Orla's Canvas
Narrated by eleven-year-old Orla Gwen Gleason, Orla's Canvas opens on Easter Sunday, in St. Suplice, Louisiana, a "misspelled town" north of New Orleans, and traces Orla's dawning realization that all is not as it seems in her personal life or in the life of her community. The death of St. Suplice's doyenne, Mrs. Bellefleur Dubois Castleberry, for whom Orla's mother keeps house, reveals Orla's true paternity, shatters her trust in her beloved mother, and exposes her to the harsh realities of class and race in the Civil Rights-era South. When the Klan learns of Mrs. Castleberry's collaboration with the local Negro minister and Archbishop Rummel to integrate the parochial school, violence fractures St. Suplice's vulnerable stability. The brutality Orla witnesses at summer's end awakens her to life's tenuous fragility. Like the South in which she lives, she suffers the turbulence of changing times. Smart, resilient, and fiercely determined to make sense of her pain, Orla paints chaos into beauty, documenting both horror and grace, discovering herself at last through her art.

"Taking as her canvas the Civil Rights era in Louisiana, Mary Donnarumma Sharnick tells the affecting story of Orla, a remarkable young heroine with the soul of an artist. The novel is both a gripping look into a historic moment in American culture and a poignant coming-of-age story readers won't forget." -- Chantel Acevedo, author of The Distant Marvels
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Orla's Canvas
Narrated by eleven-year-old Orla Gwen Gleason, Orla's Canvas opens on Easter Sunday, in St. Suplice, Louisiana, a "misspelled town" north of New Orleans, and traces Orla's dawning realization that all is not as it seems in her personal life or in the life of her community. The death of St. Suplice's doyenne, Mrs. Bellefleur Dubois Castleberry, for whom Orla's mother keeps house, reveals Orla's true paternity, shatters her trust in her beloved mother, and exposes her to the harsh realities of class and race in the Civil Rights-era South. When the Klan learns of Mrs. Castleberry's collaboration with the local Negro minister and Archbishop Rummel to integrate the parochial school, violence fractures St. Suplice's vulnerable stability. The brutality Orla witnesses at summer's end awakens her to life's tenuous fragility. Like the South in which she lives, she suffers the turbulence of changing times. Smart, resilient, and fiercely determined to make sense of her pain, Orla paints chaos into beauty, documenting both horror and grace, discovering herself at last through her art.

"Taking as her canvas the Civil Rights era in Louisiana, Mary Donnarumma Sharnick tells the affecting story of Orla, a remarkable young heroine with the soul of an artist. The novel is both a gripping look into a historic moment in American culture and a poignant coming-of-age story readers won't forget." -- Chantel Acevedo, author of The Distant Marvels
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Orla's Canvas

Orla's Canvas

by Mary Sharnick
Orla's Canvas

Orla's Canvas

by Mary Sharnick

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Overview

Narrated by eleven-year-old Orla Gwen Gleason, Orla's Canvas opens on Easter Sunday, in St. Suplice, Louisiana, a "misspelled town" north of New Orleans, and traces Orla's dawning realization that all is not as it seems in her personal life or in the life of her community. The death of St. Suplice's doyenne, Mrs. Bellefleur Dubois Castleberry, for whom Orla's mother keeps house, reveals Orla's true paternity, shatters her trust in her beloved mother, and exposes her to the harsh realities of class and race in the Civil Rights-era South. When the Klan learns of Mrs. Castleberry's collaboration with the local Negro minister and Archbishop Rummel to integrate the parochial school, violence fractures St. Suplice's vulnerable stability. The brutality Orla witnesses at summer's end awakens her to life's tenuous fragility. Like the South in which she lives, she suffers the turbulence of changing times. Smart, resilient, and fiercely determined to make sense of her pain, Orla paints chaos into beauty, documenting both horror and grace, discovering herself at last through her art.

"Taking as her canvas the Civil Rights era in Louisiana, Mary Donnarumma Sharnick tells the affecting story of Orla, a remarkable young heroine with the soul of an artist. The novel is both a gripping look into a historic moment in American culture and a poignant coming-of-age story readers won't forget." -- Chantel Acevedo, author of The Distant Marvels

Product Details

BN ID: 2940151218627
Publisher: Penmore Press LLC
Publication date: 10/16/2015
Sold by: Barnes & Noble
Format: eBook
Pages: 276
File size: 4 MB

About the Author

Mary Donnarumma Sharnick has been writing ever since the day she printed her long name on her first library card.
A native of Connecticut, she graduated from Fairfield University with a degree in English and earned a master’s degree from Trinity College, Hartford. She has been awarded a scholarship from Wesleyan Writers’ Conference (2008), two Nigel Taplin Innovative Teaching grants (2008, 2011), and a fellowship from the Hartford Council for the Arts Beatrice Fox Auerbach Foundation (2010). A student of novelists Rachel Basch and Louis Bayard, Mary has participated in the 2014 Yale Writers’ Conference historical fiction workshop and has presented at Auburn University’s Writers’ Conference (2012), the Association for Writers and Writing Programs conference in Boston (2013), the Italian American Historical Association’s conference in Toronto (2014), and annually at the Mark Twain Writers’ Conference in Hartford, as well as at the University of Connecticut’s Osher Lifelong Learning Institute, Waterbury, CT. Her research has taken her to Venice, Italy, the Deep South, and monastic communities in Italy, Vermont, and Connecticut.
Mary’s first two novels, Thirst (2012) and Plagued (2014), are set in the Venetian lagoon during the seventeenth and fifteenth centuries, respectively. Thirst is being adapted for the operatic stage by composer Gerard Chiusano and librettists Mary Chiusano and Robert Cutrofello.
Orla’s Canvas, Mary’s first book with Penmore Press, is a coming-of-age tale about a young artist set against the backdrop of Civil Rights-era New Orleans.
At present, Mary is drafting a novel-in-stories set in both America and abroad.
Mary reviews books for the New York Journal of Books, Southern Humanities Review, America, and other journals. Excerpts of her memoir-in-progress have appeared in the American Journal of Alzheimer’s Disease and Related Dementias, Italian Americana, and Healing Ministry, among others. Her short story, “The Rule,” appeared in Voices in Italian Americana.
Chair of the English Department and writing instructor at Chase Collegiate School, Waterbury, CT, Mary leads her writing students on slow travel tours of Italy, the country she considers her second home.
Please visit www.marydonnarummasharnick.com for more information, updates, and to contact Mary.
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