Our Story Begins: Your Favorite Authors and Illustrators Share Fun, Inspiring, and Occasionally Ridiculous Things They Wrote and Drew as Kids

by Elissa Brent Weissman, Kwame Alexander, Tom Angleberger, Kathi Appelt, Ashley Bryan

Overview

From award-winning author Elissa Brent Weissman comes a collection of quirky, smart, and vulnerable childhood works by some of today’s foremost children’s authors and illustrators—revealing young talent, the storytellers they would one day become, and the creativity they inspire today.

Everyone’s story begins somewhere...

For Linda Sue Park, it was a trip to the ocean, a brand-new typewriter, and a little creative license.
For Jarrett J. Krosoczka, it was a third grade writing assignment that ignited a creative fire in a kid who liked to draw.
For Kwame Alexander, it was a loving poem composed for Mother’s Day—and perfected through draft after discarded draft.
For others, it was a teacher, a parent, a beloved book, a word of encouragement. It was trying, and failing, and trying again. It was a love of words, and pictures, and stories.

Your story is beginning, too. Where will it go?

Product Details

ISBN-13:	9781481472098
Publisher:	Atheneum Books for Young Readers
Publication date:	06/26/2018
Edition description:	Reprint
Pages:	208
Sales rank:	829,778
Product dimensions:	6.00(w) x 8.00(h) x 0.50(d)
Age Range:	8 - 12 Years

About the Author

Elissa Brent Weissman is the author of The Short Seller, Nerd Camp, Nerd Camp 2.0, Standing for Socks, The Trouble with Mark Hopper, and the editor of Our Story Begins. She lives in Baltimore, Maryland. Visit her at EBWeissman.com.

Other contributors include Kwame Alexander, Tom Angleberger, Kathi Appelt, Ashley Bryan, Tim Federle, Candace Fleming, Marla Frazee, Chris Gall, Alex Gino, Chris Grabenstein, Gordon Korman, Jarrett J. Krosoczka, Thanhhà Lai, Peter Lerangis, Gail Carson Levine, Grace Lin, Yuyi Morales, Phyllis Reynolds Naylor, R.J. Palacio, Linda Sue Park, Eric Rohmann, Dan Santat, Brian Selznick, Cynthia Leitich Smith, and Rita Williams-Garcia.

Table of Contents

Introduction 1

1 Dan Santat 5

2 R. J. Palacio 11

3 Maria Frazee 17

4 Jarrett J. Krosoczka 25

5 Thanhhà Lai 31

6 Eric Rohmann 35

7 Linda Sue Park 39

8 Phyllis Reynolds Naylor 43

9 Gordon Korman 51

10 Elissa Brent Weissman 57

11 Kathi Appelt 65

12 Gail Carson Levine 71

13 Chris Gall 75

14 Rita Williams-Garcia 81

15 Cynthia Leitich Smith 93

16 Peter Lerangis 97

17 Candace Fleming 103

18 Brian Selznick 111

19 Tom Angleberger 117

20 Alex Gino 129

21 Tim Federle 137

22 Kwame Alexander 149

23 Grace Lin 155

24 Chris Grabenstein 169

25 Yuyi Morales 177

26 Ashley Bryan 185

Editorial Reviews

"This collection offers a lively glimpse of the artistic starts of twenty-six writers and illustrators for youth, with notable contributors such as Kwame Alexander, Dan Santat, Phyllis Reynolds Naylor, and Linda Sue Park . . . The snapshots of the artists as young men and women are engaging and irreverent . . . There are a lot of shoutouts to influential teachers, a lot of early imitation (rightly recognized as a valid exercise), and a clear message throughout that this early work counts, whether you finish it, whether it’s completely original, whether it wins you the regard you hoped... this has curricular use written all over it (there’s even tips for young writers at the end) and the encouragement is strong and valuable. Plenty of young readers will salivate at the notion of living the dream described by Jarrett J. Krosoczka: 'What I do now for my job is exactly what I did for fun when I was a kid.'"

July/August 2017 - BCCB

"The best authors and artists make their work seem so effortless that it’s easy to assume they’re all preternaturally gifted; it’s easy to forget the inevitable time and labor that went into their work, and this collection is the perfect remedy to that misapprehension. In short sections, children’s literature luminaries offer short essays about their early artistic efforts and snippets of their early work...the main takeaway, of course, is that hard work and practice, as well as a lot of inevitable failure, is always part of honing a craft. A sweet, inspirational anthology for any kid who dreams of one day having their own name on the cover of a book."

June 2017 Booklist

"Twenty-six children’s book creators reflect on the stories and art they produced in their youth. Each section includes a brief essay by the author or illustrator, images of the work in its (often handwritten) original form, and a bio that shows what came out of that work in the contributor’s adulthood. Many entries are amusingly self-effacing: Dan Santat remembers a tantrum at age five because he couldn’t draw as well as Norman Rockwell, and Candace Fleming recalls transferring the Newbery sticker from The Witch of Blackbird Pond to her own short story. Young aspiring writers and artists should find reassurance in the early foibles of those now successful in the field. But the volume also shows examples of developing talent—check out teenaged Ashley Bryan’s drawings!"

November/December 2017 The Horn Book Magazine

05/01/2017
Gr 4–7—By the time Rita Williams-Garcia, author of One Crazy Summer, was 13 years old, she had filled 39 notebooks with scribbles and story ideas. Gordon Korman exhibited the humor found in Slacker and "The Mastermind" series back in fifth grade, when he wrote a speech, "How To Handle Your Parents." Firsthand accounts from 26 children's authors and illustrators describe how their earliest writing or drawing experiences resulted in a career in kid lit. Entries vary in length (three to six pages); each includes a childhood photograph and a sample of an early piece of work, such as Korman's aforementioned speech and Kwame Alexander's first "real" poem, to his mother. The individuals are diverse and represent a variety of cultural upbringings, such as Yuyi Morales, who pursued art even when strict teachers in Xalapa, Mexico, were far from encouraging. All entries end with a brief biography of general facts, notable works, and awards. Here, readers learn that Morales went on to receive a Caldecott Honor for Viva Frida and recently illustrated Sherman Alexie's Thunder Boy Jr. Concluding the work are gorgeous sketches that Ashley Bryan drew as a teenager. Weissman, the collection's editor, pens her own chapter about how a love of kid detective stories led to her writing Nerd Camp for middle graders. An attractive cover, glossy pages, and writing tips will make this a great addition to collective biography or career sections. VERDICT An authentic, generous, and inspiring selection for tweens who wonder where their doodling or journaling might take them.—Vicki Reutter, State University of New York at Cortland

School Library Journal

2017-04-17
Twenty-six notable authors and illustrators of children's books—including the book's editor—introduce themselves via their childhood memories.The short, straightforward introduction begins with the editor sharing her inspiration for the book: reading through her oldest writings, stored in "a box in a basement," and reflecting that other creators have similar boxes. Two years of interviewing, collecting, and collating produced the accessible, enjoyable text that follows. Each creator shares a childhood photograph, a brief memoir, a short biography, and a photographed sample of a creative work from childhood. The order of presentation is determined by the age at which the creative work was accomplished, ranging from 7 to 16. The art and writing samples from childhood are occasionally exciting but more often typical of the age represented—and thus encouraging rather than intimidating to young creatives. The memoirs—all (unsurprisingly) engaging—range from humorous to serious, and some slip in good advice, both about the tools of the craft and about self-marketing. There is a wide diversity of ages and backgrounds, from Phyllis Reynolds Naylor to Alex Gino, from Eric Rohmann to Rita Williams-Garcia. Thanhhà Lai is especially memorable; as a Vietnamese refugee, she had no box of writings: "But it turns out, I don't need tangible objects. I have my memories." Her recollection of an oral prose poem from age 8 is one that stands out because it is indeed remarkable for one so young. Good for aspiring writers and artists. (Collective memoir. 8-12)

Kirkus Reviews

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