MARCH 2022 - AudioFile
This audiobook provides a new take—and a more feminist perspective—on the women in Greek mythology and the misogyny often associated with the stories. Author Natalie Haynes, who also shines as narrator, is conversational, sarcastic, and surprisingly entertaining as she shares the stories of 10 women who have long been vilified by historians and writers alike. Haynes asks thought-provoking questions about why the unfavorable portrayals of these women were so widely accepted in the past and continue to be even today. All of the stories are well researched and intelligently presented by Haynes. The sections on Pandora, Medusa, and Medea are particularly engaging. K.S.M. © AudioFile 2022, Portland, Maine
Publishers Weekly
01/31/2022
Classicist Haynes (A Thousand Ships) challenges common ideas about Greek mythology in this sharp corrective. To show “how differently were viewed in the ancient world,” she closely reads the tales of 10 mythological women. Medusa, for example, was more than just a serpent-haired villain, but was transformed into a “monster” after being raped by Poseidon. In the tale of Jocasta written by Sophocles, she and Oedipus did not realize the nature of their relationship (and readers often overlook her “terrible fate,” Haynes writes). Medea, meanwhile, was a clever woman whose choice between “jealous or crazy” mirrors Beyoncé’s, and Pandora didn’t unleash evils onto the world out of vengeance—her vessel was originally a jar, not a box, and one easily tipped over. Haynes also offers a fascinating study of renderings of mythological figures in art as they changed over time, including on ancient water jars, in Italian bowls from 400 BCE, and as 16th-century statues. While in some sections Haynes assumes too much knowledge on the part of the reader, when she hits her stride and seamlessly blends historical, textual, and artistic analysis, her survey sings. Even those casually familiar with Greek mythology will find this enriching. Agent: Peter Strauss, RCW Literary. (Mar.)
From the Publisher
Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!” — Margaret Atwood, author of The Handmaid's Tale
“Natalie Haynes is both a witty and an erudite guide. She wears her extensive learning lightly and deftly drags the Classics into the modern world. I loved it.” — Kate Atkinson, author of Life After Life
“Natalie Haynes is beyond brilliant. Pandora’s Jar is a treasure box of classical delights. Never has ancient misogyny been presented with so much wit and style." — Amanda Foreman, author of The World Made by Women
“Beyoncé, Star Trek, Ray Harryhausen . . . the most enjoyable book about Greek myths you will ever read, absolutely brimming with subversive enthusiasm.” — Mark Haddon, author of The Porpoise and The Curious Incident of the Dog in the Night-Time
"Witty, erudite and subversive, this takes the women of Greek myth―the women who are sidelined, vilified, misunderstood or ignored―and puts them centre stage." — Samantha Ellis, author of How to Be a Heroine and Take Courage
“Natalie Haynes is [Britain’s] muse.” — Adam Rutherford, author of How to Argue with a Racist
"A hugely enjoyable and witty book, which will appeal to admirers of novels such as Madeline Miller’s Circe, Kamila Shamsie’s Home Fire, and Haynes’s own fiction.” — The Guardian
“Impassioned and informed . . . When Haynes gets down to retelling the stories . . . and teasing out their distortions and elisions, the book flies." — Sunday Times (UK)
“An erudite, funny and sometimes angry attempt to fill in the blank spaces.” — Observer
“Classicist Haynes challenges common ideas about Greek mythology in this sharp corrective. . . . When she hits her stride and seamlessly blends historical, textual, and artistic analysis, her survey sings. Even those casually familiar with Greek mythology will find this enriching.” — Publishers Weekly
“Agile, rich, subversive, Pandora's Jar proves that the classics are far from dead, and keep evolving with us.” — Mail on Sunday
“Witty and frequently surprising.” — Times Literary Supplement
“Engaged, engaging and fun.” — Herald
“Packed with wry humor and scholarly insight, Pandora’s Jar shines a new light on our oldest stories, illuminating its subjects in all their painful complexity.” — Booklist
"Throughout, Haynes also notes that these often outlandish retellings and related tropes have become (flawed) inspirations for works of modern art, music, and film, including the original Star Trek series, an episode of The Simpsons, Pulp Fiction, and a music video by Beyoncé . . . Readers of all levels of knowledge are certain to be enthralled with her analysis and find her humor and wit captivating. A fun and informative addition to the ongoing consideration of ancient mythology." — Kirkus Reviews
"A classicist revisits the tales of 10 mythological women from a female perspective, adding a new depth and nuance to the stories of Helen of Troy, Medea, Medusa and others." — New York Times
Sunday Times (UK)
Impassioned and informed . . . When Haynes gets down to retelling the stories . . . and teasing out their distortions and elisions, the book flies."
Kate Atkinson
Natalie Haynes is both a witty and an erudite guide. She wears her extensive learning lightly and deftly drags the Classics into the modern world. I loved it.”
Mark Haddon
Beyoncé, Star Trek, Ray Harryhausen . . . the most enjoyable book about Greek myths you will ever read, absolutely brimming with subversive enthusiasm.
Samantha Ellis
"Witty, erudite and subversive, this takes the women of Greek myth―the women who are sidelined, vilified, misunderstood or ignored―and puts them centre stage."
The Guardian
"A hugely enjoyable and witty book, which will appeal to admirers of novels such as Madeline Miller’s Circe, Kamila Shamsie’s Home Fire, and Haynes’s own fiction.”
Margaret Atwood
Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!”
Amanda Foreman
Natalie Haynes is beyond brilliant. Pandora’s Jar is a treasure box of classical delights. Never has ancient misogyny been presented with so much wit and style."
Observer
An erudite, funny and sometimes angry attempt to fill in the blank spaces.”
Adam Rutherford
Natalie Haynes is [Britain’s] muse.”
Times Literary Supplement
Witty and frequently surprising.
Herald
Engaged, engaging and fun.
Mail on Sunday
Agile, rich, subversive, Pandora's Jar proves that the classics are far from dead, and keep evolving with us.
MARCH 2022 - AudioFile
This audiobook provides a new take—and a more feminist perspective—on the women in Greek mythology and the misogyny often associated with the stories. Author Natalie Haynes, who also shines as narrator, is conversational, sarcastic, and surprisingly entertaining as she shares the stories of 10 women who have long been vilified by historians and writers alike. Haynes asks thought-provoking questions about why the unfavorable portrayals of these women were so widely accepted in the past and continue to be even today. All of the stories are well researched and intelligently presented by Haynes. The sections on Pandora, Medusa, and Medea are particularly engaging. K.S.M. © AudioFile 2022, Portland, Maine
Kirkus Reviews
2022-02-15
An analysis of the women of Greek myths and how “every myth contains multiple timelines within itself: the time in which it is set, the time it is first told, and every retelling afterwards.”
Writer, classicist, and comedian Haynes has written extensively on the ancient world. In her latest book, she rescues the reputations of some of the women in Greek mythology. She highlights the stories of women that have been retold countless times and explores the evolution of their characters over the centuries. Divided into 10 chapters, her narrative discusses Pandora, Jocasta, Helen, Medusa, the Amazons, Clytemnestra, Eurydice, Phaedra, Medea, and Penelope. In her discussion of Pandora, Haynes points out that Pandora’s box didn’t appear until Erasmus translated Hesiod’s Works and Days into Latin “well over two millennia after Hesiod was writing in Greek.” Furthermore, Hesiod’s original version made no reference to Pandora releasing its contents. “For the ancients,” Haynes suggests, “Pandora’s role as the ancestor of all women was far more important than her disputed role in opening the world to incessant evil.” Regarding the stories of Helen causing the Trojan War, Haynes contends that she was “nothing but a beautiful pawn.” Turning to the legends associated with Medusa, the author notes that while some versions of her myth have called her a “monster,” others claim that she was born beautiful but was afflicted with “snaky hair” to save her from future sexual encounters with men. Throughout, Haynes also notes that these often outlandish retellings and related tropes have become (flawed) inspirations for works of modern art, music, and film, including the original Star Trek series, an episode of The Simpsons, Pulp Fiction, and a music video by Beyoncé. Although the author assumes her audience is familiar with Greek mythology, readers of all levels of knowledge are certain to be enthralled with her analysis and find her humor and wit captivating.
A fun and informative addition to the ongoing consideration of ancient mythology.
