Following the success of his off-Broadway musical
Godspell and his collaboration with
Leonard Bernstein on
Mass, songwriter
Stephen Schwartz made his Broadway debut with
Pippin, which he had actually begun writing in college. It was based, very loosely, on
Pepin (aka
Pippin), the eighth century Frankish king. In the musical,
Pippin (played by
John Rubinstein) is a young man who is seeking meaning in life, not unlike the generation that came of age in the 1960s, of which
Schwartz was a member, and not unlike the
Jesus of
Godspell.
Pippin is led through life experiences by the
Leading Player (played by
Ben Vereen), a skeptical character not unlike the
Judas of
Godspell. It is the contrast between ingenuousness and archness represented by the two main characters that gives
Pippin its dramatic structure, and onstage that contrast played out in the distinction between
Schwartz's sweet
pop/rock score and director/choreographer
Bob Fosse's tart staging. It made for a successful combination; opening on October 23, 1972,
Pippin ran more than four and a half years, for a total of 1,944 performances. Theater professionals, as ever hostile to the incursions of
rock music on the Great White Way, tended to credit
Fosse with the show's popularity and to disparage
Schwartz's score. At Tony time,
Fosse won two awards, while
Schwartz lost the best score trophy to
Stephen Sondheim and
A Little Night Music. Nevertheless, the score was one of the show's major assets.
Motown Records invested in
Pippin and had its artists cover songs from it.
The Supremes had a minor
pop chart entry with
"I Guess I'll Miss the Man," and
the Jackson 5 made the
R&B Top Ten and the
pop Top 20 with
"Corner of the Sky" shortly after the show opened. The cast album,
Motown's first venture into show music, spent two and a half months in the charts, the only cast album to reach the charts at all in 1973. It deserved to do even better.
Schwartz's piano- and guitar-based melodies were as catchy and appealing as any of the
soft rock that was dominating the charts in the early '70s, and the cast was accomplished, especially
Vereen, and, in
"No Time at All," a spry ode to senior citizenship,
Irene Ryan, best known as
Granny Clampett on the television series
The Beverly Hillbillies. On September 26, 2000,
Decca Broadway reissued the
Pippin cast album with
the Supremes and
Jackson 5 hits as bonus tracks, along with
Michael Jackson's 1973 cover of
"Morning Glow," the best of the
pop versions of songs from the show. ~ William Ruhlmann