Race-ing Art History: Critical Readings in Race and Art History
Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.
1101539077
Race-ing Art History: Critical Readings in Race and Art History
Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.
52.49 In Stock
Race-ing Art History: Critical Readings in Race and Art History

Race-ing Art History: Critical Readings in Race and Art History

by Kymberly N. Pinder (Editor)
Race-ing Art History: Critical Readings in Race and Art History

Race-ing Art History: Critical Readings in Race and Art History

by Kymberly N. Pinder (Editor)

eBook

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Overview

Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.

Product Details

ISBN-13: 9781136056666
Publisher: Taylor & Francis
Publication date: 04/15/2013
Sold by: Barnes & Noble
Format: eBook
Pages: 400
File size: 62 MB
Note: This product may take a few minutes to download.

About the Author

Kymberly N. Pinder is Associate Professor of Art History at the School of the Art Institute of Chicago.

Table of Contents

List of figures
List of Color Plates
Introduction: Kymberly N. Pinder
I. Black Athenas, Semitic Devils and Black Magi: Reading Race from Antiquity to the Middle Ages
1. Just Like Us: Cultural Constructions of Sexuality and Race in Roman Art: John R. Clarke
2. Imaging the Self: Identity and Gender in Representations in a Yiddish Books of Customs: Diane Wolfthal
3. A Sanctified Black: Maurice: Jean Devisse
II. Imag(in)ing Race in the Eighteenth and Nineteenth Centuries
4. The Imaginary Orient: Linda Nochlin
5. Only Women should go to Turkey: Henriette Brown and the Orientalist Female Gaze: Reina Lewis
6. The Hottentot and the Prostitute: Toward an Iconography of Female Sexuality: Sander Gilman
7. Going Native: Abigail Solomon-Godeau
8. Racism, Nationalism, and Nostalgia: J. Gray Sweeney
9. Blacks in Shark- Infested Waters: Albert Boime
10. Making a Man of Him: Masculinity and the Black Body in Mid-Nineteenth Century American Sculpture: Michael Hatt
III. Modernism and its Primitive Legacy
11. Histories of the Tribal and the Modern: James Clifford
12. The White Peril and L'Art nègre: Picasso, Primitivism, and Anticolonialism: Patricia Leighten
13. New Encounters with Les 'Desmoiselles d' Avignon: Gender, Race, and the Origins of Cubism: Anna C. Chave
14. Wilfredo Lam: Painter of Negritude: Robert Linsley
15. Sargent Johnson: Afro-Californian Modernist: Judith Wilson
16. Horace Pippin's Challenge to Art Criticism: Cornel West
17. In Search of the Inauthentic: Disturbing Signs in Contemporary Native American Art: Jean Fisher
18. Altars of Sacrifice: Re-membering Basquiat: bell hooks
IV. Race-ing Us: White, Beige, Brown, and Black in the Twentieth Century
19. International Abstraction in a National Context: Abstract Paintings in Korea, 1910- 1965: Jae- Ryung Roe
20. The Other Immigrant: The Experience and Achievements of Afro-Asian Artists: Rasheed Araeen
21. Reframing the Black Subject: Ideology and Fantasy in Contemporary South African Representation: Okwui Enwezor
22. Biraciality and Nationhood in Twentieth-Century American Art: Kymberly N. Pinder
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