Paul and Seneca Among the Condemned: The Use of Spectacle in the Early Empire

by James R. Unwin

Overview

Paul and Seneca Among the Condemned: The Use of Spectacle in the Early Empire relocates the comparison of these two figures from the philosopher’s lecture hall to the amphitheaters of Rome and Corinth. The book explores the sites and images of spectacle that littered the landscapes of the ancient world. By examining archaeological remains alongside the letters of Paul and Seneca, James R. Unwin recreates their exhibitions of spectacle imagery. What we discover in viewing these provocative scenes from the grim world of the arena are suggestive responses to sovereign power and state terror. Their responses open up space for us to think through the reproduction of new arenas in our present world.

Product Details

ISBN-13:	9781978711198
Publisher:	Lexington Books
Publication date:	09/15/2024
Series:	Paul in Critical Contexts
Pages:	246
Product dimensions:	6.00(w) x 9.00(h) x (d)

About the Author

James R. Unwin is a senior policy analyst at the Ministry for Primary Industries in Wellington, New Zealand.

Table of Contents

Acknowledgments

List of Abbreviations

List of Illustrations

Introduction: Grim Worlds of the Condemned

Part I: Rome, Corinth, and their Spectacular Landscapes

Chapter 1: Sites, Sponsors, and Spectators: The Popularity of Roman and Corinthian Arenas

Chapter 2: The Stands and the Sand: Ideology and Representation of Arenas Empire-Wide

Part II: Paul, Seneca, and their Spectacles of Death

Chapter 3: “Thrown Down but not Destroyed”: Arenas of Suffering and Struggle

Chapter 4: “In Honour and Dishonour”: Criticising Performances and Confronting Death

Epilogue: Mimicry or Subversion of Grim Worlds

Bibliography

About the Author

Editorial Reviews

Unwin has given us a powerful new synthesis of how ancient Mediterranean spectacles of death operated as a horrific backdrop through which were articulated surprising and often paradoxical reflections on life, equality, and the valiant self-assertion of value amid de-humanizing injustice and terror. Full of productive and original insights, Unwin reveals ancient thought experiments of Paul and Seneca to be worthy testing grounds for our own perplexities about how people can be designated illegal, bestialized, and exposed to death.

Ward Blanton

In this profound and courageous investigation, James Unwin reaches beyond conventional scholarship on Paul and Seneca to retrieve an understanding of their respective uses of spectacle imagery to subvert the power structure of Roman militarism and imperialism. Unwin guides readers through the spectacle landscapes of the early Empire, recovering the mostly neglected Neronian and Corinthian amphitheaters. Writing with rare lyricism and passion, Unwin demonstrates that Paul and Seneca imaginatively placed themselves among the “disposable and discarded” of society, to envision alternative ways of life, through Stoic philosophy and political theology. Unwin’s retrieval of Paul among the condemned fortifies readers to resist the power of modern nation-states whose policies dehumanize refugees, migrants, and all the dispossessed of the earth.

L. L. Welborn