Publishers Weekly
04/08/2024
In the rollicking latest from Dorn (Exalted), a writer gets canceled after calling herself a “female faggot” during an event at a West Hollywood bookstore. Disgraced by her public shaming, Astrid Dahl returns to her writing group, Sapphic Scribes, in search of inspiration and support. While her agent anxiously awaits her next manuscript, Astrid exchanges flirty messages with her crush Ivy, discovers an attraction to her nosy older neighbor, Penelope, and receives endless affection from the gorgeous Kat Gold, a movie star who “preys on tragic dykes all the time.” These new prospects prompt Astrid to try and kick her addiction to what she calls the “Patricia Highsmith,” a simultaneous bingeing of Adderall, booze, cigarettes, and sativa; and to break away from the “deranged” Sapphic Scribes. When Ivy reveals her jealous side after discovering that Astrid might have feelings for Penelope, she puts the gritty details of their text message exchange online and Astrid must live in fear of her image getting tarnished once again. Drawing inspiration from the eccentricities of the internet (on finding her agent, Astrid writes: “I sent her my gay Kendall Jenner fanfic, and the rest is history”), Dorn keeps her finger squarely on the pulse. This brash novel pushes the envelope in all the best ways. Agent: Sarah Phair, Sanford J. Greenburger Assoc. (May)
From the Publisher
Blending over-the-top humor with poignant observations on relationships, Perfume & Pain finds that rare sweet spot between campiness and vulnerability.”
—INTERVIEW MAGAZINE
“A testament to Dorn’s confidence as a writer. Her characters are fully developed and completely themselves, bold even in their neuroses.”
—MINNEAPOLIS STAR TRIBUNE
“Acerbic, steamy, and compulsively readable—fans of ribald, satirical humor (with a specific focus on celebrity melodrama and LGBTQ+ culture) will read it in one go. It’s this author’s best work yet. A Sapphic roller-coaster ride and pitch-perfect homage to lesbian pulp fiction.”
—KIRKUS, Starred Review
“Dorn keeps her finger squarely on the pulse. This brash novel pushes the envelope in all the best ways.”
—PUBLISHERS WEEKLY
"Come to Perfume & Pain for the sexy drama, stay for the satire and hilarious doses of shade thrown at Hollywood. This novel is like driving down PCH listening to Lana Del Rey and vaping out the sunroof. Every moment feels sun-drenched, edgy, and unstoppable."
—ALLIE ROWBOTTOM, author of Aesthetica
“Anna Dorn’s Perfume & Pain is a wonder. Dorn masterfully takes on cancel culture, holier-than-thou writers groups, and the complex rules of lesbian dating. The result is a smart and sexy, laugh-out-loud funny page-turner.”
—MARCY DERMANSKY, author of Hurricane Girl and Very Nice
“Perfume & Pain slaps so hard it stings—but in the best way. Astrid, agent of lesbian chaos and love addict who’s half-heartedly trying to change, is a magnetic main character, and I found myself relating to too many of her uncouth opinions. It was thoroughly enjoyable to follow Astrid’s antics—I flipped pages fast and LOLed frequently. And I’ll never again see the name Patricia Highsmith without thinking about Astrid’s favorite drug cocktail that leads to her most entertaining bad behavior.”
—CELIA LASKEY, author of Under the Rainbow, a finalist for the 2020 Center for Fiction First Novel Prize
“Lurid and sensational. Perfume & Pain is deeply entertaining, hilarious, and smart. A compelling window into cancel culture, writing, and lesbianism. Anna Dorn never misses.”
—EMILY AUSTIN, author of Interesting Facts About Space
"Perfume & Pain combines the very best impulses of pulp fiction (dysfunction, drama, deception) with Anna's signature whip-smart, fearless style. Darkly funny and careening down every perverted, doomed spiral, this is the funniest novel of the year and Dorn's best yet. Light on its feet yet endlessly probing, Perfume & Pain is as sharp as it is delicious."
—JENNY FRAN DAVIS, author of Dykette
JUNE 2024 - AudioFile
Natalie Naudus narrates this novel about lesbian artists in the L.A. art scene. Moderately successful writer Astrid Dahl has a few more mistakes to make before letting go of her toxic girlfriends and her Patricia Highsmith diet, which consists of Adderall, alcohol, and cigarettes. Ivy, a grad student who is researching 1950s lesbian pulp fiction, is the perfect sexy distraction. Naudus creates strong voices for the various power femmes and evil gays in this story, with just a splash of valley girl. Her attention to Ivy's character development is particularly evident as she starts off sounding playful and becomes more manic as Ivy is revealed to be unhinged. S.S. © AudioFile 2024, Portland, Maine
Kirkus Reviews
★ 2024-04-05
Astrid Dahl, a midlist author obsessed with both her expansive perfume collection and her new Los Angeles neighbor, finds herself struggling to stay sober and avoid becoming wrapped up in yet another toxic relationship.
When readers are first introduced to Astrid—who is just about as abrasive and scathing as a character can be—things are not going well. She’s struggling with an on-again, off-again addiction to a combination of recreational drugs and alcohol that she calls the Patricia Highsmith, her career as a writer is on the verge of falling apart after a disastrous event at a Barnes & Noble, and her love life has largely been unsuccessful (due in no small part to Astrid’s attraction to drama). All that begins to change, however, when Astrid finds herself torn between Ivy, a secretive and seductive Ph.D. student who’s in her online writing group, the Sapphic Scribes, and Penelope, a self-confident older artist who conveniently lives in the bungalow next to Astrid’s. While she is initially apprehensive of Penelope and the smell of patchouli that clings to her, as they spend more time together, Astrid’s attraction grows to the point of obsession, mirroring Ivy’s obsession with Astrid. The book swiftly takes on a lurid, fever dream–like quality as Astrid’s Patricia Highsmith–induced blackouts happen with increasing frequency and produce unsettling results. Dorn’s book, whose title is taken from a popular work of lesbian pulp fiction written by Kimberley Kemp (aka Gilbert Fox) in the 1960s, is acerbic, steamy, and compulsively readable—fans of ribald, satirical humor (with a specific focus on celebrity melodrama and LGBTQ+ culture) will read it in one go. It’s this author’s best work yet.
A Sapphic roller-coaster ride and pitch-perfect homage to lesbian pulp fiction.
