Pasquale's Nose: Idle Days in an Italian Town
Everywhere hailed for its quirkiness, its hilarity, its charm, Pasquale's Nose tells the story of a New York City lawyer who runs away to a small Etruscan village with his wife and new baby, and discovers a community of true eccentrics — warring bean growers, vanishing philosophers, a blind bootmaker, a porcupine hunter — among whom he feels unexpectedly at home.
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Pasquale's Nose: Idle Days in an Italian Town
Everywhere hailed for its quirkiness, its hilarity, its charm, Pasquale's Nose tells the story of a New York City lawyer who runs away to a small Etruscan village with his wife and new baby, and discovers a community of true eccentrics — warring bean growers, vanishing philosophers, a blind bootmaker, a porcupine hunter — among whom he feels unexpectedly at home.
19.99 In Stock
Pasquale's Nose: Idle Days in an Italian Town

Pasquale's Nose: Idle Days in an Italian Town

by Michael Rips
Pasquale's Nose: Idle Days in an Italian Town

Pasquale's Nose: Idle Days in an Italian Town

by Michael Rips

Paperback(First Edition)

$19.99 
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Overview

Everywhere hailed for its quirkiness, its hilarity, its charm, Pasquale's Nose tells the story of a New York City lawyer who runs away to a small Etruscan village with his wife and new baby, and discovers a community of true eccentrics — warring bean growers, vanishing philosophers, a blind bootmaker, a porcupine hunter — among whom he feels unexpectedly at home.

Product Details

ISBN-13: 9780316748643
Publisher: Little, Brown and Company
Publication date: 04/09/2002
Edition description: First Edition
Pages: 224
Product dimensions: 5.00(w) x 7.50(h) x (d)

Read an Excerpt

For as long as I can remember I have suffered from the belief that the place where I am living, however wretched, is preferable to anywhere else, however pleasant-the brown grass here is better than the green grass there.

My brown grass that spring was the Riss Restaurant, a purgatorial place where I would sit day after day doing little or nothing, surrounded by others doing less. It was at the Riss that Sheila found me, at the Riss that she suggested that we move to Italy, and at the Riss that I refused to go.

Sheila, an artist, had just given birth to our child. With no reason to believe that I would ever work, she felt compelled to earn money. That's where Italy came in.

Sheila knew of a medieval town at the top of a hill in central Italy. Artists lived there and one of them had a vacant house and studio. The town and studio would inspire her to complete a new series of paintings, which she would sell to support us. As for me, Sheila claimed that the town had two or three coffee shops that were as awful as the Riss.

I began to assemble the excuses for not going. But Sheila didn't need to hear them-she knew them from countless other conversations, all of which ended the same way: I would not leave.

But that afternoon something happened. A sheet of paper taped to the cash register. A sign.

The Riss, which had been open twenty-four hours a day, seven days a week, for seven decades, was closing.

It should not have surprised me-unlike Heaven and Hell, Purgatory was bound by time, subject to decay and oblivion.

Days later we left for Italy.

That Sheila was responsible for the sign on the cash register did not occur to me until it was too late.

Copyright (c) 2001 by Michael Rips

Table of Contents

The Guidi5
The Blessing of the Bean12
The Hand20
The Postman25
The Piazza30
The Philosopher48
Luciano's New Home68
Pontius Pilate73
The Boot Maker95
Times Ravishes the Day113
Skinning Spinoza119
Astrid's Story135
The Guy and the Non-Guy146
Marcella's Cantina168
Pasquale's Nose173
The Ping-Pong Table191
Poets of the Arm204

What People are Saying About This

Kurt Andersen

...part Federico Fellini and part Preston Sturges...these characters and their town are real and this bewitching tale is true.
—(Kurt Andersen, author of Turn Of The Century )

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