Reading Espionage Fiction: Narrative, Conflict and Commitment from World War I to the Contemporary Era
Reading Espionage Fiction: Narrative, Conflict and Commitment from World War I to the Contemporary Era probes the ways in which the struggles and loyalties of political modernity have been portrayed in the espionage story over the course of the twentieth and twenty-first centuries. Reading works by authors such as Somerset Maugham, Helen MacInnes, John le Carré, Sam E. Greenlee and Gerald Seymour as popular literature deserving of sustained attention, this book shows how these narratives have both created a modern genre and, at the same time, sought an escape from its limitations. Martin Griffin takes up the importance of plot and character and argues that, in this branch of fiction, the personal has always and ever been political.
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Reading Espionage Fiction: Narrative, Conflict and Commitment from World War I to the Contemporary Era
Reading Espionage Fiction: Narrative, Conflict and Commitment from World War I to the Contemporary Era probes the ways in which the struggles and loyalties of political modernity have been portrayed in the espionage story over the course of the twentieth and twenty-first centuries. Reading works by authors such as Somerset Maugham, Helen MacInnes, John le Carré, Sam E. Greenlee and Gerald Seymour as popular literature deserving of sustained attention, this book shows how these narratives have both created a modern genre and, at the same time, sought an escape from its limitations. Martin Griffin takes up the importance of plot and character and argues that, in this branch of fiction, the personal has always and ever been political.
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Reading Espionage Fiction: Narrative, Conflict and Commitment from World War I to the Contemporary Era

Reading Espionage Fiction: Narrative, Conflict and Commitment from World War I to the Contemporary Era

by Martin Griffin
Reading Espionage Fiction: Narrative, Conflict and Commitment from World War I to the Contemporary Era

Reading Espionage Fiction: Narrative, Conflict and Commitment from World War I to the Contemporary Era

by Martin Griffin

Hardcover

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Overview

Reading Espionage Fiction: Narrative, Conflict and Commitment from World War I to the Contemporary Era probes the ways in which the struggles and loyalties of political modernity have been portrayed in the espionage story over the course of the twentieth and twenty-first centuries. Reading works by authors such as Somerset Maugham, Helen MacInnes, John le Carré, Sam E. Greenlee and Gerald Seymour as popular literature deserving of sustained attention, this book shows how these narratives have both created a modern genre and, at the same time, sought an escape from its limitations. Martin Griffin takes up the importance of plot and character and argues that, in this branch of fiction, the personal has always and ever been political.

Product Details

ISBN-13: 9781399520799
Publisher: Edinburgh University Press
Publication date: 05/31/2024
Pages: 200
Sales rank: 831,140
Product dimensions: 6.14(w) x 9.21(h) x (d)

About the Author

Martin Griffin is Associate Professor in the Department of English at the University of Tennessee. He is the author of Ashes of the Mind: War and Memory in Northern Literature, 1865–1900 (2009), co-author of Narrative, Identity, and the Map of Cultural Policy: Once Upon a Time in a Globalized World with Constance DeVereaux (2013), and co-editor of Stories of Nation: Fictions, Politics, and the American Experience with Christopher Hebert (2017).

Table of Contents

Acknowledgements

Introduction: Revisiting Ramón Mercader, 1966

1. The Maugham Paradigm: Performing English Identity amid the Surges of History

2. The Past as Prologue: Antifascism and the Prophetic Mode in Ambler and MacNeice

3. "We’ll Meet Again": War, Memories, and Loss in MacInnes and Garve

4. John le Carré and the Jews

5. The American Uncertainty: Genre and Borders in Charles McCarry and Don DeLillo

6. Race and Intelligence: African-Americans and the Secret Life

7. The Soldier’s Song: Britain’s Irish War in Gerald Seymour’s Trilogy

8. Espionage Fiction and the Lost Adversary: Carlyle and Mathison

Works Cited

Index

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