"Brennan’s achievement is to do justice to the many things Said was and to articulate the synapses that connected his different worlds, so ideas that had their birth in one found their use in another. He has provided us with what you might call a manual of Said; a map of his thoughts and his positions, which, change as they did, could always be traced to a core set of ideas and drives and to do this without ever blunting Said’s subtlety or smudging the clarity of his ideas." —Ahdaf Soueif, The Guardian
“[A] rich explication of Said’s trajectory . . . Brennan is very fine on the evolution of Said’s thought and writing, as well as on his return, after his leukemia diagnosis in 1991, to the music that had been central to his youth . . . Said’s vitality and lasting importance as both a scholar and a public figure emerge strongly in these pages.” —Claire Messud, Harper’s
"A remarkably unhindered and often incisive intellectual portrait of its subject . . . The drama of [Said's] mind is given a good airing. Brennan concentrates on what Said most cared about in his work: a wise decision, since those are the reasons we still read him." —Thomas Meaney, New Statesman
"Places of Mind is an intellectual biography for which Brennan enjoyed unprecedented access to Said’s private papers and letters . . . Nuanced [and] intimate." —Avi Shlaim, Financial Times
"Brennan draws on an imposing array of material to write the first comprehensive portrait of one of America’s most distinguished postwar intellectuals." —Ayten Tartici, The New York Times Book Review
"[An] intense and rewarding book." —Tunku Varadarajan, The Wall Street Journal
"Brennan’s book is a rich intellectual history, summarizing the content of Said’s major works, tracing the conditions of their creation, and mapping their influence. In detailing how specific conversations and locations stimulated his writing, and discussing the nature of Said’s unpublished poetry, fiction, and essays, Brennan breathes new life in a crowded field of Said studies." —Esmat Elhalaby, Boston Review
"A sharply incisive portrait. Drawing on abundant archival sources, Said’s hefty FBI file, his published and unpublished works, and hundreds of interviews, Brennan . . . traces the evolution of a boldly transformative, controversial thinker . . . Exemplary scholarship informs [this] absorbing biography." —Kirkus Reviews (starred review)
"[A] meticulous account . . . Brennan’s work will be invaluable reading for students of Said or the postcolonial critical movement his work sparked." —Publishers Weekly (starred review)
"Brennan effectively uses a range of primary sources to provide insight into what influenced Said’s thinking, and how he handled criticism of his noteworthy work . . . Brennan has succeeded in writing an account that is both an act of love and a solid study of a fascinating man." —Library Journal (starred review)
"Given the sheer amount of writing not only by but on Said, it seems at first surprising, and then inevitable, that no one has yet managed a comprehensive biography of him: there’s too much ground to cover, too many aspects of his long and controversial career to accommodate. Timothy Brennan’s rather remarkable Places of Mind seeks to rectify this . . . What emerges is a remarkably careful and considered narrative of Said’s life from cradle to grave—an account that is both synthesis and corrective . . . The care with which Brennan attends to Said’s writing, as well as its uneven reception, is palpable on every page." —Jane Hu, Bookforum
“Brennan, a literary scholar as well as a student and friend of Said, enjoyed broad access to his subject’s contacts and papers, allowing him to examine Said’s formative experiences and key relationships. The result is a warm and perceptive exploration of one of the twentieth century’s most compelling minds, and the passions that shaped it.” —Brendan Driscoll, Booklist
"In Places of Mind Timothy Brennan offers a portrait of Edward Said in all his complexity, revealing multiple aspects of his life and work unknown even to some of those closest to him. Relying on a remarkable range of sources, ranging from Said's private papers to extensive interviews, Brennan offers us an elegiac and nuanced portrait of one of the most influential literary figures of the past century, who was also the foremost public advocate for the rights of the Palestinian people." —Rashid Khalidi, author of Brokers of Deceit: How the U.S. Has Undermined Peace in the Middle East
"Timothy Brennan delivers a powerful and moving portrait of Edward Said, a multi-dimensional public intellectual, teacher, activist, artist, and scholar. As someone who knew the subject of this book quite well—as tennis partner, editor, and fellow traveler in Israel/Palestine—I feel on every page of this book in the presence of both confirmation and revelation. From his precocious childhood to his scholarly triumphs and critical battles, to his final struggles with illness and the intricacies of his “latestyle,” Said emerges as one of the essential intellectuals of our time, brave, inventive, incisive, and prophetic, portrayed against a historical background as complex and contradictory as its main subject." —W. J. T. Mitchell, author of Mental Traveler: A Father, a Son, and a Journey through Schizophrenia
"Timothy Brennan’s study of Edward Said is an outstanding intellectual and personal biography of one of the 20th century’s most brilliant and debated scholars. Deeply researched and erudite, Places of Mind is also written with the elegance and power of a novel that Said himself would have admired. To read these pages is to understand the enormity of Said’s often singular contributions and the profound void he has left behind. A tour de force." —Sara Roy, author of Unsilencing Gaza: Reflections on Resistance
“Edward W. Said was one of the most prominent public intellectuals of the late twentieth century. This long-needed biography by Timothy Brennan gives us a vivid picture of Said’s many passions and contradictions. The book is deeply researched, written with straightforward elegance, insightful in its psychology, and nuanced in its descriptions of Middle Eastern politics and also of the American academic world.” —Ralph P. Locke, author of Music and the Exotic: Images and Reflections
"Timothy Brennan’s biography of Edward Said is a thrilling read. It provides a critical window into the life and mind of one of the great intellects of our time. The author, who had access to Said’s private papers, proceeds elegantly and thoughtfully, with depth, intelligence and great empathy to interpret how Said came to be the great scholar and human being that he developed into going into his childhood, the emotional and intellectual influences and how he responded to them helping the reader enter Said’s world and mind and understand both. He lays bare the intellectual and political struggles as well as the emotional difficulties that Said endured in the course of his life and what he made out of them. This is not a biography that is burdened with theory and yet one that helps the reader navigate through Said’s long and impressive oeuvre to better understand and make accessible his writing. It is excellent on how Said’s convictions, both on literature and politics, developed shedding light on Said’s strength and vulnerabilities. It is not only an intellectual biography but one of the total person. Said was a monumental figure and this is a suitably monumental biography of extraordinary scope." —Raja Shehadeh, author of Where the Line is Drawn: Crossing Boundaries in Occupied Palestine
"Among literary critics who emerged in the second half of the last century, Said remains by far the most phosphorescent, a figure globally invoked alongside his intellectual heroes: Gramsci, Lukacs, Sartre, Adorno, Chomsky, Foucault. We who were his students remember a man quick to anger and to empathy; and to impatience with ideas merely expressed, not lived. He was a theoretician among aesthetes and an aesthete among theoreticians. A promiscuous love of literature and music drove him as surely as his heartbroken demand for justice in the world. Professor Brennan’s book is a sensitive, brilliantly readable piece of life-writing that captures the difficult, estimable man we cherished." —Benjamin Taylor, author of The Hue and Cry at Our House
"Edward Said, a major intellectual, prolific author, political thinker (and actor) of formidable guts and subtlety, and gifted pianist, was also a figure of infinite charm and considerable human complexity. Timothy Brennan's outstanding biography somehow does justice to these and other aspects of Said's personality and achievement, and does so in prose of impressive force and clarity. A masterly examination of a singularly rich and multiply engaged life." —Michael Fried, author of What Was Literary Impressionism?
"Brennan, one of Said's former students, offers insight into one of the foremost intellectuals of the postwar period . . .[he] has succeeded in writing an account that is both and act of love and a solid study of a fascinating man."
—David Keymer, Library Journal
★ 01/04/2021
Brennan (Borrowed Light: Vico, Hegel, and the Colonies), professor of comparative literature at the University of Minnesota, shines a light in this meticulous account on the intertwined personal, professional, and political lives of professor and public intellectual Edward Said (1935–2003). Said’s best work, Brennan argues, emerged from his conviction that “the humanities have political consequences.” The author surveys the mentors who influenced Said’s thinking, among them “eccentric critic” R.P. Blackmur and Harry Levin (a “sociologist and economist who scandalized academia”), and the works that played a recurring role in Said’s writing, such as Georg Lukacs’s History and Class Consciousness (Said “Had been frustrated for some time that Lukacs was not widely known in the Arab world”) and Jean-Paul Sartre’s Being and Nothingness (which Said used to “expose the fundamental weakness of literary studies at the time”). A rich overview of Said’s academic career features detailed treatments of his major texts (including Beginnings, Orientalism, and The World, the Text and the Critic), and Brennan goes into detail as well on his subject’s fraught connection to the Palestine National Council, and his role as a celebrity. Brennan’s work will be invaluable reading for students of Said or the postcolonial critical movement his work sparked. Agent: Jacqueline Ko, Wylie Agency. (Mar.)
★ 03/01/2021
Edward Said (1935–2003) is best known for his 1978 book Orientalism, which revolutionized the study of the Eastern world and heavily influenced the emerging field of postcolonial studies as well as literary studies in general. In Orientalism, he argued that Western authors had painted a negative picture of the Middle East throughout the ages. The book was controversial, as were Said's public interventions in support of Palestine, his homeland. Brennan (humanities, Univ. of Minnesota; At Home in the World), one of Said's former students, offers insight into one of the foremost public intellectuals of the postwar period, beginning with his early years in Jerusalem and Cairo. As an adult, Said garnered recognition in his academic career, teaching comparative literature at Columbia University from 1963 to 2003, and serving as a visiting lecturer at universities around the world. Brennan effectively uses a range of primary sources to provide insight into what influenced Said's thinking, and how he handled criticism of his noteworthy work. VERDICT While there is a great deal of theory in this sweeping biography, Brennan has succeeded in writing an account that is both an act of love and a solid study of a fascinating man.—David Keymer, Cleveland
★ 2021-01-06
The eventful life of a celebrated public intellectual.
As a graduate student at Columbia in the early 1980s, humanities professor Brennan came to know Palestinian American scholar, cultural critic, and activist Edward Said (1935-2003), whose suave urbanity and intellectual complexities he admirably captures in a sharply incisive portrait. Drawing on abundant archival sources, Said’s hefty FBI file, his published and unpublished works, and hundreds of interviews, Brennan, who remained Said’s friend until his death, traces the evolution of a boldly transformative, controversial thinker, considered to be the inventor of post-colonial studies. Born in Jerusalem, Said grew up in Cairo in a household characterized by “old-world opulence.” He came to the U.S. when he was 15; after boarding school in Massachusetts, he went on to Princeton and Harvard. Indecisive about pursuing a career in music (he was an accomplished pianist), medicine, or business, he opted for literature, guided by mentors such as R.P. Blackmur at Princeton and Harry Levin at Harvard. In 1963, Said joined Columbia’s English department, where among his colleagues were “the school’s resident ironist Freudian,” Lionel Trilling, and Fred Dupee, “a tweedy iconoclast, and so just right for Said’s similar desire to be an antinomian fit for the Ivy League.” Soon, Said found a role among New York intellectuals, writing for prominent journals and taking upon himself the “task of mapping out an indigenous Arab culture, politics, and aesthetics.” Brennan closely examines the literary, philosophical, and political thinkers who shaped Said’s ideas as well as the turbulent political events that informed his understanding of the phrase “the politics of literature.” By the late 1970s, Said was a media star, making the case that Islamophobia had a significant influence on U.S. foreign policy. His outspoken support of Palestine subjected him to fierce threats. “Apart from the president of Columbia,” Brennan notes, “only Said’s office had bulletproof windows and a buzzer that would send a signal directly to campus security."
Exemplary scholarship informs an absorbing biography.
