Outlandish: Writing Between Exile and Diaspora
Outlandish addresses geographical displacement as a lived experience in the twentieth century, as a predicament of writing, and as a problem for theory. It focuses on the work of three transnational writers from diverse backgrounds working in different genres: Joseph Conrad, the Ukrainian-born Polish novelist and storywriter living in Britain at the turn of the century; Theodor W. Adorno, the German-Jewish philosopher and sociologist transplanted to Los Angeles during the Second World War; and Salman Rushdie, the Indian-born British novelist and journalist, recently released from the peculiar conditions of his notorious houseless arrest.

The author argues that Conrad, Adorno, and Rushdie emblematize significant shifts over the course of the century, from a modernist expression of almost universal deracination, to a post-Auschwitz disarticulation of home and subjectivity, to an emergent conceptualization of displacement in terms of migrancy, hybridity, and flow. He theorizes a mode of reading between exile and diaspora—two fundamentally different descriptions of displacement—and allows the "outlandish" writing of these three figures to complicate this seemingly continuous trajectory.

Drawing on texts from literary theory, philosophy, psychoanalysis, anthropology, and geography, the author explores what he calls the "rhetoric of displacement"—the struggle to assert identity out of place. He reads this writing predicament against the backdrop of the century's salient economic and technological changes, political upheavals, and mass migrations. In doing so, he draws attention to those aspects of exile and diaspora that have remained insufficiently considered: their relation to nationalism and colonialism, to authority and institutionality, and, above all, to broader questions of subjectivity, "race," location, and language, as these concepts themselves subtly change over the course of the century.

1110869194
Outlandish: Writing Between Exile and Diaspora
Outlandish addresses geographical displacement as a lived experience in the twentieth century, as a predicament of writing, and as a problem for theory. It focuses on the work of three transnational writers from diverse backgrounds working in different genres: Joseph Conrad, the Ukrainian-born Polish novelist and storywriter living in Britain at the turn of the century; Theodor W. Adorno, the German-Jewish philosopher and sociologist transplanted to Los Angeles during the Second World War; and Salman Rushdie, the Indian-born British novelist and journalist, recently released from the peculiar conditions of his notorious houseless arrest.

The author argues that Conrad, Adorno, and Rushdie emblematize significant shifts over the course of the century, from a modernist expression of almost universal deracination, to a post-Auschwitz disarticulation of home and subjectivity, to an emergent conceptualization of displacement in terms of migrancy, hybridity, and flow. He theorizes a mode of reading between exile and diaspora—two fundamentally different descriptions of displacement—and allows the "outlandish" writing of these three figures to complicate this seemingly continuous trajectory.

Drawing on texts from literary theory, philosophy, psychoanalysis, anthropology, and geography, the author explores what he calls the "rhetoric of displacement"—the struggle to assert identity out of place. He reads this writing predicament against the backdrop of the century's salient economic and technological changes, political upheavals, and mass migrations. In doing so, he draws attention to those aspects of exile and diaspora that have remained insufficiently considered: their relation to nationalism and colonialism, to authority and institutionality, and, above all, to broader questions of subjectivity, "race," location, and language, as these concepts themselves subtly change over the course of the century.

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Outlandish: Writing Between Exile and Diaspora

Outlandish: Writing Between Exile and Diaspora

by Nico Israel
Outlandish: Writing Between Exile and Diaspora

Outlandish: Writing Between Exile and Diaspora

by Nico Israel

Hardcover(1)

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Overview

Outlandish addresses geographical displacement as a lived experience in the twentieth century, as a predicament of writing, and as a problem for theory. It focuses on the work of three transnational writers from diverse backgrounds working in different genres: Joseph Conrad, the Ukrainian-born Polish novelist and storywriter living in Britain at the turn of the century; Theodor W. Adorno, the German-Jewish philosopher and sociologist transplanted to Los Angeles during the Second World War; and Salman Rushdie, the Indian-born British novelist and journalist, recently released from the peculiar conditions of his notorious houseless arrest.

The author argues that Conrad, Adorno, and Rushdie emblematize significant shifts over the course of the century, from a modernist expression of almost universal deracination, to a post-Auschwitz disarticulation of home and subjectivity, to an emergent conceptualization of displacement in terms of migrancy, hybridity, and flow. He theorizes a mode of reading between exile and diaspora—two fundamentally different descriptions of displacement—and allows the "outlandish" writing of these three figures to complicate this seemingly continuous trajectory.

Drawing on texts from literary theory, philosophy, psychoanalysis, anthropology, and geography, the author explores what he calls the "rhetoric of displacement"—the struggle to assert identity out of place. He reads this writing predicament against the backdrop of the century's salient economic and technological changes, political upheavals, and mass migrations. In doing so, he draws attention to those aspects of exile and diaspora that have remained insufficiently considered: their relation to nationalism and colonialism, to authority and institutionality, and, above all, to broader questions of subjectivity, "race," location, and language, as these concepts themselves subtly change over the course of the century.


Product Details

ISBN-13: 9780804730730
Publisher: Stanford University Press
Publication date: 05/01/2000
Edition description: 1
Pages: 272
Product dimensions: 6.00(w) x 9.00(h) x 1.00(d)

About the Author

Nico Israel is Assistant Professor of English at Hunter College, City University of New York.

Table of Contents

Preface and Acknowledgmentsix
Introduction: Writing between Exile and Diaspora1
Voyage Out1
Tropics of Displacement4
Place Matters5
Unheimlich(e) Maneuvers8
The Rhetoric of Displacement11
Forcing the Issue of Choice13
The Map18
Chapter 1Conrad and the Cultural Geography of Exile23
The Aura, The Aura23
Fostering Difference28
Vexed Encounters31
Only (Dis) Connect39
Mach es Kurz!51
I had jumped ... it seems58
Usque ad Finem71
"Et apres? There is an apres."74
Chapter 2Adorno, Los Angeles, and the Dislocation of Culture75
Flying T.W.A.75
Blue Note78
Ac-cen-tu-ate the Negative85
From Monad to Nomad, and Back97
Subversive Elements101
Split Personalities116
Future Perfect118
Coda120
Chapter 3The Place of Salman Rushdie123
Preamble123
Finding Elbaroom130
States of Emergency137
Translating History148
To the Devil157
Homing Devices174
Postscript177
Notes179
Works Cited225
Index239
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