Panic!: Markets, Crises, and Crowds in American Fiction / Edition 1

by David A. Zimmerman

Overview

During the economic depression of the 1890s and the speculative frenzy of the following decade, Wall Street, high finance, and market crises assumed unprecedented visibility in the United States. Fiction writers published scores of novels in the period that explored this new cultural phenomenon. In Panic!, David A. Zimmerman studies how American novelists and their readers imagined—and in one case, incited—market crashes and financial panics.

Panic! examines how Americans' attitudes toward securities markets, popular investment, and financial catastrophe were entangled with their conceptions of gender, class, crowds, corporations, and history. Zimmerman investigates how writers turned to mob psychology, psychic investigations, and conspiracy discourse to understand not only how financial markets worked, but also how mass acts of financial reading, including novel reading, could trigger economic disaster and cultural chaos. In addition, Zimmerman shows how, by concentrating on markets in crisis, novelists were able to explore the limits of fiction's aesthetic, economic, and ethical capacities. With readings of canonical as well as lesser-known novelists, Zimmerman provides an original and wide-ranging analysis of the relation between fiction and financial modernity.

Product Details

ISBN-13:	9780807856871
Publisher:	The University of North Carolina Press
Publication date:	05/29/2006
Series:	Cultural Studies of the United States
Edition description:	1
Pages:	312
Product dimensions:	5.50(w) x 8.50(h) x 0.70(d)

About the Author

David A. Zimmerman is associate professor of English at the University of Wisconsin, Madison.

What People are Saying About This

From the Publisher

Zimmerman's innovative book goes far to fill a void in our understanding of the literary history of an important period in which financial collapse and panic powerfully affected the course of U.S. fiction. His work will take a deservedly prominent place in scholarship of the late nineteenth and early twentieth centuries.—Cecelia Tichi, Vanderbilt University



Impressively informed about both American fiction and the history of American finance, Zimmerman's book provides literary insights as well as sharp cultural analysis of the resonances market panics had in U.S. mass culture, politics, and class and gender relations. Frequently surprising, always illuminating, his study moves us far beyond our familiar generalizations about literature and the market.—Randall Knoper, University of Massachusetts, Amherst

Editorial Reviews

Provides fascinating readings of both forgotten writers and more familiar ones. . . . At the vanguard of an emerging scholarly interest in the culture of the market.—Journal of American Studies



Rich in the anecdotes and details that capture the cultural context of the decades that straddled the turn of the twentieth century.—American Historical Review



Panic is filled with keen insights. . . . It importantly resuscitates stories and recasts tropes from early twentieth century America."-Literature & History



Provocative and thoughtful. . . . Zimmerman reveals a world of ideas that intellectual and cultural historians will find fascinating. . . . A worthy, fascinating addition to the growing scholarship that seeks to explore and explain the cultural history of capitalism.—Journal of American History



Meticulously researched and equally well-written. . . . Thorough and masterful. . . . Zimmerman himself has scored a victory with this book. Panic! Markets, Crises, and Crowds in American Fiction is a winner.—Business History Review



A fascinating study. . . . Should be on the reading list not only of Americanists but also of other scholars interested in the intersections of fictional narrative and financial modernity.—Novel



An inventive and valuable addition to the scholarship addressing the interpenetration of economics and literature specifically and to studies of the modern United States more generally. . . . An imaginative and rich analysis of financial panic's literary coordinates.—Modern Fiction Studies



Both a valuable contribution to the field and a methodological exemplar for further study. . . . Many studies provide context, but Panic! shifts seamlessly between strict historicism and the innovative, culturally specific histories necessary for a full understanding of the novels Zimmerman discusses. . . . Remarkably deep analyses.—Studies in American Naturalism

From the Publisher