Reading Victorian Illustration, 1855-1875: Spoils of the Lumber Room

by Paul Goldman, Simon Cooke (Editor)

Overview

In a reevaluation of that period in Victorian illustration known as 'The Sixties,' a distinguished group of international scholars consider the impact of illustration on the act of reading; its capacity to reflect, construct, critique and challenge its audience's values; its response to older graphic traditions; and its assimilation of foreign influences. While focused on the years 1855 to 1875, the essays take up issues related to the earlier part of the nineteenth century and look forward to subsequent developments in illustration. The contributors examine significant figures such as Ford Madox Brown, Frederick Sandys, John Everett Millais, George John Pinwell, and Hablot Knight Browne in connection with the illustrated magazine, the mid-Victorian gift book, and changing visual responses to the novels of Dickens. Engaging with a number of theories and critical debates, the collection offers a detailed and provocative analysis of the nature of illustration: its production, consumption, and place within the broader contexts of mid-Victorian culture.

Product Details

ISBN-13:	9781317070955
Publisher:	Taylor & Francis
Publication date:	04/01/2016
Sold by:	Barnes & Noble
Format:	eBook
Pages:	240
File size:	22 MB
Note:	This product may take a few minutes to download.

About the Author

Paul Goldman is Honorary Professor in the Department of English, Communication, and Philosophy at Cardiff University and Associate Fellow at the Institute of English Studies, School of Advanced Study, at the University of London, UK, and Simon Cooke, formerly of Birmingham University, is an independent scholar living in the UK.

Table of Contents

Introduction, Paul Goldman, Simon Cooke; Chapter 1 Defining Illustration Studies: Towards a New Academic Discipline, Paul Goldman; Chapter 2 Facsimile Versus White Line: An Anglo-German Disparity, William Vaughan; Chapter 3 A Bitter After-Taste: The Illustrated Gift Book of the 1860s, Simon Cooke; Chapter 4 Happy Endings: Death and Domesticity in Victorian Illustration, Julia Thomas; Chapter 5 Science and Art: Vestiges of Corpses in Pre-Raphaelite Illustrations, Lorraine Janzen Kooistra; Chapter 6 'Fleshing out' Time: Ford Madox Brown and the Dalziels' Bible Gallery, Laura MacCulloch; Chapter 7 Making History: Text and Image in Harriet Martineau's Historiettes, Mary Elizabeth Leighton, Lisa Surridge; Chapter 8 'Reading the Pictures, Visualizing the Text': Illustrations in Dickens from Pickwick to the Household Edition, 1836 to 1870, Phiz to Fred Barnard, Philip V. Allingham; Chapter 9 'Spoils of the lumber-room': Early Collectors of Wood-Engraved Illustrations from 1860s Periodicals, Robert Meyrick;

Editorial Reviews

'A remarkable collection of essays on a fascinating and important subject: how illustrations in mid-Victorian books and magazines responded both to contemporary cultural values and to technological change and, by doing so, helped to express and shape the tastes of the reading public.' Simon Eliot, University of London, UK '... [Goldman] underlines the importance of understanding illustrative techniques, bringing engravers out of the shadows, and appreciating the scope of nineteenth-century illustrations in non-literary texts such as travel narratives, natural history, religious texts, and anatomy books.' NBOL-19 '[These essays are] a fascinating and diverse mix...' CILIP Rare Books Newsletter ’Reading Victorian Illustration is a welcome and timely call for more substantive and sustained engagement with this archive and art form, and the essays it contains make an important contribution to that effort.’ Journal of Pre-Raphaelite Studies ’No one should comment on Victorian illustrated works hereafter without first studying Paul Goldman and Simon Cooke's Reading Victorian Illustration, 1855-1874. It significantly advances the field of illustration studies. Whether exemplifying the exquisite delicacy of wood engraving (nobody should talk about "crude woodcuts" hereafter without acknowledging how sensitive they could be) or meditating on corpses and time in these pictures, the contributors to this volume know their subjects and take readers far beyond the customary and largely amateur appreciations of Victorian illustration penned mainly by collectors and literature students. The many reproductions bring out the different effects artists and engravers achieved, and make visible the shift from early gestural and caricatural images to mid-Victorian romantic and realistic ones. The richness of these essays and demonstrations vastly exceeds the price of admission.’ Robert L. Patten, Rice University, USA, and University of London, UK 'Students, scholars, amat

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