This elevated psychological thriller got lost in the shuffle of 2020, and despite winning an Edgar Award, never got the attention it deserved. Suspenseful, articulate, smart, original, and deeply moving — it’s everything we want out of this kind of story.
In this sophisticated, suspenseful debut reminiscent of Laura Lippman and Chloe Benjamin, two young women become unlikely friends during one fateful summer in Atlantic City as mysterious disappearances hit dangerously close to home.
Summer has come to Atlantic City but the boardwalk is empty of tourists, the casino lights have dimmed, and two Jane Does are laid out in the marshland behind the Sunset Motel, just west of town. Only one person even knows they’re there.
Meanwhile, Clara, a young boardwalk psychic, struggles to attract clients for the tarot readings that pay her rent. When she begins to experience very real and disturbing visions, she suspects they could be related to the recent cases of women gone missing in town. When Clara meets Lily, an ex-Soho art gallery girl who is working at a desolate casino spa and reeling from a personal tragedy, she thinks Lily may be able to help her. But Lily has her own demons to face. If they can put the pieces together in time, they may save another lost girl—so long as their efforts don’t attract perilous attention first. Can they break the ill-fated cycle, or will they join the other victims?
Evocative, eerie, and compelling, Please See Us is a fast-paced psychological thriller that explores the intersection of womanhood, power, and violence.
Caitlin Mullen earned a BA in English and Creative Writing from Colgate University, an MA in English from NYU, and an MFA in fiction from Stony Brook University. While at Stony Brook she taught undergraduate creative writing, served as an editor and contributing writer for The Southampton Review, and worked as a bookseller at WORD in Greenpoint. She grew up in upstate New York and the Jersey Shore and currently lives in Brooklyn. Please See Us is her debut novel.
Corey Brill, audiobook narrator, is a stage, film, and television actor who has performed on Broadway, at The Kennedy Center, and in regional theaters across the country. He has appeared on television in The Walking Dead, Chicago PD, Scorpion, and You’re the Worst. A graduate of Otterbein College and University of California at San Diego, he also writes songs and keeps bees on a rooftop in downtown Los Angeles.
Piper Goodeve began narrating in 2011 and has since given voice to over a hundred titles. As a stage actress, Piper has appeared off Broadway as well as at theaters across the country, such as the McCarter, the Weston Playhouse, and Syracuse Stage. Happily splitting her time between Brooklyn and Vermont, Piper holds a BA from New York University and received her MFA in acting from Brown University/Trinity Rep.
Hillary Huber has recorded hundreds of titles spanning many genres. She is a multiple Audie Award Finalist, an Earphones Award winner, and an AudioFile Best Voice. Hillary has a BA in English Literature and is a voracious reader and listener of audiobooks. Hillary now splits her time between LA and NY.
Dara Rosenberg is an accomplished voice-over artist who has been recognized nationally for her extensive work in audiobooks and commercials. She has a BFA in drama from NYU’s Tisch School of the Arts and studied at Interlochen Arts Academy, where she majored in drama and musical theater.
Prologue PROLOGUE BY THE SECOND WEEK IN June, there are two dead women laid out like tallies in the stretch of marsh just behind the Sunset Motel. They are so close to each other that their fingers nearly touch. The women can see everything with perfect clarity now, the man’s entire design available to them as though they had thought of it themselves: by the end of eight weeks’ time there will be five more women. He plans to use the city’s symbols against it. Seven women, seven warnings. Not so lucky after all.
The motel sits on the western border of Atlantic City, where stretches of salt marsh buffer the space between land and ocean. Casinos line the shores on the eastern edge of town, along the boardwalk, and to the north, where pleasure boats slip in and out of the marina or dock long enough for a bottle of wine, a bit of sun, a swim. At night the skyline is gapped, like a child’s smile: half of the casinos have shut down and their lights are turned out. The empty buildings hulk against the shoreline, mammoth and spectral as shipwrecked cruise liners.
In death, the women are still dressed to walk the streets. To attract clients with a slice of leg, cleavage. To mime desire with a cant of the hips, a toss of their hair. Dressed to be undressed. Their jewelry glints in the sun: gold hoop earrings and the delicate chains of ankle bracelets. Charms in the shape of four-leaf clovers, a pair of cherries, a cat’s head. A stack of cheap metal bangles, the gilt coming off in tiny flakes. There is longing in the way their hands seem to reach toward one another, the aching almost of it. Bruises bloom on the skin of their arms, delicate blues and greens that could have been painted with watercolor. Except for their necks, which are marked with purple rings. The water seething in and out with the tide means they won’t be preserved for long. Already dense, iridescent clumps of greenhead flies tickle along their limbs, their cheeks, their scalps; the flies’ thick, segmented wings like stained glass.
Each day brings a new hope that someone will find them. Planes fly banners over the beach, advertising Corona. The pilots loop back over the marsh but never look down. Other days an employee from the motel rattles a bag of recycling to the dumpster. Some nights a couple stops in the motel’s parking lot to fuck in the back seat of a rusted-out Ford Explorer. The car rocks on its frame for a little while, and after it goes still the man ambles out to light a joint. Sometimes the woman squats on the edge of the marsh to piss behind the cover of the reeds. The women call to her, the shush of the wind through the grass like a whisper. Look, they try to say. Look. Look. Please see.
Cars and buses thrum past on the Black Horse Pike, trucks delivering cuts of filet mignon and rib eye to the casino steak houses, or vans of fresh laundry for the hotels: sheets and pillowcases that have been boiled clean, napkins and tablecloths stiff with starch. At one point or another the women in the marsh have wished for that kind of a cleansing, a way to scald their secrets away, their pasts swirled down the drain.
The man has turned their heads so they both look in the same direction: east, toward the lights of Atlantic City. They have been placed there to watch, to warn. Their eyes are open. They wait.
With March comes bright colors, fragrant flowers and our brand new must-reads. From an unforgettable story of family set in Appalachia to a genre-defying speculative fiction, an essential guide to an American literary icon and a chilling (and award-winning) thriller, these picks will pair nicely with your picnic blankets and outdoor charcuterie boards. In between […]
