Precarious spectatorship: Theatre and image in an age of emergencies
Precarious spectatorship is about the relationship between emergencies and the spectator. In the early twenty-first century, ‘emergencies’ are commonplace in the newsgathering and political institutions of western industrial democracies. From terrorism to global warming, the refugee crisis to general elections, the spectator is bombarded with narratives that seek to suspend the criteria of everyday life in order to address perpetual ‘exceptional’ threats. The book argues that repeated exposure to these narratives through the apparatuses of contemporary technology creates a ‘precarious spectatorship’, where the spectator’s ability to rationalise herself or her relationship with the object of her spectatorship is compromised. This precarity has become a destructive but too-often overlooked aspect of contemporary spectatorship.
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Precarious spectatorship: Theatre and image in an age of emergencies
Precarious spectatorship is about the relationship between emergencies and the spectator. In the early twenty-first century, ‘emergencies’ are commonplace in the newsgathering and political institutions of western industrial democracies. From terrorism to global warming, the refugee crisis to general elections, the spectator is bombarded with narratives that seek to suspend the criteria of everyday life in order to address perpetual ‘exceptional’ threats. The book argues that repeated exposure to these narratives through the apparatuses of contemporary technology creates a ‘precarious spectatorship’, where the spectator’s ability to rationalise herself or her relationship with the object of her spectatorship is compromised. This precarity has become a destructive but too-often overlooked aspect of contemporary spectatorship.
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Precarious spectatorship: Theatre and image in an age of emergencies

Precarious spectatorship: Theatre and image in an age of emergencies

by Sam Haddow
Precarious spectatorship: Theatre and image in an age of emergencies

Precarious spectatorship: Theatre and image in an age of emergencies

by Sam Haddow

Hardcover

$130.00 
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Overview

Precarious spectatorship is about the relationship between emergencies and the spectator. In the early twenty-first century, ‘emergencies’ are commonplace in the newsgathering and political institutions of western industrial democracies. From terrorism to global warming, the refugee crisis to general elections, the spectator is bombarded with narratives that seek to suspend the criteria of everyday life in order to address perpetual ‘exceptional’ threats. The book argues that repeated exposure to these narratives through the apparatuses of contemporary technology creates a ‘precarious spectatorship’, where the spectator’s ability to rationalise herself or her relationship with the object of her spectatorship is compromised. This precarity has become a destructive but too-often overlooked aspect of contemporary spectatorship.

Product Details

ISBN-13: 9781526138415
Publisher: Manchester University Press
Publication date: 10/14/2019
Series: Contemporary American and Canadian Writers
Pages: 192
Product dimensions: 5.43(w) x 8.50(h) x 0.50(d)

About the Author

Sam Haddow is Senior Lecturer in Modern and Contemporary Drama at the University of St Andrews

Table of Contents

Introduction: emergencies and spectatorship
1 Enemy/image
2 Two tales of my dying neighbours
3 ‘in the grip of the monster’
4 Theatre, exposure and the exterior
Epilogue
Appendix: a brief history of emergencies
Index

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