Table of Contents
Introduction Ruskin’s ‘Common Treasuries’, Keith Hanley, Brian Maidment; Part 1 Spreading the Word – Readerships, Audiences, Listeners; Chapter 1 John Ruskin and the Working Classes in Mid-Victorian Britain, Lawrence Goldman; Chapter 2 John Ruskin and the Idea of a Museum, Marcus Waithe; Chapter 3 Of Ruskin, Women and Power, Rachel Dickinson; Chapter 4 Influence, Presence, Appropriation – Ruskinian Periodicals 1890–1910, Brian Maidment; Part 2 Followers and Their Sites of Influence; Chapter 5 1This is one of a sequence of articles on the topic of Ruskin and influence. See also F. O’Gorman, ‘Ruskin’s Aesthetic of Failure in The Stones of Venice’, Review of English Studies, 55 (), 374–91; ‘Ruskin, Venice, and the Endurance of Authorship’, Nineteenth Century Studies, 19 (), 83–97; and ‘Ruskin’s Mountain Gloom’ in ed. Keith Hanley and Rachel Dickinson, Ruskin and the Struggle for Coherence (Cambridge: Cambridge Scholars P 2007), pp.123–50. See also chapter 4 of my book Victorian Literature and the Unbounded Life (Manchester: Manchester UP )., Francis O’Gorman; Chapter 6 Christian Socialism on the Stage: Henry Arthur Jones’s Wealth (1889) and the Dramatisation of Ruskinian Political Economy, Peter Yeandle; Chapter 7 Enduring Ruskin? Bloomsbury’s Anxieties of Influence, Andrew Leng; Chapter 8 Ruskin’s Theory of the Ideal Dress and Textile Analogy in Medieval Architecture, Anuradha Chatterjee; Part 3 World-wide Ruskin; Chapter 9 Deep Seers: John Ruskin, Charles Herbert Moore and the Teaching of Art at Harvard, Melissa Renn; Chapter 10 Masters and Men: Ruskin and the Sydney Building World of the 1890s, Mark Stiles; Chapter 11 Ruskin, Morris and the Terraforming of Mars, Tony Pinkney; Chapter 12 1Some ideas in this essay were first broached in my lecture, ‘The Ruskin Diaspora’, delivered at Kyoto University of Art and Design, on 24 May 2005, and subsequently translated into Japanese in the Ruskin Library News (Tokyo 2005)., Keith Hanley;
