Reading Women: Literary Figures and Cultural Icons from the Victorian Age to the Present
Literary and popular culture has often focused its attention on women readers, particularly since early Victorian times. In Reading Women, an esteemed group of new and established scholars provides a close study of the evolution of the woman reader by examining a wide range of nineteenth- and twentieth-century media, including Antebellum scientific treatises, Victorian paintings, and Oprah Winfrey's televised book club, as well as the writings of Charlotte Brontë, Harriet Beecher Stowe, and Zora Neale Hurston.

Attending especially to what, how, and why women read, Reading Women brings together a rich array of subjects that sheds light on the defining role the woman reader has played in the formation not only of literary history, but of British and American culture. The contributors break new ground by focusing on the impact representations of women readers have had on understandings of literacy and certain reading practices, the development of book and print culture, and the categorization of texts into high and low cultural forms.

"1110847699"
Reading Women: Literary Figures and Cultural Icons from the Victorian Age to the Present
Literary and popular culture has often focused its attention on women readers, particularly since early Victorian times. In Reading Women, an esteemed group of new and established scholars provides a close study of the evolution of the woman reader by examining a wide range of nineteenth- and twentieth-century media, including Antebellum scientific treatises, Victorian paintings, and Oprah Winfrey's televised book club, as well as the writings of Charlotte Brontë, Harriet Beecher Stowe, and Zora Neale Hurston.

Attending especially to what, how, and why women read, Reading Women brings together a rich array of subjects that sheds light on the defining role the woman reader has played in the formation not only of literary history, but of British and American culture. The contributors break new ground by focusing on the impact representations of women readers have had on understandings of literacy and certain reading practices, the development of book and print culture, and the categorization of texts into high and low cultural forms.

49.95 In Stock
Reading Women: Literary Figures and Cultural Icons from the Victorian Age to the Present

Reading Women: Literary Figures and Cultural Icons from the Victorian Age to the Present

Reading Women: Literary Figures and Cultural Icons from the Victorian Age to the Present

Reading Women: Literary Figures and Cultural Icons from the Victorian Age to the Present

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Overview

Literary and popular culture has often focused its attention on women readers, particularly since early Victorian times. In Reading Women, an esteemed group of new and established scholars provides a close study of the evolution of the woman reader by examining a wide range of nineteenth- and twentieth-century media, including Antebellum scientific treatises, Victorian paintings, and Oprah Winfrey's televised book club, as well as the writings of Charlotte Brontë, Harriet Beecher Stowe, and Zora Neale Hurston.

Attending especially to what, how, and why women read, Reading Women brings together a rich array of subjects that sheds light on the defining role the woman reader has played in the formation not only of literary history, but of British and American culture. The contributors break new ground by focusing on the impact representations of women readers have had on understandings of literacy and certain reading practices, the development of book and print culture, and the categorization of texts into high and low cultural forms.


Product Details

ISBN-13: 9780802094872
Publisher: University of Toronto Press
Publication date: 11/12/2006
Series: Heritage
Pages: 310
Product dimensions: 6.00(w) x 9.00(h) x 0.70(d)

About the Author

Janet Badia is an assistant professor in the Department of English at Marshall University. Jennifer Phegley is an assistant professor in the Department of English at the University of Missouri, Kansas City.

Table of Contents

Introduction: Women Readers as Literary Fixtures and Cultural Icons
Janet Badia and Jennifer Phegley

1. Reading Women/Reading Pictures: Textual and Visual reading in Charlotte Bronte's Novels and Nineteenth-Century Paintings
Antonia Losano

2. 'Success is Sympathy': Uncle Tom's Cabin and the Woman Reader
Elizabeth Fekete Trubey

3. Reading Mind, Reading Body: Augusta Jane Evans' Beulah and the Physiology of Reading
Suzanne M Ashworth

4. 'I Should No More Think of Dictating...What Kinds of Books She Should Read': Images of Women readers in Literary Magazines
Jennifer Phegley

5. The Reading Habit and 'The Yellow Wallpaper'
Barbara Hochman

6. Societal Reading, Social Work, and the Function of Literacy in Louisa May Alcott's 'May Flowers'
Sarah A. Wadsworth

7. 'A Thought in the huge Bald Forehead': Depictions of Women in the British Museum Reading Room 1857-1929
Ruth Hoberman

8. 'Luxuriating in Milton's Syllables': Writer as Reader in Zora Neale Hurston's Dust Tracks on a Road
Tuire Valkeakari

9. Poor Lutie's Almanac: Reading and Social Critique in Ann Petry's The Street
Michele Crescenzo

10. 'One of Those People Like Anne Sexton or Sylvia Plath': The pathologized Woman Reader in Literary Popular Culture
Janet Badia

11. The 'Talking Life' of Books: Constructing Women Readers in Oprah's Book Club
Mary R. Lamb

Afterward: Women Readers Revisited
Kate Flint

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