Raintree Box Set: Inferno/Haunted/Sanctuary

Raintree Box Set: Inferno/Haunted/Sanctuary

Raintree Box Set: Inferno/Haunted/Sanctuary

Raintree Box Set: Inferno/Haunted/Sanctuary

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Overview

Inferno by New York Times bestselling author Linda Howard

Haunted by RITA® Award winner Linda Winstead Jones

Sanctuary by New York Times bestselling author Beverly Barton


Two hundred years after the Raintree clan defeated them, the Ansara wizards are rising up again to take on their bitterest foes. NYT bestselling author Linda Howard heads up this trilogy with INFERNO. As king, it's up to Dante Raintree to protect his clan, but when Lorna Clay walks into his life, suddenly fire, always his to control, defeats him, leaving him wondering whether Lorna is to blame. Will Dante's strength be enough to win the fight of his life? In HAUNTED by RITA® award winner Linda Winstead Jones, homicide detective Gideon Raintree must draw upon the gifts he's kept hidden to stop a relentless serial killer unleashed by dark Ansara wizards. Now he and his alluring new partner, Hope Mallory, are in a race against time to save their love and their family. NYT bestselling author Beverly Barton rounds out the collection with SANTUARY, in which Mercy Raintree must assume her position as guardian of the sacred Raintree home, but doing so threatens to expose her most closely guarded secret…and pits her against Dranir Judah Ansara, who is personally determined to kill her. Will Mercy's closely guarded secret change not only the outcome of the battle…but also Judah's own bitter heart?

Product Details

ISBN-13: 9781459255982
Publisher: Harlequin
Publication date: 10/15/2013
Series: Raintree Series
Sold by: HARLEQUIN
Format: eBook
Pages: 304
Sales rank: 169,549
File size: 2 MB

About the Author

About The Author
Linda Howard is the award-winning author of many New York Times bestsellers, including Up Close and Dangerous, Drop Dead Gorgeous, Cover of Night, Killing Time, To Die For, Kiss Me While I Sleep, Cry No More, and Dying to Please. She lives in Alabama with her husband and two golden retrievers.
New York Times bestselling author Linda Winstead Jones has written more than seventy romance books in several subgenres—historical, fairy tale, paranormal, contemporary and romantic suspense. She is also a six-time RITA® Award finalist and winner of the 2004 RITA® Award for paranormal romance. Linda lives in north Alabama with her husband of forty-two years. She can be reached via www.Harlequin.com or her own website, www.lindawinsteadjones.com.
Movies fascinated Beverly Barton from an early age, and by the time she was seven she was rewriting the movies she saw to give them all happy endings. After her marriage and the births of her children, Beverly continued to be a voracious reader and a devoted movie goer, but she put her writing aspirations on hold. Now, after writing over 70 books, receiving numerous awards and becoming a New York Times bestselling author, Beverly's career became her dream come true.

Read an Excerpt



Sunday

Dante Raintree stood with his arms crossed as he watched the woman on the monitor. The image was in black and white, to better show details; color distracted the brain. He focused on her hands, watching every move she made, but what struck him most was how uncommonly still she was. She didn't fidget, or play with her chips, or look around at the other players. She peeked once at her down card, then didn't touch it again, signaling for another hit by tapping a fingernail on the table. Just because she didn't seem to be paying attention to the other players, though, didn't mean she was as unaware as she seemed.

"What's her name?" he asked.

"Lorna Clay," replied his chief of security, Al Rayburn.

"Is that her real name?"

"It checks out."

If Al hadn't already investigated her, Dante would have been disappointed. He paid Al a lot of money to be efficient and thorough.

"At first I thought she was counting," said Al. "But she doesn't pay enough attention."

"She's paying attention, all right," Dante murmured. "You just don't see her doing it." A card counter had to remember every card played. Supposedly counting cards was impossible with the number of decks used by the casinos, but no casino wanted a card counter at its tables. There were those rare individuals who could calculate the odds even with multiple decks.

"I thought that, too," said Al. "But look at this piece of tape coming up. Someone she knows comes up to her and speaks, she looks around and starts chatting, completely misses the play of the people to her left—and doesn't look around even when the deal comes back to her, she just taps that finger. And damned if she didn't win. Again."

Dante watched the tape, rewound it, watched it again. Then he watched it a third time. There had to be something he was missing, because he couldn't pick out a single giveaway.

"If she's cheating," Al said with something like respect, "she's the best I've ever seen."

"What does your gut say?" Dante trusted his chief of security. Al had spent thirty years in the casino business, and some people swore he could spot cheats as soon as they walked in the door. If Al thought she was cheating, then Dante would take action—and he wouldn't be watching this tape now if something hadn't made Al uneasy.

Al scratched the side of his jaw, considering. He was a big, bulky man, but no one who observed him for any length of time would think he was slow, either physically or mentally. Finally he said, "If she isn't cheating, she's the luckiest person walking. She wins. Week in, week out, she wins. Never a huge amount, but I ran the numbers, and she's into us for about five grand a week. Hell, boss, on her way out of the casino she'll stop by a slot machine, feed a dollar in and walk away with at least fifty. It's never the same machine, either. I've had her watched, I've had her followed, I've even looked for the same faces in the casino every time she's in here, and I can't find a common denominator."

"Is she here now?"

"She came in about half an hour ago. She's playing blackjack, as usual."

"Who's the dealer?"

"Cindy."

Cindy Josephson was Dante's best dealer, almost as sharp at spotting a cheater as Al himself. She had been with him since he'd opened Inferno, and he trusted her to run an honest game. "Bring the woman to my office," Dante said, making a swift decision. "Don't make a scene."

"Got it," said Al, turning on his heel and leaving the security center, where banks of monitors displayed every angle of the casino.

Dante left, too, going up to his office. His face was calm. Normally he would leave it to Al to deal with a cheater, but he was curious. How was she doing it? There were a lot of bad cheaters, a few good ones, and every so often one would come along who was the stuff of which legends were made: the cheater who didn't get caught, even when people were alert and the camera was on him—or, in this case, her.

It was possible for people to simply be lucky, as most people understood luck. Chance could turn a habitual loser into a big-time winner. Casinos, in fact, thrived on that hope. But luck itself wasn't habitual, and he knew that what passed for luck was often something else: cheating. Then there was the other kind of luck, the kind he himself possessed, but since it depended not on chance but on who and what he was, he knew it was an innate power and not Dame Fortune's erratic smiles. Since his power was rare, the odds made it likely the woman he'd been watching was merely a very clever cheat.

Her skill could provide her with a very good living, he thought, doing some swift calculations in his head. Five grand a week equaled two hundred sixty thousand dollars a year, and that was just from his casino. She probably hit all of them, careful to keep the numbers relatively low so she stayed under the radar.

He wondered how long she'd been taking him, how long she'd been winning a little here, a little there, before Al noticed.

The curtains were still open on the wall-to-wall window in his office, giving the impression, when one first opened the door, of stepping out onto a covered balcony. The glazed window faced west, so he could catch the sunsets. The sun was low now, the sky painted in purple and gold. At his home in the mountains, most of the windows faced east, affording him views of the sunrise. Something in him needed both the greeting and the goodbye of the sun. He'd always been drawn to sunlight, maybe because fire was his element to call, to control.

He checked his internal time: four minutes until sundown. He knew exactly, without checking the tables every day, when the sun would slide behind the mountains. He didn't own an alarm clock. He didn't need one. He was so acutely attuned to the sun's position that he had only to check within himself to know the time. As for waking at a particular time, he was one of those people who could tell himself to wake at a certain time, and he did. That particular talent had nothing to do with being Raintree, so he didn't have to hide it; a lot of perfectly ordinary people had the same ability.

There were other talents and abilities, however, that did require careful shielding. The long days of summer instilled in him an almost sexual high, when he could feel contained power buzzing just beneath his skin. He had to be doubly careful not to cause candles to leap into flame just by his presence, or to start wildfires, with a glance, in the dry-as-tinder brush. He loved Reno; he didn't want to burn it down. He just felt so damn alive with all the sunshine pouring down that he wanted to let the energy pour through him instead of holding it inside.

This must be how his brother Gideon felt while pulling lightning, all that hot power searing through his muscles, his veins. They had this in common, the connection with raw power. All the members of the far-flung Raintree clan had some power, some heightened form of ability, but only members of the royal family could channel and control the earth's natural energies.

Dante wasn't just of the royal family; he was the Dranir, the leader of the entire clan. "Dranir" was synonymous with "king," but the position he held wasn't ceremonial, it was one of sheer power. He was the oldest son of the previous Dranir, but he would have been passed over for the position if he hadn't also inherited the power to hold it.

Gideon was second to him in power; if anything happened to Dante and he died without a child who had inherited his abilities, Gideon would become Dranir—a possibility that filled his brother with dread, hence the fertility charm currently lying on Dante's desk. It had arrived in the mail just that morning. Gideon regularly sent them, partly as a joke, but mainly because he was doing all he could to insure that Dante had offspring—thus upping the chances that he would never inherit the position. Whenever they managed to get together, Dante had to carefully search every nook and cranny, as well as all his clothing, to make certain Gideon hadn't left one of his clever little charms in a hidden place.

Gideon was getting better at making them, Dante mused. Practice made perfect, after all, and God knows he'd made plenty of the charms in the past few years. Not only were they more potent now, but he varied his approach. Some of them were obvious, silver pieces meant to be worn around the neck like an amulet—not that Dante was an amulet kind of guy. Others were tiny, subtle, like the one Gideon had embedded in the newest business card he'd sent, knowing Dante would likely tuck the card into his pocket. He'd erred only in that the very power of the charm gave it away; Dante had sensed the buzz of its power, though he'd had the devil's own time finding it.

Behind him came Al's distinctive knock-knock on the door. The outer office was empty, Dante's secretary having gone home hours before. "Come in," he called, not turning from his view of the sunset.

The door opened, and Al said, "Mr. Raintree, this is Lorna Clay."

Dante turned and looked at the woman, all his senses on alert. The first thing he noticed was the vibrant color of her hair—a rich, dark red that encompassed a multitude of shades from copper to burgundy. The warm amber light danced along the iridescent strands, and he felt a hard tug of sheer lust in his gut. Looking at her hair was almost like looking at fire, and he had the same reaction.

The second thing he noticed was that she was spitting mad.

Several things happened so closely together that they might as well have been simultaneous. With his senses already so heightened, the quick lash of desire collided with Dante's visceral reaction to fire, sending explosions of sensation cascading along all his neural pathways, too fast for him to control. Across the room, he saw all the candles leap with fire, the wicks burning too fast, too wild, so that the multiple little flames flared larger and more brightly than they should. And on his desk, Gideon's damn little fertility charm began to buzz with power, as if it had an on/off switch that had suddenly been pressed.

What the hell… ?

He didn't have time to dissect and analyze everything that was going on; he had to control himself, and fast, or the entire room would be ablaze. He hadn't suffered such a humiliating loss of control of his powers since he'd first entered puberty and his surging hormones had played hell with everything.

Ruthlessly, he began exerting his will on all that leaping power. It wasn't easy; though he held himself perfectly still, mentally he felt as if he were riding a big, nasty-tempered bull. The natural inclination of energy was to be free, and it resisted any effort to tame it, to wrestle it back inside his mental walls. His control was usually phenomenal. After all, having power wasn't what made a Dranir; having it and controlling it was. Lack of control led to devastation—and ultimately to exposure. The Raintree had survived the centuries due in large part to their ability to blend with normal people, so it wasn't a matter to be taken lightly.

Dante had trained all his life to master the power and energies that ran through him, and even though he knew that as the summer solstice drew near his control was always stretched a bit, he wasn't accustomed to this degree of difficulty. Grimly he concentrated, pulling back, clamping down, exerting his will over the very forces of nature. He could have extinguished the candles, but with an even greater force of will he left them burning, for to make the tiny flames wink out now might draw even more attention than lighting them in the first place.

The only thing that evaded his control was that damn fertility charm on his desk, buzzing and throbbing and all but sending out a strobe effect. Even though he knew Al and Ms. Clay couldn't pick up on the energy the thing was sending out, not glancing at it took all his self-control. Gideon had outdone himself with this one. Just wait until the next time he saw his little brother, Dante grimly promised himself. If Gideon thought this was funny, they would both see how funny it was when the tables were turned. Gideon wasn't the only one who could make fertility charms.

All the wildfires once more under control, he returned his attention to his guest.

Lorna once again tried to twist her arm away from the gorilla holding her, but his grip was just strong enough to hold without applying undue pressure. While a small part of her appreciated that he was actively trying not to hurt her, by far the largest part of her was so furious—and, yes, scared—that she wanted to lash out at him with all her strength, clawing and kicking and biting, doing anything she could to get free.

Then her survival instinct kicked into high gear and her hair all but stood on end as she realized the man standing so silent and still in front of the huge windows was a far greater threat to her than was the gorilla.

Her throat closed, a fist of fear tightening around her neck. She couldn't have said what it was about him that so alarmed her, but she had felt this way only once before, in a back alley in Chicago. She was accustomed to taking care of herself on the streets and had normally used the alley as a shortcut to her place—a shabby single room in a run-down building—but one night when she had started down the alley, alarm had prickled her scalp and she'd frozen, unable to take another step. She couldn't see anything suspicious, couldn't hear anything, but she could not move forward. Her heart had been hammering so hard in her chest she could barely breathe, and she had abruptly been sick with fear. Slowly she had backed out of the alley's entrance and fled down the street to take the long way home.

The next morning a prostitute's body had been found in the alley, brutally raped and mutilated. Lorna knew the dead woman could have been her, if not for the sudden hair-raising panic that had warned her away.

Interviews

An Interview with Linda Howard

Barnes & Noble.com: Your new book, Raintree: Inferno is the lead title in a new paranormal series from Silhouette Nocturne. Tell us how you got involved, and how it works creatively, since other authors write the later books.

Linda Howard: I'm very good friends with the other two authors, and about five years ago when we were sharing a suite for a Readers' Luncheon, we began discussing continuity series and how difficult they could be. From there we progressed to writing connected stories ourselves -- though we didn't have one in mind -- so we began searching the phone book for a name that sparked our imaginations. "Raintree" was that name, and from that we began world-building.

B&N.com: The love story between the powerful Dante Raintree and civilian Lorna Clay, who has extraordinary but unchanneled powers, is terrific, even as it is conducted in the midst of grave danger. There are many great moments here, but to you, which scene best represents their changing dynamic? And was that the hardest or easiest to write?

LH: Ah, I don't want to give away too much, but the car crash and the reaction of each. Dante was willing to sacrifice himself to save her, and when she realized what he'd done …. It's strange, but the difficult scenes to write are never the tension-charged ones; it's the transition scenes, the necessary but undramatic scenes, that are hardest for me, perhaps because I haven't visualized them time and time again. The easiest scenes are the ones that have the most going on, because then the words just tumble out.

B&N.com: What new books are you working on? What's coming up next?

LH: The next book is Up Close and Dangerous, to be published by Ballantine, which is a sort of murder mystery, plane crash, survival type of thing. You can tell I'm synopsis-challenged by this description, can't you?!

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