believe in) anymore—someone so decent and true, he might restore his town's battered faith in the old values.
—The New York Times
Buck Schirner, an actor with a deep, full-bodied voice, narrates Krueger's ninth novel about Minnesota private detective Cork O'Connor with a blunt, no-frills delivery. His voice is a perfect match for a cleanly written, robust adventure featuring an honorable hero of Caucasian-Ojibwe Indian heritage who keeps his human faults and strengths under wraps. As the sleuth is drawn into a series of violent events triggered by the death of a local power broker's meth-addicted daughter-including a brutal double murder, a potential race war, a looming north woods drug infestation and a school takeover by an armed student-Schirner subtly shifts his narration to fit the situation. He softens it a bit for O'Connor's sensitive probing of his suspects, but toughens up when necessary, as in the detective's violent confrontation with a group of drug dealers determined to kill or be killed. An Atria hardcover (Reviews, July 14).
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Although it is spring in Tamarack County, MN, a darkness looms over the townspeople of Aurora and the Ojibwe of the Iron Lake Reservation. Kristi Reinhardt is dead, and the blame falls on Lonnie Thunder, a young Ojibwe man known to deal both drugs and child pornography. Former sheriff Cork O'Connor, now working as a part-time PI, is called to a meeting with Alex Kingbird, leader of the Red Boyz, an Ojibwe gang rumored to be part of the local drug trade. Alex wants to offer Kristi's father justice to avert further violence, and he has called on part-Ojibwe Cork to set up a meeting. But then Alex and his wife are executed outside their home. Krueger's eighth O'Connor installment (after Thunder Bay) involves several mysteries as more violence and deaths occur. Cork tries to find answers while keeping his family safe and doing right by both his former law enforcement colleagues and the Ojibwe people. While this tale of small-town racial tensions and drug trafficking by Native Americans is drawn from the pages of the newspaper, Krueger puts a very human face on these issues. For most mystery collections; recommend to patrons who enjoy atmospheric outdoor mysteries by C.J. Box and Steve Hamilton.
—Eric Norton
In Minnesota's Tamarack County, it's all about an eye for an eye, for an eye, for an eye. Payback makes the world go round in Cork O'Connor country. The code is inflexible and non-negotiable. So when Buck Reinhardt's daughter is murdered and conventional wisdom pins the killing on Lonnie Thunder, Cork and the rest wait knowingly, a little like spectators in a Roman amphitheater. Never mind that Lonnie has made himself scarce. Since he's alleged to be a member of the Red Boyz-a group of young militants operating out of the local Ojibwe reservation-Alex Kingbird, their charismatic leader, serves as a scapegoat to be slaughtered along with his wife, Rayette, for good measure. It follows that Red Boyz-baiting Buck Reinhardt, who was surely behind the grisly double murder, must in turn become a target. So it goes, with Cork (Thunder Bay, 2007, etc.) drawn ever deeper into the bloody vortex. Not that he appears to mind all that much, for Cork, Tamarack County born and bred, knows what's in the air. Only Cork's wife Jo and a few of the other women find the code out of kilter. But this is Tamarack County, where men rule and the eyes have it. Colorful characters, spot-on sense of place, but the attempts to prettify vigilantism will leave some readers cold. Agent: Danielle Egan-Miller/Browne & Miller Literary Associates
"If you don't know Cork O'Connor, get to know him now." — Booklist
"Cork O'Connor...is one of those hometown heroes you rarely see...someone so decent and true, he might restore his town's battered faith in the old values." — The New York Times Book Review
"William Kent Krueger is one of the best mystery writers out there. Any reader who has yet to pick up one of his Cork O'Connor suspense novels is in for a rare treat." — Vince Flynn
PI and retired sheriff Cork O'Connor becomes embroiled in interrelated murders that test his skills of deduction and his relationships with his neighbors in Tamarack County, Minnesota. Buck Schirner portrays O'Connor with a low, gravelly voice and the story’s Ojibwa Indian characters with appropriate inflections. Part Ojibwa himself, O'Connor weaves a fine line between aiding both the local white police and the Ojibwa tribe elders as they fight off drug-dealing Latin Lords, tame the Red Boyz, eradicate drugs from their communities, and, of course, find out who murdered whom. Schirner's deep voice and steady pace keep up with the action as O'Connor races to halt the escalating violence and calm rising tensions within the community. M.B.K. © AudioFile 2009, Portland, Maine
| BN ID: | 2940172656552 |
|---|---|
| Publisher: | Recorded Books, LLC |
| Publication date: | 10/01/2019 |
| Series: | Cork O'Connor Series , #8 |
| Edition description: | Unabridged |
Red Knife
ONE
The words on the note folded around the check in his wallet read: Here’s $500. A retainer. I need your help. See me today. The note and the money were from Alexander Kingbird, although it was signed Kakaik, which was the name of an Ojibwe war chief. It meant Hawk.
Five hundred dollars was a pretty sound enticement, but Cork O’Connor would have gone for nothing, just to satisfy his curiosity. Although the note didn’t mention Kingbird’s situation, it was easy to read between the lines. In Tamarack County, unless you were stupid or dead you knew that Alexander Kingbird and the Red Boyz were in trouble. How exactly, Cork wondered, did Kingbird think he could help?
Kingbird and his wife, Rayette, lived on the Iron Lake Reservation. Their home was a nice prefab, constructed to look like a log cabin and set back a hundred yards off the road, behind a stand of red pines. A narrow gravel lane cut straight through the trees to the house. As Cork drove up, his headlights swung across a shiny black Silverado parked in front. He knew it belonged to Tom Blessing, Kingbird’s second-in-command. It was Blessing who’d delivered the note that afternoon.
And it was Blessing who opened the door when Cork knocked.
“About time,” Blessing said.
He wasn’t much more than a kid, twenty-one, maybe twenty-two. Long black hair falling freely down his back. Tall, lean, tense. He reminded Cork of a sapling that in the old days might have been used for a rabbit snare: delicately balanced, ready to snap.
“The note said today. It’s still today, Tom,” Cork said.
“My name’s Waubishash.”
Each of the Red Boyz, on joining the gang, took the name of an Ojibwe war chief.
“Let him in.” The order was delivered from behind Blessing, from inside the house.
Blessing stepped back and Cork walked in.
Alexander Kingbird stood on the far side of his living room. “Thank you for coming.”
He was twenty-five, by most standards still a young man, but his eyes weren’t young at all. They were as brown as rich earth and, like earth, they were old. He wore his hair in two long braids tied at the end with strips of rawhide, each hung with an owl feather. A white scar ran from the corner of his right eye to the lobe of his ear. Cork had heard it happened in a knife fight while he was a guest of the California penal system.
Kingbird glanced at Blessing. “You can go.”
Blessing shook his head. “Until this is over, you shouldn’t be alone.”
“Are you planning to shoot me, Mr. O’Connor?”
“I hadn’t thought of it, but I may be the only guy in this county who hasn’t.”
Kingbird smiled. “I’ll be fine, Waubishash. Go on.”
Blessing hesitated. Maybe he was working on an argument; if so, he couldn’t quite put it together. He finally nodded, turned, and left. A minute later, Cork heard the Silverado’s big engine turn over, followed by the sound of the tires on gravel. Everything got quiet then, except for a baby cooing in a back room and the low, loving murmur of a woman in response.
“Mind taking your shoes off?” Kingbird said. “New carpet and Rayette’s kind of particular about keeping it clean.”
“No problem.” Cork slipped his Salomons off and set them beside a pair of Red Wing boots and a pair of women’s Skechers, which were on a mat next to the door.
“Sit down,” Kingbird said.
Cork took a comfortable-looking easy chair upholstered in dark green. Kingbird sat on the sofa.
“You know why you’re here?” he said to Cork.
“Instead of twenty questions, why don’t you just tell me.”
“Buck Reinhardt wants me dead.”
“You blame him?”
“I’m not responsible for his daughter dying.”
“No, but you’re hiding the man who is.”
“And you know this how?”
“Popular speculation. And he’s one of the Red Boyz.”
“I want to talk to Reinhardt.”
“Why?”
Kingbird sat tall. He wore a green T-shirt, military issue it looked like. On his forearm was a tattoo. A bulldog—the Marine Corps devil dog—with USMC below.
“I have a daughter of my own,” he said. His eyes moved a hair to the right, in the direction from which the cooing had come. “I understand how he feels.”
“I don’t think you do. Your daughter is still alive.”
“My daughter will also never use drugs.”
“In that, I wish you luck.”
“Reinhardt and some of his men threatened one of my Red Boyz yesterday. He needs to understand that anything he does—to me or any of the Red Boyz—will be answered in kind. I’ve seen wars, O’Connor. It’s easier to stop them before they get started.”
“Then give him what he wants. Give him the man responsible for his daughter’s death. Give him Lonnie Thunder.”
The suggestion seemed to have no effect on Kingbird. “Will you arrange a meeting?”
“Why me?”
“Because you’re not just another white man. You’ve got some Ojibwe blood in your veins. Also, you used to be sheriff around here and I figure that gives you a certain standing. And—” he held up a card, one of the business cards Cork routinely tacked to bulletin boards around Aurora “—it’s how you earn your living.”
“How do I know, and how can Buck be sure, that you won’t just shoot him as soon as he shows up?”
“Let him name the place and the time. You’ll be there to observe and to maintain the peace.”
“Five hundred dollars isn’t nearly enough to get me to step between blazing guns.”
“I’ll be unarmed. You make sure Reinhardt is, too. And the five hundred dollars is a retainer. When this meeting is done, you’ll have another five hundred.”
Rayette Kingbird strolled into the room carrying her child. Misty had been born six months earlier. When Alexander Kingbird looked at his wife and his daughter, his face softened.
Cork stood up. “Evening, Rayette.”
“Cork.”
“Bedtime for Misty?”
She smiled. She was full-blood Ojibwe. Her life before Kingbird had been hard. Abandoned by her mother and raised by her grandparents, she’d been into every kind of trouble imaginable. When Cork was sheriff of Tamarack County, he’d picked her up a few times, juvenile offenses. She’d skipped childhood through no fault of her own and he’d thought that any youth she might have had had been squeezed out long ago. Then she met Kingbird and married him and things changed. She looked young and she looked happy.
“Past bedtime,” she said. “She wants a kiss from her daddy.”
Rayette held the baby out and Kingbird took his daughter. He nuzzled her neck. She gurgled. He kissed her forehead. She squirmed. “Night, little turtle,” he said. He handed her back to his wife.
Rayette left with the child. Kingbird looked after them a moment, then turned to Cork.
“We’ve named her Misty, but her real name is Tomorrow. Every child’s name is Tomorrow. You, me, Buck Reinhardt, we’re Yesterday. Kristi Reinhardt shouldn’t have died. No child’s life should be cut short of tomorrow.”
“Nice sentiment, Alex, but what are you going to offer Buck? What do I tell him that will make him agree to meet you?”
He ignored the fact that Cork had used his given name, not the one he’d taken as a member of the Red Boyz. He said, “Tell him he will have justice. Tell him I give my word.”
