Table of Contents
Acknowledgments ix
1 Introduction: Structures Don't March in the Streets 1
2 The Orthopsychic Subject: Film Theory and the Reception of Lacan 15
The Screen as Mirror
Orthopsychism
The Mirror as Screen
3 Cutting Up 39
The Death Drive: Freud and Bergson
Cause: Lacan and Aristotle
Achilles and the Tortoise
Cause and the Law
4 The Sartorial Superego 65
Colonies and Colonnades
Guilty versus Useful Pleasures
Beyond the Good Neighbor Principle
Fantasy and Fetish
5 Vampires, Breast-Feeding, and Anxiety 117
The Drying Up of the Breast
Breast-Feeding and Freedom
6 The Unvermögender Other: Hysteria and Democracy in America 141
The Teflon Totem
The Modern Forms of Power
7 Locked Room/Lonely Room: Private Space in Film Noir 163
The Actuarial Origins of Detective Fiction
The Locked-Room Paradox and the Group
Detour through the Drive
The Voice and the Voice-Over
Locked Room/Lonely Room
Lethal Jouissance and the Femme Fatale
8 Sex and the Euthanasia of Reason 201
The Phallic Function
The Female Side: Mathematical Failure
The Male Side: Dynamical Failure
Sexual Difference and the Superego
Notes 237
Index 261