At the outset of this lighthearted account of life in an Indian village, a boy carefully places rocks around a baby tree growing in the middle of a path. “Out of the way! Out of the way!” a mango seller yells. Before long, that cry has new meaning: the tree has grown so big that people must swerve to avoid it. Ox-carts give way to cars. Machines come to pave the road, “sputtering their way carefully around the tree.” Krishnaswamy’s (And Land Was Born) naïf, folk-art figures crowd the pages, selling things and carrying huge loads on their heads, while birds dart and cows wander along. Krishna-swami’s (The Grand Plan to Fix Everything) fanciful prose has an e.e. cummings feel (a crush of blobby vehicles goes “from here to there and back again”). The action can be hard to follow because it’s so diffuse; the boy grows from a young man into a silver-haired grandfather, but he is not always the focus of the story’s action. Still, it’s a rare thing: a book about generations and growth that doesn’t come across as preachy. Ages 4–7. (Apr.)
A great book to use as a tie-in to environmental units as well as multicultural connections
There is much to see and enjoy in the small paintings and drawings that make up each scene. This delightful story illustrates how tradition and modern progress can coexist in a way that benefits everyone.
Groundwood adds yet another superior title to their long list of imaginative picture books. An accidental kind of learning occurs when reading Out of the Way! Out of the Way! — and isn’t that the best kind?
CM Magazine - Lara LeMoal
"One day a boy spotted something small and green in the middle of the path.—The New York Times —Publishers Weekly —School Library Journal —CM Magazine —Kirkus
K-Gr 3—A boy finds a sapling on the dirt path that runs through his village in what appears to be India and protects it with a ring of stones. As the tree grows, villagers reroute the path around it, while bikers and oxcart and motor scooter drivers cry, "Out of the way! Out of the way!" The tree continues to grow, providing a home for animals and a meeting place for people beneath its branches. A city grows beyond the village, the dirt path becomes a paved road for cars and trucks, the boy becomes a man with his own children. Through the years, people learn to carry on their activities "out of the way" of the tree rather than sacrificing it to make way for themselves. They even take time, occasionally, from rushing "from here to there and back again" to sit under it and listen to the old stories. Krishnaswamy's charming folk-art illustrations, executed in mixed media, combine black-and-white drawings with blocks of color. Alert readers will notice that many of the orange outline drawings on the endpapers are echoed throughout the book, in color or in pen and ink. The road cuts through every page, either in a continuous stretch or as winding patches carrying people's footprints as they circumvent the tree. There is much to see and enjoy in the small paintings and drawings that make up each scene. This delightful story illustrates how tradition and modern progress can coexist in a way that benefits everyone.—Marianne Saccardi, formerly at Norwalk Community College, CT
A boy in India sees a baby tree growing by the side of a dusty path, and, because he protects it, it flourishes throughout his lifetime despite the changes to the landscape around him. Krishnaswami's spare text tracks the tree's growth over time, with the titular refrain "Out of the way! Out of the way!" giving voice to those who hurry past it. Mixed-media pictures inspired by India's arts-and-crafts tradition depict the path turning into a lane, then a street, then a road, signaling the rapid development that transforms the landscape from a quiet, sleepy village into a busy town. Meanwhile, the boy grows into a man, and the tree becomes a meeting place for local people. The message to stop and smell the roses (or enjoy the tree) comes through effectively as spreads become more and more saturated with imagery that crowds out white space. Some readers may be unable to easily identify the boy who leads off the story from page to page, but the text seems less interested in following his character than on attending to the tree's particular role in providing a place of rest and beauty. And in that, it succeeds beautifully. A lovely, unique contribution. (Picture book. 4-8)
