The Fall 1995 issue of Ploughshares, guest edited by Ann Beattie. Ploughshares, a journal of new writing, is guest edited serially by prominent writers who explore different and personal visions, aesthetics, and literary circles.
This issue of Ploughshares, edited by award-winning author Ann Beattie (The New Yorker Stories), brings together a varied collection of fiction, and is subtitled "Living Rooms." In Beattie's introduction, she states: "I am drawn to stories that are at once on the page and off it, escaping boundaries just as a good photograph does. I look for a double accomplishment, both a bow to the so-called real world (I am tedious with writing students, begging them to include a telephone ringing at an inopportune moment, or a bird flying by the window), as well as a defamiliarization of that world, all achieved by including the detail or details that reverberate, on which the writer has focused his or her lens, in close-up. In short, I expect the world of stories, and I expect them, in some way, to acknowledge the world." Featuring work from Frederick Barthelme, Laura Furman, Tess Gallagher, William Henry Lewis, Steven Rinehart, and Jessica Treadway.
INTRODUCTION
Ann Beattie
FICTION
"The Dissolution of the World" by Caroline A. Langston
"The Big Room" by Frederick Barthelme
"The Order of the Arrow" by Steven Rinehart
"Braid" by Tom Jenks
"Eggs" by Devon Jersild
"A True History of Notorious Mr. Edward Hyde" by Tony Eprile
"The Three-Legged Man" by Marc Vassallo
"Fugitives" by James Lilliefors
"Buffalo Safety" by David Wiegand
"The Apprentice" by Laura Furman
"Shades" by William Henry Lewis
"Aftermath" by Paul Brodeur
"Some Other Angel" by Ray Isle
"The Excitement Begins" by Leslee Becker
"Creatures" by Tess Gallagher
"Dear Nicole" by Jessica Treadway
EDITOR PROFILE
Don Lee
POSTSCRIPT
Cohen Award winners: Mary Ruefle, Marshall N. Klimasewiski, and Charles Baxter