Orkney: A Novel
“A haunting novel” about sex and obsession, set off the coast of Scotland and “full of otherworldly emotion and strange impulses” (Marie Claire).

A professor marries his prize student, a woman forty years his junior, and at her request, he takes her to the sea for their honeymoon. His life’s work is a book about enchantment–narratives in literature, most of them involving strange girls and women—but soon he finds himself distracted by his own enchantment with his new white–haired young wife. They travel to the Orkney Islands, the ancient Mesolithic and Neolithic site north of the Scottish coast, a barren place of extraordinary beauty known as “the Seal Islands.” And as the days of their honeymoon pass, his desire and his constant, yearning contemplation become his normality. His mysterious bride becomes his entire universe. He is consumed . . .

From the author of The Still Point, a winner of the John Llewellyn Rhys Memorial Prize, this is a novel that “will appeal to literature aficionados: a Lolita–esque love, a romance born out of academia, and folklore come to life” (Booklist).

“What begins as a familiar, almost fairytale–like narrative ends as something more fragmented, unsettling, and odd . . . Providing a brooding, bruised, ever–changing backdrop to all this is Orkney, the book’s most compelling character of all. In a tribute to Virginia Woolf’s experimental masterpiece, The Waves, the sea in Orkney functions as a kind of rhythmic talisman, its ebb and flow mirrored in the actions, ideas, and themes of the book. More than anything, Sackville’s Orkney is a breathtaking place in the most literal of senses.” —The Scotsman
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Orkney: A Novel
“A haunting novel” about sex and obsession, set off the coast of Scotland and “full of otherworldly emotion and strange impulses” (Marie Claire).

A professor marries his prize student, a woman forty years his junior, and at her request, he takes her to the sea for their honeymoon. His life’s work is a book about enchantment–narratives in literature, most of them involving strange girls and women—but soon he finds himself distracted by his own enchantment with his new white–haired young wife. They travel to the Orkney Islands, the ancient Mesolithic and Neolithic site north of the Scottish coast, a barren place of extraordinary beauty known as “the Seal Islands.” And as the days of their honeymoon pass, his desire and his constant, yearning contemplation become his normality. His mysterious bride becomes his entire universe. He is consumed . . .

From the author of The Still Point, a winner of the John Llewellyn Rhys Memorial Prize, this is a novel that “will appeal to literature aficionados: a Lolita–esque love, a romance born out of academia, and folklore come to life” (Booklist).

“What begins as a familiar, almost fairytale–like narrative ends as something more fragmented, unsettling, and odd . . . Providing a brooding, bruised, ever–changing backdrop to all this is Orkney, the book’s most compelling character of all. In a tribute to Virginia Woolf’s experimental masterpiece, The Waves, the sea in Orkney functions as a kind of rhythmic talisman, its ebb and flow mirrored in the actions, ideas, and themes of the book. More than anything, Sackville’s Orkney is a breathtaking place in the most literal of senses.” —The Scotsman
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Orkney: A Novel

Orkney: A Novel

by Amy Sackville
Orkney: A Novel

Orkney: A Novel

by Amy Sackville

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Overview

“A haunting novel” about sex and obsession, set off the coast of Scotland and “full of otherworldly emotion and strange impulses” (Marie Claire).

A professor marries his prize student, a woman forty years his junior, and at her request, he takes her to the sea for their honeymoon. His life’s work is a book about enchantment–narratives in literature, most of them involving strange girls and women—but soon he finds himself distracted by his own enchantment with his new white–haired young wife. They travel to the Orkney Islands, the ancient Mesolithic and Neolithic site north of the Scottish coast, a barren place of extraordinary beauty known as “the Seal Islands.” And as the days of their honeymoon pass, his desire and his constant, yearning contemplation become his normality. His mysterious bride becomes his entire universe. He is consumed . . .

From the author of The Still Point, a winner of the John Llewellyn Rhys Memorial Prize, this is a novel that “will appeal to literature aficionados: a Lolita–esque love, a romance born out of academia, and folklore come to life” (Booklist).

“What begins as a familiar, almost fairytale–like narrative ends as something more fragmented, unsettling, and odd . . . Providing a brooding, bruised, ever–changing backdrop to all this is Orkney, the book’s most compelling character of all. In a tribute to Virginia Woolf’s experimental masterpiece, The Waves, the sea in Orkney functions as a kind of rhythmic talisman, its ebb and flow mirrored in the actions, ideas, and themes of the book. More than anything, Sackville’s Orkney is a breathtaking place in the most literal of senses.” —The Scotsman

Product Details

ISBN-13: 9781619023161
Publisher: Catapult
Publication date: 04/01/2014
Pages: 264
Sales rank: 752,626
Product dimensions: 5.00(w) x 7.90(h) x 0.90(d)

About the Author

Amy Sackville was born in 1981. She studied English and Theatre Studies at Leeds, and went on to an MPhil in English at Exeter College, Oxford, and an MA in Creative & Life Writing at Goldsmiths. Her first novel was The Still Point. She teaches creative writing at the University of Kent.

Read an Excerpt

Yesterday morning, at home, I woke beside her for the first time. Well, that is not quite true; last night I slept beside her for the first time, but by dawn I had woken beside her a dozen times, a hundred times, sometimes from a sleep so shallow I couldn't call it waking. Again and again I turned to find another body in my bed, an unfamiliar warmth alongside my own, and wondered where I was and what I had done, before remembering and sinking again into a grateful doze—only to wake again moments later. Each time, as the brown abstraction of my surroundings resolved into the ordinary shapes of my own bedroom, there was still that body beside me, a living residue of an impossibly optimistic dream. All night, the rise and fall of her form, I snuffle and snore.

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