Black (The Sacred Place) explores the fateful decision of Emma Jean Peace to raise her seventh son, Perfect, as the daughter she has always wanted. Her plan, nutty as it is, works out until Perfect is eight years old and his blind older brother, Bartimaeus, makes an innocent discovery about his sister's body. Soon after, Perfect's friends begin talk of womanhood, prompting Emma Jean to reveal to Perfect the truth. So begins an education for Perfect—rechristened Paul—on manhood while his small Arkansas town casts an unforgiving eye on its newest curiosity. While the rural South backdrop is overly familiar and the dialogue is painfully hoary (“What chu talkin' 'bout, Emma Jean?”), Black manages a nuanced exploration of sexual identity and social structures without elevating his characters to angels or martyrs. (Mar.)
Perfect Peace: A Novel
Narrated by Ron Butler
Daniel BlackUnabridged — 14 hours, 30 minutes
Perfect Peace: A Novel
Narrated by Ron Butler
Daniel BlackUnabridged — 14 hours, 30 minutes
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Overview
Editorial Reviews
In his third novel, Black revisits the small Arkansas town of Swamp Creek, also the setting of They Tell Me of a Home. This is the heartbreaking tale of Perfect, the seventh child born to Gustavus and Emma-Jean Peace in 1941. What should be a joyous occasion is clouded by Gus's conflict over having another mouth to feed. And Emma-Jean has an overwhelming desire to have a girl after giving birth to six boys. Deciding to deceive her family and others, Emma-Jean makes the decision to raise Perfect, born a boy, as a girl for the first eight years of his life. When circumstances force her to reveal the truth, everyone involved has to grapple with the consequences. VERDICT Black courageously delves into such sensitive issues such as sexuality, racism, and family dynamics and enchants readers with strong pacing and Southern imagery. Those who enjoy rich and complex works of literary fiction will be provoked to discuss this novel's many layers.—Lisa Jones, Birmingham P.L., AL
The author returns to the Arkansas setting of They Tell Me of a Home (2005). It's 1941, and Gustavus and Emma Jean Peace have just had their seventh child. Gus had hoped to be through having babies. Emma Jean-disappointed with six boys-is determined to try one last time for a girl. When God doesn't give her a daughter, she decides to make one herself. Naming the new baby "Perfect" and blackmailing the midwife to aid her in her desperate deception, Emma Jean announces the birth of a girl. For eight years, Emma Jean outfits her youngest child in pretty dresses, gives her all the indulgences she longed for in her own blighted girlhood and hides the truth from everyone-even herself. But when the truth comes out, Emma Jean is a pariah and her most-treasured child becomes a freak. It's hard to know quite what to make of this impassioned, imperfect novel. While another writer might have chosen to complement the sensationalism of his scenario with a tempered style, Black narrates his tale in the key of melodrama. He devotes a considerable number of pages to Emma Jean's experience as the unloved, darker (and therefore ugly) daughter, but since no amount of back story can justify Emma-Jean's actions, these passages become redundant. And, most crucially, Black builds toward the point when Perfect discovers that she's a boy, but seems confused about what to do with his character after this astonishing revelation. At the same time, the author offers a nuanced portrait of an insular community's capacity to absorb difference, and it's a cold reader who will be unmoved by his depictions. Original and earnest, informed both by human limitation and human potential.
A high-spirited, compassionate look at everyone's longings for perfection, both inside and out.” —The Atlanta Journal-Constitution
“Black effortlessly conveys Paul's agony over his inner shame and what the world sees on the outside. It's painful to see how his father also struggles to accept as a son the child he had once adored as a girl. For the Peace family, the end of Perfect is akin to the death of a loved one.” —San Antonio Express-News
“Daniel Black understands the racial psychology and culture of the South so well that he can show, not tell, and his characters' actions always ring true. This novel is a powerful exploration of a small group of individuals who hold each other in high regard. The love among members of this family is severely challenged, but the challenge is triumphantly met. Each child grows to manhood and achieves success according to his gifts. Through their lives we experience disappointment and sorrow, but also fulfillment and joy. Perfect Peace is an intense and satisfying read.” —Greg Iles, New York Times bestselling author of The Devil's Punchbowl
“Daniel Black writes of growing up in a small town with humor, grace and forgiveness.” —Adriana Trigiani, New York Times bestselling author of Very Valentine and the Big Stone Gap Series
“Craft is not the word for this joyfully inscribed novel. The proper word is art. The book is a brave and complicated story perfectly told. Mr. Black offers a cultural gift to be welcomed.” —Houston A. Baker, Jr., author of American Book Award winning Betrayal: How Black Intellectuals have abandoned the Ideals of the Civil Rights Era
“Perfect Peace is a morality tale of the consequences of letting our selfish needs trap the ones we love into roles they weren't born to play. The characters here are as flawed, their sins numerous, as any living human being held under the lens, but the author brings a compassion and understanding to their plights.” —Mat Johnson, award-winning author of Incognegro, Drop, and Hunting in Harlem
“Daniel Black has pried open the isolated lives of rural southerners, allowing us to peek inside. To understand the complexities of the southern experience, read Perfect Peace.” —Dr. Karyn Lacy, professor of Sociology, University of Michigan, author of Blue Chip Black: Race, Class, and Status in the New Black Middle Class
“Mr. Black's novel nudges our sense of awareness and accountability. His narrative eloquently poses difficult questions with disarming kindness: ‘Do you know who you are? Do you know what you do? Do you know that there is never an excuse?' The relevance of this work with regard to all we are and all we do far exceeds his adroitly simple telling of the tale.” —Keith Hamilton Cobb, actor
“Part cautionary tale, part folk tale, part fable, Daniel Black's Perfect Peace is a complete triumph. It bursts with emotions as intense as opera. Perfect Peace will bring you to tears and laughter. You will recognize characters from your own life, and perhaps even recognize yourself. In Emma Jean Peace, a mid-20th-Century rural Southern black woman who wants a daughter so desperately that she raises her infant son as a girl, Dr. Black has created a character as complex, equivocal and unforgettable as Scarlett O'Hara.” —Larry Duplechan, author of Blackbird, Captain Swing, and the Lambda Literary Award-winning Got 'Til It's Gone
Product Details
| BN ID: | 2940170923441 |
|---|---|
| Publisher: | Tantor Audio |
| Publication date: | 06/28/2016 |
| Edition description: | Unabridged |
| Sales rank: | 999,596 |
Read an Excerpt
Perfect Peace
By Black, Daniel
St. Martin's Press
Copyright © 2010 Black, DanielAll right reserved.
ISBN: 9780312582678
Chapter 1
Gus stood beside the living room window, waiting for the annual spring rains. They should have come by now, he noted, glancing at the battered Motley Funeral Home calendar hanging from a nail on the wall. It was May 17, 1940, and Gus’s wilted crops made him wonder if, somehow, he had angered Mother Nature. Usually the rains came between March and April, freeing him to hunt or fish the latter part of spring while cabbage, collard, and tomato sprouts strengthened in the moistened earth. That year, the stubborn rains prolonged the daily sojourn Gus and the boys took to the river and back—locals called it the Jordan—carrying five-gallon buckets of water for both their own and the sprouts’ survival.
Gus loved the rains. As a child, he lay in bed listening to the thunderous polyrhythms they drummed into the rusted tin rooftop. Something about the melody soothed his somber soul and allowed him to cry without fear of his father’s reprisal. After all, he was a boy, Chester Peace Sr. loved to remind him—as though his genitalia didn’t—and tears didn’t speak well for one who would, one day, become a man. The indelible imprint of Chester Sr.’s inordinately large hand on Gus’s tender face whenever he wept never bothered the boy who, in his heart, wantednothing more desperately than to emulate his father. But as he grew, he never learned to control his tears. He learned instead to hide whenever he felt their approach.
The rains awakened something in him. Maybe it was their steady flow that eroded his makeshift stoicism and caused water to gush from his eyes as if from a geyser. What ever the connection, Gus always wept along with the rains. He’d convinced himself that the sky, like him, was cursed with a heavy heart that required annual purging. So every spring since his tenth birthday, when the scent of moisture filled his nose he escaped to the Jordan River and stood amid the rain, wailing away pain like a woman in labor. Whether it lasted for hours or even a day, no one expected his return to normalcy until the showers subsided.
Gus was grateful others didn’t ask why he cried, because he couldn’t have explained it. Had he known words like "injustice" or "inequity" he might’ve been able to translate his feelings into words, but with a third-grade vocabulary, such articulation was out of the question. All he knew was that he cried when things weren’t right. He wept as a child when other children mocked his holey shoes, and then he wept when God refused to grant him the courage and the will to fight. He wept for mother birds that couldn’t find worms for their young. He wept for cows left freezing in the snow. He wept for Miss Mazie—the woman whose husband slashed her with a butcher’s mallet for talking back—and wept even harder when he overheard that they put the man away. Most of all he wept because he thought people in the world didn’t care.
His hardest days were between the rains. At the most inopportune moments, in the middle of the summer or the bitter cold of winter, he’d witness a wrong and water would ooze, unannounced, across his cheeks and he’d be forced to retreat into some private place where his tears wouldn’t be cause for ridicule. Yet these momentary cleansings never resulted in Gus’s complete healing. Only the annual spring rains set his heart aright again, so, after the third grade—the end of Gus’s formal education—he began anticipating the rains’ arrival. As soon as the first buds bloomed, he’d watch the heavens for signs of inclement weather, and when the dark clouds gathered, he’d run to the Jordan and welcome the downpour. After 1910, locals noted the beginning of spring when they heard Gus wailing in the distance and, whether out of fear or simple disinterest, no one bothered traveling to the riverbank to see exactly what Gustavus Peace was doing, much less why.
He needed the rains of 1940 worse than he’d ever needed them, for the impending birth of his seventh child—the only one he had never wanted—incited rage he feared he couldn’t restrain. Yet the rains wouldn’t come. Each morning he jumped from his sleeping pallet on the floor, sniffing the air like a Labrador retriever, hoping to smell the sweet scent of moisture, only to be disappointed when his nostrils inhaled particles of dry, pungent, red dust. Having never mentioned to his wife, Emma Jean, that he felt deceived by the pregnancy, Gus had waited since her ecstatic November announcement to unleash with the spring rains instead of strangling her. His greatest fear now was that an overflowing heart would cause him to crumble before his sons. Each day, his eyes glazed over and his hands began to tremble, and he cursed the rains for seemingly having abandoned him. So far, he had remained composed, but he knew he wouldn’t last much longer.
When Emma Jean screamed, Gus released the curtain, turned from the window, and looked toward their bedroom. It was really her bedroom, he thought, for he had slept on the floor since learning of her pregnancy. He liked it that way. It kept him from touching her and creating another mouth to feed. He wouldn’t have touched her this last time had Emma Jean not convinced him that she couldn’t have any more children. Gus asked why, and Emma Jean said that she was going through the change. He didn’t know exactly what that meant, but he took her at her word. The day she confessed her pregnancy, Gus nodded and promised in his heart never to touch her again. That would keep the children from coming, he reasoned, and that was exactly what he wanted.
"Push!" Henrietta coaxed with her hands cupped around the wet, slimy crown of the baby’s head.
Beads of sweat danced across Emma Jean’s shiny black forehead as she panted. With borrowed might, she clutched the sheets on which she lay and bellowed, "Ahhhhhhhhhhhhhhh!" tossing her head from one edge of the pillow to the other. "Oh my God! I thought havin’ a girl"—breath—"would be easier than havin’ them big, knucklehead boys."
Henrietta chuckled. She had delivered almost every child in Conway County, Arkansas, since the 1920s, and if nothing else, she had learned that a baby’s gender could never be predicted. "This might be another boy, Emma," she warned softly. "Don’t get yo’ hopes up too high. Plenty women think they havin’ one thing and have somethin’ else. Now breathe and push again."
Emma Jean sighed, refusing to relinquish hope that she was finally birthing the daughter she’d always wanted. That hope lent her strength to push again. "AHHHHHHHHHHHHH!" she growled, exposing the rich, deep alto for which folks at St. Matthew No. 3 Baptist Church were grateful. It was this voice that had caught Gus’s attention years ago, teasing his soul one Easter Sunday morning with a rendition of "He Rose" that left him tingling inside. He called the feeling love and asked Emma Jean to marry him. That was fifteen years ago. Back when he was a fool, he always said.
"It won’t be long now!" Henrietta encouraged. "Just a few more pushes and we’ll have ourselves another baby."
Emma Jean gripped the iron bars of the headpost and stared at the ceiling, delirious. She wanted to push again, but couldn’t find the strength. In the meantime, she wondered if Gus had decided upon a name, since he hadn’t liked any of her choices.
"What about Rose?" she’d posed one night, leaning over the edge of the bed.
Gus grunted something unintelligible and pulled the battered quilt over his head.
Emma Jean interpreted the response as a no. "Then what about Violet? Or maybe Priscilla?"
Too sle
Continues...
Excerpted from Perfect Peace by Black, Daniel Copyright © 2010 by Black, Daniel. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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