Table of Contents
Acknowledgments ix
Introduction. The "Witness Stand: "Where the Truth Lies 1
Part I The Autobiographical Springboard
1 Le moi à plusieurs reprises: From Confession to Testimony in the Autobiographical Writings of Hélène Cixous and Assia Djebar 27
2 La singularité de l'altérité: Self-Portraiture and the Other in Maïssa Bey 46
Part II Takeoff Points
3 La terre maternelle: Algeria and the Mother in the "Work of Marie Cardinal, Hélène Cixous, and Assia Djebar 61
4 "La célébration d'une terre-mère": Albert Camus and Algeria according to Maïssa Bey and Assia Djebar 86
Part III Embodiments
5 Écrire les maux: Hélène Cixous and "Writing the Body over Time 99
6 Sexualités et sensualités: Corporeal Configurations in the Work of Maïssa Bey, Assia Djebar, Malika Mokeddem, and Leïla Sebbar 109
Part IV Reverberations
7 Ruptures intimes: Sentimental Splitting in the Work of Assia Djebar 129
8 Lourds retours: Coming Back to Algeria in Malika Mokeddem's L'Interdite 140
9 Fille de harki: Relating to the Father, Country, and Religion in the Writing of Zahia Rahmani 151
10 Fabulation et imagination: Women, Nation, and Identification in Maïssa Bey's Cette fille-là 164
Conclusion. Mass in A Minor: Putting Algeria on the Map 186
Notes 197
Bibliography 215
Index 227