Praise Jerusalem!

by Augusta Trobaugh

Overview

Fans of southern novels that explore the complex relationships between white families and their black hired help will find a compelling story about race relations in PRAISE JERUSALEM. Amelia, an aging Georgia matron forced by money woes to move in with two other women--outlandishly preachy Maybelline and take-no-nonsense Mamie, who is black--begins to confront her childhood memories of the black women who worked for her family. Their lives, both tragic and yet sublimely proud, haunt Amelia even now, as she searches for a way to make peace with the sorrows she innocently observed.

PRAISE JERUSALEM is a rare mix of poignant drama but also wry humor. Both the elder Amelia and her childhood self are primly rebellious and irrepressible; Amelia's sharp eye for petty human foibles never fails her.

Product Details

ISBN-13:	9781611940206
Publisher:	BelleBooks Inc.
Publication date:	03/11/2011
Sold by:	Barnes & Noble
Format:	eBook
File size:	576 KB

Editorial Reviews

Trobaugh takes her shot at that nameless genre in which persnickety elderly white Southern ladies come, late in life, to insights that had long eluded them. Widowed and astringent, Miss Amelia wrestles with the dilemma of her finances, whose dwindling does not accord with the elevated position she occupies in her small Georgia community. Her relatives and contemporaries are all dead, so even if she sells her lovely old family home, she has nowhere to go. Her only offer of a place to live is an abandoned home in Jerusalem, Ga., which once belonged to her housemate Maybelline's grandfather. Maybelline herself is a maddeningly well-intentioned woman of dubious breeding and tacky taste through whom the Lord speaks loudly and often. Amelia, whose relationship with the Lord is one of polite disbelief, has no alternative but to go along with the plan. Worse, with increasing frequency, she's found herself slipping back in time to a childhood summer. Fearing senility, lapsing in and out of the present, Amelia reexamines her past, finally accessing a place in her heart deeper than the detached civility she has so long presented to the world. As her story reveals more of Amelia's haunting past, Trobaugh weaves a tale of a sensitive child struggling with the dilemma of a segregated South, who's finally being shown the way to grace and faith by those with even fewer rights than a child hasi.e. black women, the blind, the mute and the poor. If sometimes the atmosphere is too thick with mystery and wonder and grace and faith, Trobaugh grounds her rich first novel with salty dialogue and earthy realism. (May)

Publishers Weekly - Publisher's Weekly

Trobaugh takes her shot at that nameless genre in which persnickety elderly white Southern ladies come, late in life, to insights that had long eluded them. Widowed and astringent, Miss Amelia wrestles with the dilemma of her finances, whose dwindling does not accord with the elevated position she occupies in her small Georgia community. Her relatives and contemporaries are all dead, so even if she sells her lovely old family home, she has nowhere to go. Her only offer of a place to live is an abandoned home in Jerusalem, Ga., which once belonged to her housemate Maybelline's grandfather. Maybelline herself is a maddeningly well-intentioned woman of dubious breeding and tacky taste through whom the Lord speaks loudly and often. Amelia, whose relationship with the Lord is one of polite disbelief, has no alternative but to go along with the plan. Worse, with increasing frequency, she's found herself slipping back in time to a childhood summer. Fearing senility, lapsing in and out of the present, Amelia reexamines her past, finally accessing a place in her heart deeper than the detached civility she has so long presented to the world. As her story reveals more of Amelia's haunting past, Trobaugh weaves a tale of a sensitive child struggling with the dilemma of a segregated South, who's finally being shown the way to grace and faith by those with even fewer rights than a child has-i.e. black women, the blind, the mute and the poor. If sometimes the atmosphere is too thick with mystery and wonder and grace and faith, Trobaugh grounds her rich first novel with salty dialogue and earthy realism.

Publishers Weekly - Cahners\\Publishers_Weekly

"A perfect balance of richness and delicacy . . . I found something to amaze and delight me on every page. " -Bailey White, National Public Radio commentator and author of Quite a Year for Plums.



"Augusta Trobaugh is a daring and insightful writer. " -Janice Daugharty, author of Earl in the Yellow Shirt



"Trobaugh grounds her rich first novel with salty dialogue and earthy realism." -Publishers Weekly



"A writer of extraordinary talent and skill."-BOOKLIST



"A new voice from and for the South, as complex and resonant as the region itself. "-Anne Rivers Siddons

From the Publisher