Our Lady of the Lost and Found: A Novel of Mary, Faith, and Friendship
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Our Lady of the Lost and Found: A Novel of Mary, Faith, and Friendship
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Overview
As this Everywoman and Mary become friends, their conversations, both profound and intimate, touch upon Mary's significance and enduring relevance. Told with humor and grace, Our Lady of the Lost and Found is an absorbing tour through Mary's history and a thoughtful meditation on spirituality, our need for faith, and our desire to believe in something larger than ourselves.
Product Details
| ISBN-13: | 9781101126974 |
|---|---|
| Publisher: | Penguin Publishing Group |
| Publication date: | 07/30/2002 |
| Sold by: | Penguin Group |
| Format: | eBook |
| Pages: | 384 |
| Sales rank: | 948,080 |
| File size: | 619 KB |
| Age Range: | 18 Years |
About the Author
Read an Excerpt
Signs
Looking back on it now, I can see there were signs. In the week before it happened, there was a string of unusual events that I noticed but did not recognize. Seemingly trivial, apparently unconnected, they were not even events really, so much as odd occurrences, whimsical coincidences, amusing quirks of nature or fate. It is only now, in retrospect, that I can see them for what they were: eclectic clues, humble omens, whispered heralds of the approach of the miraculous.
These were nothing like the signs so often reported by other people who have had similar experiences. The sun did not pulsate, spin, dance, or radiate all the colors of the rainbow. There were no rainbows. There were no claps of thunder and no bolts, balls, or sheets of lightning. There were no clouds filled with gold and silver stars. The moon did not split in two, the earth did not tremble, and the rivers did not flow backward. A mil-lion rose petals did not fall from the sky and ten thousand blue butterflies did not flock around my head. There were no doves. There were no advance armies of angels. There was not even one angel, unless you care to count the squirrel.
Three mornings in a row a fat black squirrel with one white ear came and balanced on the flower box at my kitchen window. It was the middle of April. There was nothing in the box but last year's dirt, hard-packed and dense with the ingrown roots of flowers long-gone to the compost pile. It would soon be time to refill them with fresh soil and plant the annuals: impatiens, lobelia, some hanging vines.
The squirrel appeared on Monday, Tuesday, and Wednesday, each morning at seven o'clock. I sat at the kitchen table in my nightgown and housecoat, drinking coffee and reading The House of the Spirits by Isabel Allende for the second time. I had read it when it first came out a dozen years before, and had picked it off the shelf again on impulse, without wondering why it suddenly seemed important to read it again. I was enjoying it even more the second time around. The squirrel sat on the edge of the window box nibbling on something that looked suspiciously like a tulip bulb from the flower bed below.
I realize there is nothing intrinsically unusual about a squirrel on a window box eating a tulip bulb. What piqued my interest was that white ear. The squirrel looked in at me with its head cocked as if listening hard with its white right ear. We stared at each other. The squirrel kept eating and listening. Even when I leaned closer to the window and made ferocious faces and carnivorous sounds, the squirrel stayed put, twitching its fluffy tail like a flag.
On each of those three mornings, the squirrel sat at my window for exactly half an hour and then it scampered away.
On the fourth morning, I got up early, got dressed, and waited. I am no more sure now than I was then of what I intended to do if and when the squirrel appeared. Feed it, kill it, or tame it and keep it for a pet? Chase it away with the broom, invite it in for coffee, or simply sit and stare into its beady eyes some more?
I waited and waited but the squirrel never came. I went outside and repaired the damage to my flower bed. I came back inside and began my day again just as if nothing had happened. Because, of course, nothing had.
That day, Thursday, turned out to be what I now think of as The Day of Mechanical Miracles.
The kitchen faucet, which had been dripping for a year and half, stopped.
The toaster, which for a month had been refusing to spit out the toast (thereby necessitating its extraction by means of a dangerous operation with a fork), repented. That morning the toast popped up so perky and golden, it fairly leaped onto my plate.
The grandfather clock in the living room, which I had bought on impulse at an auction six years before and which had not kept good time since, became accurate and articulate, tolling out the hours with melodious precision.
The answering machine, which had been recording my callers as if they were gargling underwater or bellowing into a high wind, recovered its equanimity and broadcast my new messages into the room in cheerful, dulcet tones.
I, of course, marveled extensively at these small miracles but had no reason to suspect they were anything but fortuitous gifts meant perhaps to finally prove my theory that if you just leave things alone and let them rest, they will eventually fix themselves. I had no reason to suspect that these incidents of spontaneous repair might be products or premonitions of the divine. These self-generated mechanical healings were just as likely, I thought, to be the ultimate and inevitable culmination of such modern innovations as self-cleaning ovens, self-defrosting refrigerators, self-sealing fuel tanks, and self-rising bread.
The next day, Friday, I had several errands to run. I was hardly surprised to discover that my car, which had lately been suffering from some mysterious malady that caused it to buck and wheeze whenever I shifted into second gear, had quietly healed itself during the night, and it now carried me clear across town without complaint. There were parking spaces everywhere I needed them, some with time still on the meter.
At the bank, I got the friendliest, most efficient teller after a wait of less than five minutes. On a Friday afternoon, no less. While I waited, I noticed that all three of the women in line in front of me were wearing navy blue trench coats and white running shoes.
At the library, all the books I wanted were in and shelved in their proper places.
At the bakery, I got the last loaf of cheese bread.
At the drugstore, all the things I needed-toothpaste, shampoo, bubble bath, and vitamins-were on sale.
On the way home, I stopped at the corner store for a quart of milk and a chocolate bar. The clerk behind the cash register was new, a young woman with long brown hair and dark dreamy eyes. She was sipping coffee out of a Styrofoam cup and reading The House of the Spirits by Isabel Allende. The clerk who was usually there at this time of day would have been doing her nails and reading the National Enquirer. There was no one else in the store. There was no one choosing a dollar's worth of penny candy one candy at a time; no one trying to cash a check; no one buying forty-seven Scratch-and-Win tickets and then feeling obliged to scratch them all right there. Feeling gregarious in my good fortune, I asked the clerk how she was enjoying the book. She said it was wonderful. I agreed wholeheartedly and mentioned that by coincidence I was reading it too. She said that was amazing.
At home I put away my purchases, ate my chocolate bar, and thanked my lucky stars. Still it did not occur to me that there might be anything more going on here than a random bout of serendipity at work in my life. We have all had weeks where everything went wrong. So why not a week where everything went right? As far as I was concerned, I deserved a day or two of smooth sailing through the hazardous waters of daily life. Undoubtedly this was my just reward for having so often weathered the more familiar barrage of everyday ordeals.
I thought of all those times I had finally reached a cranky, incompetent bank teller after waiting in line for half an hour wedged between a crying baby and an unwashed man who had recently eaten a large clove of garlic, only to have her put up her next teller sign or inform me that my checking account was overdrawn by $2,486.99. And what about all those times when every book I wanted to borrow from the library was either already out, lost, or stolen? How many times had the bakery run out of cheese bread three minutes before I got there? How many times had I searched that same drugstore for my favorite health and hygiene products only to find that they were temporarily out of stock, permanently discontinued, or twice as expensive as they had been six weeks ago? How many times had the only available parking spot within a four-block radius been whisked right out from under my wheels by a more aggressive (and remorseless) driver in a hulking black minivan? And how many times had I been so overjoyed to finally find a parking spot that I had walked away without putting money in the meter and so got ticketed the minute my back was turned?
Obviously I deserved a good day and I was not about to question either its meaning or its message.
On Saturday morning, I did my regular rounds of vacuuming, dusting, dishes, and laundry. In the afternoon, I got groceries. Then I decided to clean out my bedroom closet. It was spring, after all, and some extra cleaning seemed appropriate. Once a year I sort the contents of my closet into three piles: Keep, Give Away, and Back Bedroom, the closet in the back bedroom being the way station between Keep and Give Away, the place where I put all those things that I know I will never wear again but that I'm not quite ready to part with either. After a respectable period of time in Back Bedroom limbo, these items, too, eventually find their way out the door. This time the Back Bedroom pile included a pair of flowered cotton drawstring pants that made me look fat, an expensive olive green blouse that made me look sallow, a short purple skirt that made me look ridiculous, and a chocolate brown cardigan that made me feel dowdy and depressed every time I looked at it.
As I hung these items in the otherwise empty back bedroom closet, I caught sight of a small cardboard box wedged into the far right corner of the top shelf. I could not imagine what it contained. I couldn't reach it, so I dragged a chair in from the kitchen, climbed up on it, and lifted down the box. On the top was a yellowed mailing label, addressed in my mother's handwriting to an apartment I had lived in nineteen years ago. The label and several lengths of brittle cellophane tape came off in my hands. I thought briefly of Pandora's box, all those eager evils let loose upon the unsuspecting world.
Inside the box was another box, of a color somewhere between robin's egg and sky blue, with a gold insignia embossed on the lid. Inside the blue box, in a nest of cotton batting, was my old charm bracelet.
I had begged for and got this bracelet from my parents on my fifteenth birthday. It came with one silver charm already soldered on: a round Happy Birthday with my name and the date engraved in italic script on the back. Over the following years, the charms accumulated one by one. Most were gifts from my parents, on Christmas, other birthdays, Valentine's Day, high school graduation. There was a Christmas tree studded with tiny red and green stones and, from another year, a miniature Christmas stocking with multicolored gems the size of pinheads bursting out the top. There were charms that said Sweet Sixteen, Always Eighteen, Congratulations, and Good Luck. There was a diploma, a typewriter, and a bicycle.
By the end of high school, all my friends sported similar bracelets heavy with charms. We jingled through the high school hallways, laughing, gossiping, and watching for handsome football players out of the eagle-eyed corners of our eyes. As we pulled lunch bags, gym shoes, and battered textbooks from our lockers, the charms sometimes caught in our sweaters, our nylons, or each other's hair. They were the amulets of all our hopes and dreams, the untarnished talismans of our promising futures, our expectant selves.
Looking at them now, I found a few that seemed to have nothing to do with me: an airplane, a horse, a treble clef, a tiny ball of wool pierced by two crossed needles. As if the charms from someone else's bracelet had somehow detached themselves and migrated to mine. Or maybe it was just that at the time anything was possible. I might fly to Mexico, France, or Kathmandu. I might learn to ride a horse. I might learn to play the harp, the trumpet, the mandolin. I might compose a symphony. I might knit up the raveled sleeve of care.
When I moved away from home at the age of twenty-one, I left the bracelet behind on purpose, having decided in my fledgling maturity that it was childish, tacky, and cheap. My mother, discovering it still there in my jewelry box after I'd left, assumed I'd forgotten it by mistake, and promptly mailed it to me.
I had given the bracelet up for lost a long time ago. Having mellowed somewhat over the years, no longer feeling the need to guard so vigilantly against the seductions of nostalgia or regret, I had looked for it several times but without success. I figured it had been accidentally left behind somewhere in one of the many moves I'd made since that first one.
But now here it was in my hands. How had I not seen that little box on the top shelf all the other times I had used this closet? Why did I not remember putting it up there in the first place?
I could not answer either of these questions. I am not a careless person. I never forget appointments, birthdays, letters to be answered, or phone calls to be returned. I have never lost my keys, my wallet, or my gloves. I once left my favorite scarf on a train but that was an aberration brought on by my own travel anxiety. Until this day, I would have sworn that I could close my eyes and conjure up the contents of every single closet in my house, also the junk drawer, the spice cabinet, and the laundry hamper.
At first, my discovery made me uneasy but then I began to feel exhilarated, wondering what other unexpected treasures might show up, what other mislaid pieces of my self might eventually be unearthed and reclaimed.
I put on the bracelet and wore it for the rest of the day. At bedtime, I put it back in the blue box. Then I put the box in my top dresser drawer beside my socks and underwear where I would not lose track of it again.
On Sunday, after six days of bright spring weather, it rained, just the kind of gentle, steady rain you want in April, the kind of rain you know really will bring those alleged May flowers.
We were enjoying an early spring that year. Since Easter, which had also been early, falling at the end of March, the temperature had been steadily rising and the snow had long since melted away. Other years in April, there were still gray patches of it under trees and in shady corners, and we were still being warned by the weather forecasters to expect one more big storm before winter was done with us. But that year, April was not the cruelest month, the forsythia and the crocuses were blooming, the tulips were in bud, and we had put away our shovels with confidence and relief. I had already raked the lawns and cleaned out the flower beds, delighted to be digging in the dirt once again.
The day passed quietly. Nothing unusual happened until later in the evening. I had put on my nightgown and housecoat and curled up on the couch to watch the ten o'clock news. The anchorwoman, in a smart red suit and a frilly white blouse, told of an earthquake, a civil war, a military coup, a car bombing, a hostage-taking, and a missing child whose clothes had been found in a Dumpster behind a fast-food restaurant five hundred miles from her home. There was video footage of each of these stories and a series of still shots from various angles of a well-dressed man lying in the street while all the blood ran out of his head.
Then they cut to a commercial for a new improved brand of sanitary napkins with wings. A pair of graceful female hands caressed the wings, then slowly poured a blue liquid over the napkin, and spoke in a soothing voice while it was neatly absorbed. As if we all bleed blue blood once a month. As if all we really need is a new pair of wings. Then one hand caressed the napkin and its manicured fingers came away clean and dry. This was followed by a commercial for furniture polish, which was being lovingly applied by apparently the same pair of hands.
Just then I heard a strange sound. It seemed to be coming from near or behind the potted fig tree in the corner to the left of the television set. It was the soft sound of a sigh, a breath inhaled deeply through the mouth, held for a second, and then let go slowly. Once, twice, a third time. These were not sighs of exasperation or impatience, but simply the sighs of fatigue, tinged with a shadow of resignation or regret.
I thought maybe a branch of the fir tree outside was brush-ing against the corner of the house in the wind. I went to the window and pushed the drapes aside. The rain had stopped but the pavement was still wet, glistening in the glow of the streetlights. The grass in my front yard looked lush and moist, visibly green even in the darkness. I thought I could smell it right through the glass. The air was perfectly still.
I looked behind the fig tree. I saw a dust bunny, a dime, and three dead leaves the vacuum cleaner had missed. I turned off the television. I listened. I heard the grandfather clock ticking, a car passing, the fridge humming in the kitchen.
I decided the sighing must have been my imagination, the way sometimes in the street you think you hear someone calling your name but when you stop and turn, there is not a familiar face in sight and the crowd on the sidewalk parts impatiently around you, then regroups and charges on.
I locked the doors, turned off the lights, and went to bed.
That night I slept soundly and deeply, undisturbed by dreams, desire, or any prescient inkling of what was going to happen next.
—Reprinted from Our Lady of the Lost and Found by Diane Schoemperlen by permission of Penguin Books, a member of Penguin Putnam Inc. Copyright © 2002, Diane Schoemperlen. All rights reserved. This excerpt, or any parts thereof, may not be reproduced in any form without permission.
What People are Saying About This
"A graceful novel...lovely, clever [and] imaginative." —The Wall Street Journal
"A clever hybrid of religious fairy tale and straight up spiritual inquest, this visitation of the blessed virgin is a holy hoot." —Elle
Reading Group Guide
INTRODUCTION
There is No Such Thing as a Simple Story
"It all depends, I suppose, on how comfortable you are with uncertainty, how fond you are of mystery, how willing you are to make the quantum leap that faith requires."
-Diane Schoemperlen, Our Lady of the Lost and Found
It's almost lunch-time on what has been a typical Monday morning in the middle of April. An ordinary, middle-aged woman writer walks into her living room to water the plants and discovers a trench coat-clad woman standing beside the fig tree. The writer is neither Catholic nor even particularly spiritual but upon hearing the woman beside the fig tree say, "It's me, Mary. . . . Mother of God," she knows beyond a doubt that she is, indeed, the Virgin Mary.
Even in these most unusual circumstances, the writer is not one to forget her manners and she promptly invites Mary to join her for lunch. As the afternoon unfolds, Mary eats a sandwich and a bowl of soup but declines the olives, uses -or at least flushes-the toilet, does the dishes, and asks if she can stay the week to rest up for May which is her busiest month.
After some discussion, the two women reach an agreement: Mary will stay and if her host, a novelist, is unable to resist the temptation to write a book about it all, she will call it a "work of fiction." So begins Schoemperlen's deceptively simple story, but the ordinary details of Mary's visit-walking, shopping, cooking, and talking-soon evolve into an extraordinary tour through the fascinating and complex histories of both women.
Though she might humbly claim that the "other Madonna [is] the really famous one", the Virgin Mary is, without question, one of the most enduring icons of western civilization. Since 40 A.D., she has made more than twenty thousand appearances "on every continent except Antarctica. . . . She has appeared to people of all ages, races, classes, and occupations, to the educated and the illiterate, to believers and nonbelievers alike."
The narrator is intrigued by the worldwide fervor and devotion accorded to her houseguest. A "veteran and inveterate member of the list-making faction," she undertakes a thorough investigation into Marian lore. She begins to understand how Mary's transformation from a rather shadowy figure in the Bible itself-she is mentioned in the New Testament "less than two dozen times, often not even by name"-to one of Time magazine's most frequent cover models reflects the profoundly human need for faith.
Mary's anonymous host claims, "I have always known that writing is an act of faith, the one which has always been my own salvation." But not until Mary's visit does she realize how the rigorously self-imposed order of her quiet, comfortable life was actually a shield-albeit an illusory one-against the terrors of "les nuits blanches" and life's disappointments. "It was not until I told my story to Mary that I understood that the hardest person in the world to forgive is yourself. And that the hardest person in the world to have faith in is also yourself."
At the end of the week, Mary is gone. But while she has left the narrator's home, she remains in her life. Mary's continuing presence allows her host to accept that "it is time now to venture out of the comforting and of either/or opposites and travel into the uncertain territory of both/and" and to truly understand Heraclitus' assertion "that the constant conflict between opposites ultimately result[s] in a harmonious whole."
When Mary first arrives, the narrator recounts an interview during which a naive journalist asked her, "What is the meaning of life?" At the time, she answered with a guffaw and spew of coffee. Now perhaps she might respond, "there is no way of knowing how the story will end: her story, my story, yours."
ABOUT DIANE SCHOEMPERLEN
Diane Schoemperlen is the author of the acclaimed novel, In the Language of Love (Penguin), and of five short story collections including The Man of My Dreams and Forms of Devotion (Viking), which was awarded Canada's Governor General's Award for Fiction. Her work has appeared widely in anthologies and magazines, including Ms. and Story. She lives in Kingston, Ontario.
A CONVERSATION WITH DIANE SCHOEMPERLEN
In your notes you say that you were inspired to write this book after learning about the numerous and varied sightings of the Virgin Mary. Has your opinion about the sightings changed from before you wrote Our Lady? Are you now more or less likely to give credence to a Mary sighting?
As I say in the notes at the end of the book, I had of course heard about these kinds of things before but I had never given them much serious thought. I did not have any particular feeling or opinion about them. They did not seem to have anything to do with me. But they did arouse my curiosity and the more research I did, the more intrigued I became. Certainly I had no intention of trying to prove these people wrong or deluded or crazy. There was a big part of me that wanted very much to believe. By the time I finished writing the book, I was quite willing to accept that these people had had some kind of experience outside the norm, an experience that could not be explained away. I wrote the book based on the premise that it was all true. When I hear about another sighting now, I am more than ever inclined to believe it.
The narrator describes herself by saying, "I am a normal, rational, well-educated, well-adjusted woman not given to delusions, hallucinations, or hysterical flights of fancy. I do not drink or do drugs. The only voice I hear in my head is my own." Do you feel that-even in fiction-she wouldn't be a reliable narrator otherwise?
The question of whether the narrator is reliable or unreliable is thematically important in the novel. It reflects the general attitude towards people who claim to have seen the Virgin Mary: are we supposed to believe them or not? It is also connected to the theme of fact and fiction and how they are connected and how they work together to give us our own particular picture of reality. The quote from Kathleen Norris at the beginning of the book is significant here. She points out that people are more likely to "believe" fiction than non-fiction. This is ironic of course because we know that fiction, by its definition, is supposed to be made up. And yet we are more willing to practice that "willing suspension of disbelief" when we are reading fiction. We are more inclined to believe what a fictional narrator is telling us. Readers have long accepted the fact that more often than not, fiction can be the best way of getting at the truth.
The Virgin Mary is, "of course," a Virgo but the narrator is a Cancer and Cancers are generally considered the "mothers" of the zodiac. Is there any significance to this? Are you a Cancer? How much of the narrator is based on you?
The brief mentions of astrology in the book are significant in that for some people, astrology is a kind of religion. They have put their faith in the stars, rather than in God. It is one more way of searching for meaning and purpose, a product, I think, of wanting to believe that there is someone or something in charge, that it is not all up to us alone. As for Cancers being considered the "mothers" of the zodiac, that was in fact a piece of luck. I wanted to make the narrator a Cancer because yes, I am a Cancer. The facts that Mary is the mother of God and Cancers are the mothers of the zodiac fit together nicely.
There are many other things about the narrator that are like me. Obviously I am a writer. Her house is very much like my house. I too wear bifocals and I too have short dark curly hair that is just beginning to go grey. I too have had a series of unsuccessful relationships with men and I too have never been married. But, unlike the narrator, I do not live alone. I live with my son and three cats. I do not have siblings. I am an only child. All of this is part of the theme of fact versus fiction, the question of how to tell the "true" story of a person's life. I purposely made the narrator both like me and not like me. The most important similarity between the narrator and myself is our searching, our questioning, our longing to believe.
You frequently blur the line between fact and fiction and intimate that there is little difference between the two (e.g. "History is simply a matter of choosing a story and sticking to it."). Are you concerned that people will think this is a true story and "declare the water that comes from your garden hose holy"?
Yes, the thought has crossed my mind! Given that people do tend to believe fiction, especially when it is written in the first person point of view as my book is, I wonder if some people might think I really have seen the Virgin Mary and had her stay at my house for a visit. But I definitely have NOT had these same experiences as the narrator. And the water in my garden hose is just the same as anybody else's! This is definitely a novel and Mary has never paid me a visit. But if she ever decides to, I am more than ready and I know exactly what I'll make for lunch.
During the course of writing Our Lady, did you ever consider converting to Catholicism? Have you ever? Do you currently practice a religion or some form of spirituality?
I did attend church several times while I was working on the book, although it wasn't a Catholic church. Like the narrator, my experience with church pretty much ended with Sunday school. I have never been particularly attracted to organized religion. I feel that too many things have been said and done in the name of religion that have nothing to do with God. Also I am not a joiner. I prefer that my spiritual practice remain private and solitary. I pray a lot, more now than I did before I wrote the book. Like the narrator, I now feel that a lot of what I used to suppose was just me thinking and trying to sort things out, has been in fact prayer. I do believe that God is listening.
The narrator writes, "for the time Mary was with me, I was living both inside and outside of time. . . . I was both in time and beyond it. Just as she has always been. Just as she is, was, and ever will be." Was this your experience while writing Our Lady? How was the experience of writing this book different-or the same-as writing your other works of fiction?
I did often feel while writing the book that time had been suspended but that is an experience I have always had when writing. It takes me out of myself, out of this world, into another place where time passes differently. I am never happier than when I'm actually writing. It is my anchor and, like the narrator, I have always known that it is my salvation. Maybe it too is a special kind of prayer.
But some things were different in writing this book. I have never written a book that involved so much research before. I found that I very much enjoyed this part. It was always exciting to discover more about Mary and to have some of my own thoughts and theories confirmed in other people's books. During the three and a half years that I worked on this novel, I accumulated not only a large number of books but also an array of Marian paraphernalia that soon turned my study into something of a shrine. The wall beside my computer desk was adorned with holy cards, pictures of paintings, and an authentic milagro cross from Mexico. Next to the desk I have a three-foot-high statue of Mary that I got half-price at the closing-out sale of a local Christian supply store. Around her neck I have draped several rosaries and crucifixes. I lit fragrant white candles while I worked. In the kitchen I stuck Mary magnets to the fridge and I put a small silver statue in my car. Although the book is finished now, I still have the big statue beside my desk and the little one in my car.
Something was also very different about the daily process of writing this novel. With my earlier books, I would often finish a day's writing feeling that I had done some really good work. But when I looked at it the next morning, it often wasn't as great as I'd thought. With this book, it seemed to happen the other way around. I would struggle and struggle with a scene or a passage and at the end of the day, I would think it wasn't working at all. But when I looked at it the next morning, I would discover that it was exactly right! Sometimes I wondered if Mary herself was rewriting my pages while I slept!
Which do you prefer writing-short fiction or novels?
That's a very difficult question. They are two such different forms, requiring a different technique, a different focus. I haven't written a new short story in a long time but I always assume that I will again. There are things you can do in a short story that wouldn't work at all if you had to sustain it over the whole length of a novel. But there are, obviously, stories that are much too large to be contained in the shorter form. This book in particular seems to me to be telling a VERY BIG story. One of the joys of writing a novel is being able to immerse yourself in it for years. But one of the joys of writing a short story is that it's short and you can be done with it in a few weeks or months. For now I think I will continue more with novels. The ideas that I have now are much larger than what could be contained in a short story. I am very interested in the idea of a novel as a series of linked stories. Perhaps that is the ideal solution for a writer who loves to write both!
Who are some of your favorite writers and influences?
Kathleen Norris, author of Amazing Grace, The Cloister Walk, Dakota: A Spiritual Geography and other books, was definitely my most important influence while I was writing this book. But to answer this question more generally, I am an avid, possibly compulsive, reader. A partial list of my favourite writers includes Margaret Atwood, Carol Shields, Alice Munro, Michael Ondaatje, Anne Tyler, Barbara Kingsolver, Alain de Botton, Italo Calvino, Isabel Allende, Eduardo Galeano, Jane Urquhart, Merilyn Simonds, Sandra Gulland and many more! Three of my all-time favourite books are Santa Evita by Tomas Eloy Martinez, Einstein's Dreams by Alan Lightman, and The Volcano Lover by Susan Sontag.
Are you working on anything now?
Currently I am putting together a book of short stories. It is a selection of stories from my earlier books of short fiction which are all out of print now and have only been published in Canada. It is very pleasant to be reading over all these old stories and still liking them!
As for another novel, I haven't started one yet. In the past, I had never taken much of a break between books. It was always: finish one and start the next right away. But this time, after finishing Our Lady, I decided to take a real break. I hadn't done so for over ten years and I felt I needed it. I felt that I had poured my whole self into writing this book in a way that I hadn't with the earlier books. I needed some time to fill up again. This time of not writing has been a little strange. As I said, I am happiest when I'm writing but at the same time I felt I needed to stop for a while and let myself recharge. So on the one hand, I know it has been good for me but on the other hand, I have felt a little lost without a book in progress all the time. I do have at least four ideas for novels now. Soon I will have to decide which one to do next. Whichever one it ends up being, I think I'll keep that big statue of Mary beside my desk just in case!
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