Probing the Ethics of Holocaust Culture

Depictions of the Holocaust in history, literature, and film became a focus of intense academic debate in the 1980s and 1990s. Today, with the passing of the eyewitness generation and the rise of comparative genocide studies, the Holocaust’s privileged place not only in scholarly discourse but across Western society has been called into question.

Probing the Ethics of Holocaust Culture is a searching reappraisal of the debates and controversies that have shaped Holocaust studies over a quarter century. This landmark volume brings international scholars of the founding generation of Holocaust studies into conversation with a new generation of historians, artists, and writers who have challenged the limits of representation through their scholarly and cultural practices. Focusing on the public memorial cultures, testimonial narratives, and artifacts of cultural memory and history generated by Holocaust remembrance, the volume examines how Holocaust culture has become institutionalized, globalized, and variously contested. Organized around three interlocking themes—the stakes of narrative, the remediation of the archive, and the politics of exceptionality—the essays in this volume explore the complex ethics surrounding the discourses, artifacts, and institutions of Holocaust remembrance.

From contrasting viewpoints and, in particular, from the multiple perspectives of genocide studies, the authors question if and why the Holocaust should remain the ultimate test case for ethics and a unique reference point for how we understand genocide and crimes against humanity.

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Probing the Ethics of Holocaust Culture

Depictions of the Holocaust in history, literature, and film became a focus of intense academic debate in the 1980s and 1990s. Today, with the passing of the eyewitness generation and the rise of comparative genocide studies, the Holocaust’s privileged place not only in scholarly discourse but across Western society has been called into question.

Probing the Ethics of Holocaust Culture is a searching reappraisal of the debates and controversies that have shaped Holocaust studies over a quarter century. This landmark volume brings international scholars of the founding generation of Holocaust studies into conversation with a new generation of historians, artists, and writers who have challenged the limits of representation through their scholarly and cultural practices. Focusing on the public memorial cultures, testimonial narratives, and artifacts of cultural memory and history generated by Holocaust remembrance, the volume examines how Holocaust culture has become institutionalized, globalized, and variously contested. Organized around three interlocking themes—the stakes of narrative, the remediation of the archive, and the politics of exceptionality—the essays in this volume explore the complex ethics surrounding the discourses, artifacts, and institutions of Holocaust remembrance.

From contrasting viewpoints and, in particular, from the multiple perspectives of genocide studies, the authors question if and why the Holocaust should remain the ultimate test case for ethics and a unique reference point for how we understand genocide and crimes against humanity.

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Probing the Ethics of Holocaust Culture

Probing the Ethics of Holocaust Culture

Probing the Ethics of Holocaust Culture

Probing the Ethics of Holocaust Culture

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Overview

Depictions of the Holocaust in history, literature, and film became a focus of intense academic debate in the 1980s and 1990s. Today, with the passing of the eyewitness generation and the rise of comparative genocide studies, the Holocaust’s privileged place not only in scholarly discourse but across Western society has been called into question.

Probing the Ethics of Holocaust Culture is a searching reappraisal of the debates and controversies that have shaped Holocaust studies over a quarter century. This landmark volume brings international scholars of the founding generation of Holocaust studies into conversation with a new generation of historians, artists, and writers who have challenged the limits of representation through their scholarly and cultural practices. Focusing on the public memorial cultures, testimonial narratives, and artifacts of cultural memory and history generated by Holocaust remembrance, the volume examines how Holocaust culture has become institutionalized, globalized, and variously contested. Organized around three interlocking themes—the stakes of narrative, the remediation of the archive, and the politics of exceptionality—the essays in this volume explore the complex ethics surrounding the discourses, artifacts, and institutions of Holocaust remembrance.

From contrasting viewpoints and, in particular, from the multiple perspectives of genocide studies, the authors question if and why the Holocaust should remain the ultimate test case for ethics and a unique reference point for how we understand genocide and crimes against humanity.


Product Details

ISBN-13: 9780674973268
Publisher: Harvard University Press
Publication date: 10/17/2016
Sold by: Barnes & Noble
Format: eBook
Pages: 490
File size: 4 MB

About the Author

Claudio Fogu is Associate Professor of Italian Studies at the University of California, Santa Barbara.

Wulf Kansteiner is Professor of History at Aarhus University.

Todd Presner is Professor of Germanic Languages, Comparative Literature, and Digital Humanities at the University of California, Los Angeles.

Table of Contents

Cover Title Copyright Contents Introduction: The Field of Holocaust Studies and the Emergence of Global Holocaust Culture Part I: The Stakes of Narrative Chapter 1. Historical Truth, Estrangement, and Disbelief Chapter 2. On “Historical Modernism”: A Response to Hayden White Chapter 3. Sense and Sensibility: The Complicated Holocaust Realism of Christopher Browning Chapter 4. A Reply to Wulf Kansteiner Chapter 5. Scales of Postmemory: Six of Six Million Chapter 6. Interview with Daniel Mendelsohn, Author of The Lost: A Search for Six of Six Million Chapter 7. The Death of the Witness; or, The Persistence of the Differend Part II: Remediations of The Archive Chapter 8. The Ethics of the Algorithm: Close and Distant Listening to the Shoah Foundation Visual History Archive Chapter 9. On the Ethics of Technology and Testimony Chapter 10. A “Spatial Turn” in Holocaust Studies? Chapter 11. Interview with Anne Knowles, Tim Cole, Alberto Giordano, and Paul B. Jaskot, Contributing Authors of Geographies of the Holocaust Chapter 12. Freeze-Framing: Temporality and the Archive in Forgács, Hersonski, and Friedländer Chapter 13. Witnessing the Archive Chapter 14. Deconstructivism and the Holocaust: Peter Eisenman’s Memorial to the Murdered Jews of Europe Chapter 15. Berlin Memorial Redux Part III: The Politics of Exceptionality Chapter 16. The Holocaust as Genocide: Experiential Uniqueness and Integrated History Chapter 17. Anxieties in Holocaust and Genocide Studies Chapter 18. The Witness as “World” Traveler: Multidirectional Memory and Holocaust Internationalism before Human Rights Chapter 19. Fiction and Solicitude: Ethics and the Conditions for Survival Chapter 20. Catastrophes: Afterlives of the Exceptionality Paradigm in Holocaust Studies Epilogue: Interview with Saul Friedländer Notes Acknowledgments Illustration Credits Contributors Index
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