THE History of Paris, says Michelet, is the history of the French monarchy. The aim of the writer in the following pages has been to narrate the story of the capital city of France on the lines thus indicated, dwelling, however, in the earlier chapters rather more on its legendary aspect than perhaps an austere historical conscience would approve. But it is precisely a familiarity with these romantic stories, which at least are true in impression if not in fact, that the sojourner in Paris will find most useful, translated as they are in sculpture and in painting on the decoration of her architecture both modern and ancient, and implicit in the nomenclature of her ways. Within the limits of time and space allotted for the work no more than an imperfect outline of a vast subject has been possible. The writer has essayed to compose a story of, not a guide to, Paris. Those who desire the latter may be referred to the excellent manuals of Murray, Bædeker and of Grant Allen—the last named being an admirable companion for the artistically-minded traveller. In controversial matter, such, for instance, as the position of the ancient Grand Pont, the writer has adopted the opinions of the most recent authorities.
