In the Oresteia -- the only trilogy in Greek drama that survives from antiquity -- Aeschylus took as his subject the bloody chain of murder and revenge within the royal family of Argos. As they move from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration.
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Oresteia
In the Oresteia -- the only trilogy in Greek drama that survives from antiquity -- Aeschylus took as his subject the bloody chain of murder and revenge within the royal family of Argos. As they move from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration.
In the Oresteia -- the only trilogy in Greek drama that survives from antiquity -- Aeschylus took as his subject the bloody chain of murder and revenge within the royal family of Argos. As they move from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration.
Alan Shapiro is Professor of English and Creative Writing at the University of North Carolina at Chapel Hill. He is the author of numerous volumes of poetry, including The Dead Alive and Busy, winner of the 2001 Kingsley Tufts Poetry Award. Peter Burian is Professor of Classical Studies at Duke University. A critic and translator, he has published widely on Greek drama and its reception.
Table of Contents
Foreword
7
Acknowledgements
11
A Reading of 'The Oresteia': The Serpent and the Eagle