Reciting the Goddess: Narratives of Place and the Making of Hinduism in Nepal
Reciting the Goddess presents the first critical study of the Svasthanivratakatha (SVK), a sixteenth-century Hindu narrative textual tradition. The extensive SVK manuscript tradition offers a rare opportunity to observe the making of a specific, distinct Hindu religious tradition. Jessica Vantine Birkenholtz argues that the SVK serves as a lens through which we can observe the creation of modern 'Hinduism' in the Himalayas, as the text both mirrored and informed key moments in the self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the late medieval and early modern period.

Birkenholtz mines the literary historiography that is contained within the SVK text itself, chronicling the text's literary and narrative development as well as the development of the Svasthani goddess tradition. She outlines the process whereby the SVK gradually transformed into a Purana text, and became a critical source for Nepali Hindu belief and identity. She also examines the elusive character of the goddess Svasthani whose identity is tied to the pan-Hindu goddess tradition, and the representation of women in the SVK and the ways in which the text influenced local and regional debates on the ideal of Hindu womanhood. Reciting the Goddess presents Nepal's celebrated SVK as a micro-level illustration of the powerful ways in which people, place, and literature intersect to produce new ideas and concepts of identity and place, even in a historically non-literate culture.
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Reciting the Goddess: Narratives of Place and the Making of Hinduism in Nepal
Reciting the Goddess presents the first critical study of the Svasthanivratakatha (SVK), a sixteenth-century Hindu narrative textual tradition. The extensive SVK manuscript tradition offers a rare opportunity to observe the making of a specific, distinct Hindu religious tradition. Jessica Vantine Birkenholtz argues that the SVK serves as a lens through which we can observe the creation of modern 'Hinduism' in the Himalayas, as the text both mirrored and informed key moments in the self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the late medieval and early modern period.

Birkenholtz mines the literary historiography that is contained within the SVK text itself, chronicling the text's literary and narrative development as well as the development of the Svasthani goddess tradition. She outlines the process whereby the SVK gradually transformed into a Purana text, and became a critical source for Nepali Hindu belief and identity. She also examines the elusive character of the goddess Svasthani whose identity is tied to the pan-Hindu goddess tradition, and the representation of women in the SVK and the ways in which the text influenced local and regional debates on the ideal of Hindu womanhood. Reciting the Goddess presents Nepal's celebrated SVK as a micro-level illustration of the powerful ways in which people, place, and literature intersect to produce new ideas and concepts of identity and place, even in a historically non-literate culture.
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Reciting the Goddess: Narratives of Place and the Making of Hinduism in Nepal

Reciting the Goddess: Narratives of Place and the Making of Hinduism in Nepal

by Jessica Vantine Birkenholtz
Reciting the Goddess: Narratives of Place and the Making of Hinduism in Nepal

Reciting the Goddess: Narratives of Place and the Making of Hinduism in Nepal

by Jessica Vantine Birkenholtz

Hardcover

$180.00 
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Overview

Reciting the Goddess presents the first critical study of the Svasthanivratakatha (SVK), a sixteenth-century Hindu narrative textual tradition. The extensive SVK manuscript tradition offers a rare opportunity to observe the making of a specific, distinct Hindu religious tradition. Jessica Vantine Birkenholtz argues that the SVK serves as a lens through which we can observe the creation of modern 'Hinduism' in the Himalayas, as the text both mirrored and informed key moments in the self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the late medieval and early modern period.

Birkenholtz mines the literary historiography that is contained within the SVK text itself, chronicling the text's literary and narrative development as well as the development of the Svasthani goddess tradition. She outlines the process whereby the SVK gradually transformed into a Purana text, and became a critical source for Nepali Hindu belief and identity. She also examines the elusive character of the goddess Svasthani whose identity is tied to the pan-Hindu goddess tradition, and the representation of women in the SVK and the ways in which the text influenced local and regional debates on the ideal of Hindu womanhood. Reciting the Goddess presents Nepal's celebrated SVK as a micro-level illustration of the powerful ways in which people, place, and literature intersect to produce new ideas and concepts of identity and place, even in a historically non-literate culture.

Product Details

ISBN-13: 9780199341160
Publisher: Oxford University Press
Publication date: 04/02/2018
Pages: 344
Product dimensions: 9.30(w) x 6.30(h) x 1.20(d)

About the Author

Dr. Jessica Vantine Birkenholtz is Assistant Professor of Religion at the University of Illinois, Urbana-Champaign. Her areas of research include the comparative study of Hindu religious identity, practice, and literature from the medieval period to the present day, Hindu goddess traditions in Nepal and India, and gender and religion. She is co-editor of Religion and Modernity in the Himalaya and is the Reviews Editor for HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies.

Table of Contents

CHAPTER ONE Hinduisms and Histories in Nepal

CHAPTER TWO The Goddess of Place, Place of the Goddess

CHAPTER THREE An Unexpected Archive: The Svasthanivratakatha

CHAPTER FOUR The Making of Modern Hinduism in Medieval Nepal

CHAPTER FIVE A Women's Tradition

CHAPTER SIX Narratives of Place

APPENDICES
BIBLIOGRAPHY
INDEX
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