Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908-1940

Thomas McGann Memorial Prize, Rocky Mountain Council on Latin American Studies, 2017
Runner-up, Humanities Book Prize, Mexico Section of the Latin American Studies Association, 2018

In the wake of Mexico’s revolution, artists played a fundamental role in constructing a national identity centered on working people and were hailed for their contributions to modern art. Picturing the Proletariat examines three aspects of this artistic legacy: the parallel paths of organized labor and artists’ collectives, the relations among these groups and the state, and visual narratives of the worker. Showcasing forgotten works and neglected media, John Lear explores how artists and labor unions participated in a cycle of revolutionary transformation from 1908 through the presidency of Lázaro Cárdenas (1934–1940). Lear shows how middle-class artists, radicalized by the revolution and the Communist Party, fortified the legacy of the prerevolutionary print artisan José Guadalupe Posada by incorporating modernist, avant-garde, and nationalist elements in ways that supported and challenged unions and the state. By 1940, the state undermined the autonomy of radical artists and unions, while preserving the image of both as partners of the “institutionalized revolution.”

This interdisciplinary book explores the gendered representations of workers; the interplay of prints, photographs, and murals in journals, in posters, and on walls; the role of labor leaders; and the discursive impact of the Spanish Civil War. It considers “los tres grandes”—Rivera, Siquieros, and Orozco—while featuring lesser-known artists and their collectives, including Saturnino Herrán, Leopoldo Méndez, Santos Balmori, and the League of Revolutionary Writers and Artists (LEAR). The result is a new perspective on the art and politics of the revolution.

1123667014
Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908-1940

Thomas McGann Memorial Prize, Rocky Mountain Council on Latin American Studies, 2017
Runner-up, Humanities Book Prize, Mexico Section of the Latin American Studies Association, 2018

In the wake of Mexico’s revolution, artists played a fundamental role in constructing a national identity centered on working people and were hailed for their contributions to modern art. Picturing the Proletariat examines three aspects of this artistic legacy: the parallel paths of organized labor and artists’ collectives, the relations among these groups and the state, and visual narratives of the worker. Showcasing forgotten works and neglected media, John Lear explores how artists and labor unions participated in a cycle of revolutionary transformation from 1908 through the presidency of Lázaro Cárdenas (1934–1940). Lear shows how middle-class artists, radicalized by the revolution and the Communist Party, fortified the legacy of the prerevolutionary print artisan José Guadalupe Posada by incorporating modernist, avant-garde, and nationalist elements in ways that supported and challenged unions and the state. By 1940, the state undermined the autonomy of radical artists and unions, while preserving the image of both as partners of the “institutionalized revolution.”

This interdisciplinary book explores the gendered representations of workers; the interplay of prints, photographs, and murals in journals, in posters, and on walls; the role of labor leaders; and the discursive impact of the Spanish Civil War. It considers “los tres grandes”—Rivera, Siquieros, and Orozco—while featuring lesser-known artists and their collectives, including Saturnino Herrán, Leopoldo Méndez, Santos Balmori, and the League of Revolutionary Writers and Artists (LEAR). The result is a new perspective on the art and politics of the revolution.

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Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908-1940

Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908-1940

by John Lear
Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908-1940

Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908-1940

by John Lear

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$29.95 

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Overview

Thomas McGann Memorial Prize, Rocky Mountain Council on Latin American Studies, 2017
Runner-up, Humanities Book Prize, Mexico Section of the Latin American Studies Association, 2018

In the wake of Mexico’s revolution, artists played a fundamental role in constructing a national identity centered on working people and were hailed for their contributions to modern art. Picturing the Proletariat examines three aspects of this artistic legacy: the parallel paths of organized labor and artists’ collectives, the relations among these groups and the state, and visual narratives of the worker. Showcasing forgotten works and neglected media, John Lear explores how artists and labor unions participated in a cycle of revolutionary transformation from 1908 through the presidency of Lázaro Cárdenas (1934–1940). Lear shows how middle-class artists, radicalized by the revolution and the Communist Party, fortified the legacy of the prerevolutionary print artisan José Guadalupe Posada by incorporating modernist, avant-garde, and nationalist elements in ways that supported and challenged unions and the state. By 1940, the state undermined the autonomy of radical artists and unions, while preserving the image of both as partners of the “institutionalized revolution.”

This interdisciplinary book explores the gendered representations of workers; the interplay of prints, photographs, and murals in journals, in posters, and on walls; the role of labor leaders; and the discursive impact of the Spanish Civil War. It considers “los tres grandes”—Rivera, Siquieros, and Orozco—while featuring lesser-known artists and their collectives, including Saturnino Herrán, Leopoldo Méndez, Santos Balmori, and the League of Revolutionary Writers and Artists (LEAR). The result is a new perspective on the art and politics of the revolution.


Product Details

ISBN-13: 9781477311264
Publisher: University of Texas Press
Publication date: 01/10/2017
Sold by: Barnes & Noble
Format: eBook
Pages: 390
File size: 145 MB
Note: This product may take a few minutes to download.

About the Author

John Lear is a professor of history and Latin American studies at the University of Puget Sound. His publications include Workers, Neighbors and Citizens: The Revolution in Mexico City and Chile’s Free Market Miracle: A Second Look.

Table of Contents

  • Acknowledgments
  • Introduction. Allegories of Work
  • One. Saturnino Herrán, José Guadalupe Posada, and the Working Class on the Eve of Revolution
  • Two. Workers and Artists in the 1910 Revolution
  • Three. El Machete and Cultural and Political Vanguards
  • Four. Consuming Labor: Revista CROM, Art Education, and La Lectura Preferida
  • Five. Cardenismo, the Popular Front, and the League of Revolutionary Artists and Writers
  • Six. The Mexican Electricians Union, the Art of the Strike and the Spanish Civil War
  • Seven. "Unity at all costs!" and the End of Revolution
  • Conclusion
  • Notes
  • Selected Bibliography
  • Index

What People are Saying About This

Mary Kay Vaughan

A very finely researched work on Mexican political/worker art, which, in the first half of the twentieth century, was globally recognized as a unique and outstanding contribution to modernism and to politics. The book is particularly engaging and innovative in its focus on ‘lesser’ artists, whose work turns out to be politically, socially, and historiographically important.

John Mraz

This superb study intertwines a history of artistic representations of Mexican workers on public walls and in labor publications with that of the artists who produced them. I know of no other work that attempts such an endeavor and, though it is an ambitious project, it is most successful. The wide swath cut by Lear makes the book important for a broad audience: the history of Mexico, the history of Mexican labor, and the history of Mexican art. The scholarship is impeccable.

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