Poetics of Visibility in the Contemporary Arab American Novel

Poetics of Visibility in the Contemporary Arab American Novel

by Mazen Naous
Poetics of Visibility in the Contemporary Arab American Novel

Poetics of Visibility in the Contemporary Arab American Novel

by Mazen Naous

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Overview


How might art disrupt Arabophobia and Islamophobia in the US? In Poetics of Visibility in the Contemporary Arab American Novel, Mazen Naous argues that fiction is one of the ways in which Arab Americans can correct dominant narratives of themselves with representation of their lived realities. Looking at both the aesthetics and politics in contemporary Arab American novels, Naous demonstrates that the novels’ poetics cannot be extricated from or subsumed under political content. In his finely textured analyses of form and style, Naous uncovers crucial transcultural and transpoetic solidarities that extend beyond the politics of representation.
 
Naous’s book offers analyses of Diana Abu-Jaber’s Arabian Jazz and Crescent, Rabih Alameddine’s Koolaids: The Art of War, Laila Halaby’s Once in a Promised Land, and Mohja Kahf’s The Girl in the Tangerine Scarf as ways to answer this question. Naous explores how these novels negotiate queer desire, music, Western and Middle Eastern art, gender, and relationships between other minorities. These poetics enable readers to see the nuance and richness of Arab American experience. Naous ultimately argues that fiction creates crucial spaces for reimagining and redefining intercultural relationships.
 

Product Details

ISBN-13: 9780814255766
Publisher: Ohio State University Press
Publication date: 03/10/2020
Edition description: 1
Pages: 222
Product dimensions: 6.00(w) x 9.00(h) x 0.60(d)

About the Author


Mazen Naous is Assistant Professor of English at the University of Massachusetts Amherst.

Table of Contents

Contents

Acknowledgments

Introduction    Poetics of Visibility, Visible Poetics

Chapter 1        The Disease as Queer Cure: Rabih Alameddine’s Koolaids: The Art of War

Chapter 2        Blue Notes and Accented Rhythms: Diana Abu-Jaber’s Arabian Jazz

Chapter 3        Sign after Sign: Mohja Kahf’s The Girl in the Tangerine Scarf

Chapter 4        Anagrams of Identity: Laila Halaby’s Once in a Promised Land

Chapter 5        Reframing Infidelity: Diana Abu-Jaber’s Crescent

Conclusion      Arab American Polyphonics

Bibliography

Index

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