Table of Contents
Acknowledgments
Abbreviations
Pitch, Clef, and Chord Designations
Ch. 1 Introduction: Orlando di Lasso and the Polyphonic Magnificat
Pt. I Liturgical and Cultural Contexts
Ch. 2 Sixteenth-Century Vespers Polyphony for the Bavarian Court, the Use of Freising, and the Tridentine Reforms
Ch. 3 The Patrona Bavariae: Music and the Counter-Reformation in Bavaria
Pt. II Compositional Practice
Ch. 4 The Representation of Psalm-Tone Categories in Imitation Magnificats
Ch. 5 The Intertextuality of Lasso's Imitation Magnificats
Appendix 1: The Magnificat Set to Lasso's Canticle Tone No.
Appendix 2: Catalog of Lasso Magnificats with First Publications and Approximate Dates of Composition
Appendix 3: Instructions for the Elevation of the Image of the Risen Christ after None on Ascension
Appendix 4: Correspondences between Lasso's Imitation Magnificats and Their Model Compositions
Works Cited
Index