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Overview

This second edition of Othello has a new, illustrated introduction by leading American scholar Ayanna Thompson, which addresses such key issues as race, religion and gender, as well as looking at ways in which the play has been adapted in more recent times.

Othello is one of Shakespeare's great tragedies-written in the same five-year period as Hamlet, King Lear, and Macbeth. The new introduction attends to the play's different meanings throughout history, while articulating the historical context in which Othello was created, paying particular attention to Shakespeare's source materials and the evidence about early modern constructions of racial and religious difference. It also explores the life of the play in different historical moments, demonstrating how meanings and performances develop, accrue, and metamorphose over time.

The volume provides a rich and current resource, making this best-selling play edition ideal for today's students at advanced school and undergraduate level.

Product Details

ISBN-13: 9781472571786
Publisher: Bloomsbury Publishing
Publication date: 02/25/2016
Series: The Arden Shakespeare Third Series
Sold by: Barnes & Noble
Format: eBook
Pages: 448
Sales rank: 568,221
File size: 2 MB

About the Author

About The Author
Ayanna Thompson is Professor of English Literature at George Washington University, USA and author of several books about Shakespeare and race.

E. A. J. Honigmann was Joseph Cowen Professor of English Literature at the Universty of Newcastle, UK.
William Shakespeare (1564-1616) was an English dramatist, poet, and actor, generally regarded as the greatest playwright of all time.
Ayanna Thompson is a Regents Professor of English and Director of the Arizona Center for Medieval&Renaissance Studies (ACMRS) at Arizona State University. She is the author of Shakespeare in the Theatre: Peter Sellars (Arden Bloomsbury, 2018), Teaching Shakespeare with Purpose: A Student-Centred Approach, co-authored with Laura Turchi (Arden Bloomsbury, 2016), Passing Strange: Shakespeare, Race, and Contemporary America (Oxford University Press, 2011), and Performing Race and Torture on the Early Modern Stage (Routledge, 2008). She wrote the new introduction for the revised Arden3 Othello (Arden, 2016), and is the editor of The Cambridge Companion to Shakespeare and Race (forthcoming Cambridge University Press, 2021), Weyward Macbeth: Intersections of Race and Performance (Palgrave, 2010), and Colorblind Shakespeare: New Perspectives on Race and Performance (Routledge, 2006). She is currently collaborating with Curtis Perry on the Arden4 edition of Titus Andronicus. She was the 2018-19 President of the Shakespeare Association of America, and served as a member of the Board of Directors for the Association of Marshall Scholars. She was one of Phi Beta Kappa's Visiting Scholars for 2017-2018.

Date of Death:

2018

Place of Birth:

Stratford-upon-Avon, United Kingdom

Place of Death:

Stratford-upon-Avon, United Kingdom

Table of Contents

Introduction
1. Early Modern Contexts: Sources, Peoples, and Places
2. Genre
3. Sex, Love, and Objects
4. Othello and Scholarly Debates;
5. Othello Onstage, Part 1: Stage Histories
6. Othello Onstage, Part 2: Black Actors, White Actresses
7. Othello Onstage, Part 3: Othello in the World
8. Othello: Restaged/Rewritten;

Othello

Appendices
Bibliography
Index
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