Pirandello's Love Letters to Marta Abba

In February 1925, the 58-year-old world-famous playwright Luigi Pirandello met Marta Abba, an unknown, beautiful actress less than half his age, and fell in love with her. She was to become, until his death in December 1936, not only his confidante but also his inspiring muse and artistic collaborator, helping him in his plans to reform Italian theater under the Fascist regime. Pirandello's love for the young actress was neither a literary infatuation nor a form of fatherly affection, but rather an unfulfilled, desperate passion that secretly consumed him during the last decade of his life. Bitterly disillusioned by the conditions of the theatrical world in Italy, Pirandello and Abba shared a dream of going abroad to earn their fortune and returning to Italy with the means to establish a national theater dedicated to high artistic standards. In March 1929, when Marta finally yielded to family pressure and left Pirandello alone in Berlin to revive her Italian stage career and to end rumors over their involvement, he endured a devastating heartbreak and fell into a life-threatening depression--more profound and long-lasting than any of his biographers have yet imagined. The hundreds of letters Pirandello wrote to Abba during these years are the only source that reveals the true story of his relentless torment. Selected, translated, and introduced here for the first time in any language, these powerful and moving documents reward the reader with the unique experience of living in intimacy with a profound poet of human pain. Here Pirandello encourages his beloved in her difficult career as actor/manager, rejoices in her triumphs, and desperately implores her to return to him. The letters are filled with glimpses of this major artistic personality at some of his most distinctive moments--such as the award of the Nobel Prize, his meetings with Mussolini, and Marta's long-dreamed-of success on Broadway--but they remain foremost an authentic confession of a Pirandello, without the mask of his art, telling the story of his real-life tragedy. In 1986, two years before she died, Marta Abba authorized the publication of the present correspondence so that the world might understand how deeply Pirandello had suffered. This English-language volume contains a selection of 164 letters from the complete edition of 552, which Princeton University Press will publish in cooperation with Mondadori, in the original Italian, in 1995.

Originally published in 1994.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"1018789039"
Pirandello's Love Letters to Marta Abba

In February 1925, the 58-year-old world-famous playwright Luigi Pirandello met Marta Abba, an unknown, beautiful actress less than half his age, and fell in love with her. She was to become, until his death in December 1936, not only his confidante but also his inspiring muse and artistic collaborator, helping him in his plans to reform Italian theater under the Fascist regime. Pirandello's love for the young actress was neither a literary infatuation nor a form of fatherly affection, but rather an unfulfilled, desperate passion that secretly consumed him during the last decade of his life. Bitterly disillusioned by the conditions of the theatrical world in Italy, Pirandello and Abba shared a dream of going abroad to earn their fortune and returning to Italy with the means to establish a national theater dedicated to high artistic standards. In March 1929, when Marta finally yielded to family pressure and left Pirandello alone in Berlin to revive her Italian stage career and to end rumors over their involvement, he endured a devastating heartbreak and fell into a life-threatening depression--more profound and long-lasting than any of his biographers have yet imagined. The hundreds of letters Pirandello wrote to Abba during these years are the only source that reveals the true story of his relentless torment. Selected, translated, and introduced here for the first time in any language, these powerful and moving documents reward the reader with the unique experience of living in intimacy with a profound poet of human pain. Here Pirandello encourages his beloved in her difficult career as actor/manager, rejoices in her triumphs, and desperately implores her to return to him. The letters are filled with glimpses of this major artistic personality at some of his most distinctive moments--such as the award of the Nobel Prize, his meetings with Mussolini, and Marta's long-dreamed-of success on Broadway--but they remain foremost an authentic confession of a Pirandello, without the mask of his art, telling the story of his real-life tragedy. In 1986, two years before she died, Marta Abba authorized the publication of the present correspondence so that the world might understand how deeply Pirandello had suffered. This English-language volume contains a selection of 164 letters from the complete edition of 552, which Princeton University Press will publish in cooperation with Mondadori, in the original Italian, in 1995.

Originally published in 1994.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Pirandello's Love Letters to Marta Abba

Pirandello's Love Letters to Marta Abba

by Luigi Pirandello
Pirandello's Love Letters to Marta Abba

Pirandello's Love Letters to Marta Abba

by Luigi Pirandello

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Overview

In February 1925, the 58-year-old world-famous playwright Luigi Pirandello met Marta Abba, an unknown, beautiful actress less than half his age, and fell in love with her. She was to become, until his death in December 1936, not only his confidante but also his inspiring muse and artistic collaborator, helping him in his plans to reform Italian theater under the Fascist regime. Pirandello's love for the young actress was neither a literary infatuation nor a form of fatherly affection, but rather an unfulfilled, desperate passion that secretly consumed him during the last decade of his life. Bitterly disillusioned by the conditions of the theatrical world in Italy, Pirandello and Abba shared a dream of going abroad to earn their fortune and returning to Italy with the means to establish a national theater dedicated to high artistic standards. In March 1929, when Marta finally yielded to family pressure and left Pirandello alone in Berlin to revive her Italian stage career and to end rumors over their involvement, he endured a devastating heartbreak and fell into a life-threatening depression--more profound and long-lasting than any of his biographers have yet imagined. The hundreds of letters Pirandello wrote to Abba during these years are the only source that reveals the true story of his relentless torment. Selected, translated, and introduced here for the first time in any language, these powerful and moving documents reward the reader with the unique experience of living in intimacy with a profound poet of human pain. Here Pirandello encourages his beloved in her difficult career as actor/manager, rejoices in her triumphs, and desperately implores her to return to him. The letters are filled with glimpses of this major artistic personality at some of his most distinctive moments--such as the award of the Nobel Prize, his meetings with Mussolini, and Marta's long-dreamed-of success on Broadway--but they remain foremost an authentic confession of a Pirandello, without the mask of his art, telling the story of his real-life tragedy. In 1986, two years before she died, Marta Abba authorized the publication of the present correspondence so that the world might understand how deeply Pirandello had suffered. This English-language volume contains a selection of 164 letters from the complete edition of 552, which Princeton University Press will publish in cooperation with Mondadori, in the original Italian, in 1995.

Originally published in 1994.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Product Details

ISBN-13: 9781400887286
Publisher: Princeton University Press
Publication date: 03/14/2017
Series: Princeton Legacy Library , #5183
Sold by: Barnes & Noble
Format: eBook
Pages: 434
File size: 32 MB
Note: This product may take a few minutes to download.

Table of Contents

INTRODUCTION xiii

EDITOR'S REMARKS xxiii

CHRONOLOGY xxvii

The Short Note of 1925 3

250207 Marta Will Play Nostra Dea by Bontempelli 4

Letters of 1926 from Rome 5

260805 Family "Tempest." Danger of Bankruptcy 7

260817 Work on L'amica delle mogli as Salvation 8

260820 Influence of Marta's Letters on Pirandello 10

260821 Contents and Style of Marta's Letters 12

Letters of 1928 from Rome and Nettuno 14

280705 The Pine Grove of Villa Borghese in Nettuno 16

280708 Life in Italy Has Become Stifling A

280712 Pirandello's Great Love for Marta 19

280713 Self-proclaimed "Physician" for Marta's Scruples 21

280922 Mussolini's Tactics to Undermine Rival Power 23

280925 Pirandello a Senator? Away from Italy's Dunghill! 24

Letters of 1929 and 1930 from Berlin, Rome, and Milan 27

290314 Desperate Tears for Marta's Departure 30

290315 Gaffe at the Embassy: The "Secret" Revealed 32

290316 The Evening Hours Remain Unbearable 34

290320 Marta as Meaning, Worth, and Purpose of Life 37

290322 Mussolini Names Pirandello to Accademia d'Italia 38

290323 Marta Stresses Distance, Signing: Marta Abba 41

290325 Marta No Longer Has the Feeling She Had Before 42

290326 Congratulations and Invitations from Everywhere 45

290328 Marta's Cry for Help, Will Start a New Company 47

290329 Marta's Training as an Artist 49

290330 Marta's Mentor: Analysis of Marta's Character 52

290331 A Lonely Easter Day Mourning a "Lost Feeling" 54

290401 Embarrassing Easter Meal at a Friend's Home 56

290402 Easter without Resurrection: I Live without Life 58

290405 The Nature of Pirandello's Love for Marta 60

290406 The Problem of Languages in the Talking Film 62

290408 Work on 0 di uno o di nessuno. Birth of Giganti 64

290411 Sentence of Life or Death? Faith in Mussolini 65

290416 From London: The Talking Film-What a Horror! 68

290421 From Berlin: New Contracts Signed in London 70

290422 Euphoria in the Creative Process 71

290425 Will Talking Film Abolish Theater? 73

290428 Truly There Is No Man Unhappier than Myself 74

290430 With Otto Kahn: A Film for Paramount? 76

290505 Marta Ignores Pirandello's Tragic Fantasies 78

290508 Bucolic Wishes for Peace and Recovery 80

290627 Thoughts about the Joy of Dreams and Madness 82

290628 Flowers and Telegrams for Pirandello's Birthday 84

290629 Expectation of a Hit Season in Berlin 85

290716 Return to Berlin: Feist and Meinhardt 87

290720 A Pirandello Revival in Italy 89

290721 Death of Max Reinhardt's Brother go

290722 Come tu mi vuoi, in the Midst of Despair 91

290913 Again in Berlin, Pirandello Sues Feist 92

290927 Creative Process: Independently Alive Characters 93

291011 Villino in Rome Finally Sold for 900,000 Lire 95

291212 Pirandello's Theater Is Dead without Marta 97

300227 From Berlin: Questa sera Triumphs in Konigsberg 99

300228 Turmoil-Such as to Go Insane or Even Die 101

300301 At the Brink of Suicide-I Am Your True Father 103

300303 Mortal Crisis Because Marta No Longer Gives Life 104

300304 Mussolini Interfered with the Nobel Prize 106

300310 A Pirandello Revival in Germany 107

300312 Also in Paris a Favorable Atmosphere 108

300316 Worried about Marta's Exhaustion Ho

300324 I Don't Have a Moment of Peace: Suicide? 110

300325 My Marta, How Much I Love You! L'Ennemie 112

300402 Marta's Reproaches for Being Disrespectful 114

300405 Very Weak but Happy about Festivities in Naples 116

300406 First Idea about Quando si e qualcuno in German 117

300409 Life at a Great Distance as if in the Past 119

300412 Contract for Questa sera in Berlin. Fiamma 119

300415 Foresees a Miraculous Success for Questa sera 122

300417 Triumphs of Questa sera and Come tu mi vuoi 124

300418 No Actress in the World Is Comparable to Marta! 125

300420 Liturgical Easter Play in Sicily 126

300425 Creative Process of Giganti della montagna 128

300429 Glory Will Come from Abroad or after Death 130

300430 In the Euphoria of Creation He Feels like a God 131

300504 Triumph of Questa Sera in Milan 133

300505 Contract with Lasky/Paramount. Gilbert Miller 134

300507 Announcement of Pirandello's Voyage to America 136

300514 Italy's Ingratitude toward Her Best Children 137

300517 Fritz Lang Wants to Film Six Characters 138

300518 The German System of Exhausting Rehearsals 140

300522 The American System of Preparing Film Scripts 141

300524 Life-a Journey without Arrivals and without Rest 142

300525 A Foreigner in Italy, He Needs a New Country 144

300527 The Talking Film as a New Expression of Art 145

300601 Tumultuous Opening of Questa sera in Berlin 146

300602 Attempts to Separate Him from Marta 148

300603 Reasons for the Violent Attacks of the Berlin Press 150

300605 Thomas Mann Condemns Anti-Pirandello Wave 152

300606 Decision to Abandon Germany for Good 154

Letters of 1930 from Paris, Berlin, London, and Rome 156

300727 A Pirandello Season Planned for New York 157

301215 Pirandello's High Expenses Criticized by Marta 158

301217 I Am Really Ready for Death 159

301226 As You Desire Me Is a Hit in Philadelphia 159

301231 Jealous of Those Who Are Close to Marta 16o

Letters of 1931 from Paris, Milan, and Portugal 162

310101 Telepathy with Marta on New Year's Eve? 163

310103 As You Desire Me Is a Hit in Chicago 164

310108 Max Reinhardt Revives Six Characters in Vienna 165

310109 I'll Go Soon, but My Plays Will Remain 166

310112 Pray for Me, My Marta, and Have Mercy 167

310125 Desolation of Wearing the Sad Mask of Old Age 168

310127 I Have a Penetrating Look and Two Devilish Eyes 16q

310208 Marta Is the Greatest Actress in the World 171

310210 My Art Has Never Before Been So Full, So Varied 172

310216 Giganti della montagna: I Am Touching the Peak! 174

310220 IT Be a Millionaire by the End of This Year 176

310222 My Dream: A Theater of Your Own 177

310225 A Horrible Night-I Felt I Was Going to Die 179

310317 Fears of Family Influence on Marta while in Rome 18o

310330 Glory of a Poet and Glory of an Actress 182

310401 Shubert Wants to Organize Marta's Tour in the U.S. 184

310422 Marta Is "Solar," "Mediterranean," "A Southerner" 185

310427 I Feel Abandoned by You, I'm Going Insane 186

310501 Implores Forgiveness: His Mind Was Perturbed 188

310503 The Lilies of the Valley for Marta's Portrait 18q

310512 My Fantasy Has Never Been So Lively 191

310515 Italy Cannot Do without Pirandello 192

310520 Catastrophic Situation of Show Business in the U.S. 193

310531 Alone in the World with Art as Only Companion 194

310611 You Are the Holiest among All Women 195

310718 Describes His New Apartment in Paris 196

310722 A Happy Marta Flying from London to Paris 197

310726 Nobody Will Ever Love You More than I Do 199

310803 How Beautiful You Must Be, a Joy in the Sun 200

310806 Failure of Bourgeois Order and Technology 201

310819 Rushes to Genoa to a Sick and Depressed Marta 203

311009 Marta Is Invited to Perform in Paris 204

Letters Of 1932 from Paris, Rome, and Castiglioncello 207

320118 Marta Leaves Paris after Performing in French 209

320122 Isn't It Better to Extinguish My Life Forever? 210

320126 I Have the Blackest and Most Frightening Despair 212

320206 Mussolini Says Pirandello Has a Bad Character Z13

320211 A Discussion on the Theme of Trovarsi 215

320214 Mussolini's Coarse Reality and His Necessary Myth 216

320216 Pirandello Describes His Serious Heart Attack 217

320222 The Disease Is Life Itself. Only Medicine Is Death 218

320310 The Duce Doesn't Like the Fact that I Live Abroad 219

320314 Enthusiastic about the Audience with Mussolini 220

320318 I Work Directly with the Duce 221

320402 I Want to Give Energy, Work, Ideas for Everybody 223

320427 Triumph of Pensaci, Giacomino! at the Congress 225

320504 I Am the Only One Who Is Truly Alive Everywhere 226

320804 As You Desire Me Not Ready for Venice Festival 228

320822 Perhaps You Would Prefer Never to See Me Again 229

320904 Discusses His Play Trovarsi and Buys a Car 231

320908 Marta Is Upset by Family Misunderstandings 232

320909 A Laborious Creative Process for Trovarsi 234

320912 Finds the Solution for the Finale of Trovarsi 236

321108 Triumph of Come tu mi vuoi Directed by Baty 238

321125 I'd Be Able to Have a Home Only with You 239

321206 Frightening Audience with Mussolini 241

Letters of 1933 from Rome, Paris, and Castiglioncello 243

330209 A National Dramatic Theater at the Argentina? 246

330304 Marta Abba Is Today Our Greatest Actress 247

330316 Limited Obedience to Fascism 248

330517 Mussolini Maneuvers against the Monopoly 250

330713 I Am Working with the Sea in Front of Me 252

Letters of 1934 from Rome, Milan, London, and Paris 255

340224 Pirandello Experiences Financial Difficulties 256

340324 Animosity against the Favola del figlio cambiato 257

340329 Mussolini Forbids Performances of the Favola 259

340405 Giordani's Arrogance in the Film World 260

340429 What a Trap Is the Civil Law! 262

340604 I Don't See Any Reason for Anything 263

340726 Creative Process for Non si sa come 264

340805 A Teatro Stabile in Milan-a Lifelong Dream 266

340821 Trying Hard to Complete Non si sa come 268

341115 Besieged Because of Announcement of Nobel Prize 269

341129 Festivities in Paris Because of the Nobel Prize 271

341206 The Company of Myself Is Unbearable to Me 273

341212 Celebrations in Stockholm for the Nobel Prize 275

Letters of 1935 from Paris, Rome, Milan, and New York 277

350203 Negotiations in London for Pirandello Company 280

350214 Is the Fall of Paolino Giordani Imminent? 281

350217 Overview of Pirandello's Income in Ten Years 283

350219 Audience with Mussolini about National Theater 284

350301 The State Theater: A Firm Intention of Mussolini 286

350318 Day of judgment for the Gang of Enemies 288

350408 I Never Felt So Much Tenderness for You 289

350425 Pirandello Honored at Palazzo Ruspoli with Ciano 290

350721 In New York: Defends the Conquest of Ethiopia 291

350813 Endless Negotiations but No Contracts in the U.S. 293

350830 Pirandello's Art "Above" the Taste of the Masses 296

350907 International Tension Hampers Negotiations 297

351014 Heart Attack at the Pier on Arriving in Naples 299

351027 Living Means for Me to Work, to Create 300

351030 Mussolini Invites Pirandello to His Box 302

351209 I Fervently Hope that I Have Little Time to Live 303

351218 Marta Undecided about Publishing Her Notes 305

Letters of 1936 from Rome 308

360114 Id Love to Spend All My Time Writing to You 310

360116 I Feel as if I Were Dying amid Petty Routines 311

360117 Dangers of the Newly Planned State Theater 312

360306 Does Not Want to Wear Glasses Because of Vanity 313

360311 Marta Is Depressed Because of Fatigue 314

360313 I Cannot Keep a Grudge against Anybody 315

360406 Negotiations for Tovarich with Gilbert Miller 316

360413 When I Know You Victorious, I Can Die 318

360427 I Am Waiting for Your Triumph in America 319

360430 A Vision of Marta's Glory in America 320

360516 I Do Not Know What to Hold On To 321

360530 I've Fallen into a Bottomless Abyss of Sadness 323

360629 I Am in the Age Bracket in Which People Die 324

360712 I'll Always Have Your Affection, as Long as I Live 325

360721 I Don't Know Where to Flee, I Cannot Take It! 327

360801 The Truth Is that I Should Die 328

360919 Pirandello Lives with His Thoughts in New York 329

361007 In Berlin Goebbels Orders a Pirandello Revival 330

361025 Overjoyed at Marta's Triumph on Broadway 332

361121 Dream of Visiting Marta in New York, Alone! 334

361204 If I Think about the Distance, I at Once Feel I Am Sliding into an Abyss of Despair 337

BIBLIOGRAPHY 339

SUBJECT INDEX 343

NAME INDEX 352

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