Orange Mint and Honey

by Carleen Brice Narrated by Cherise Boothe

Overview

Carleen Brice's debut Orange Mint and Honey is an invigorating and poignant novel. After grad school, Shay Dixon feels like she's had enough for a while. Inspired by her spiritual adviser-a blues player named Nina Simon-Shay calls her estranged mother Nona for the first time in years to ask if it would be alright to stay with her for a while.

Editorial Reviews

OCTOBER 2009 - AudioFile

When the ghost of jazz legend Nina Simone is your spiritual advisor, how bad can life get? Pretty bad, Shay Dixon finds out, because that ghost is her only friend. She moves in with her mother, a reformed alcoholic, when her graduate advisor prescribes a semester's break. Thus begins Carleen Brice's quirky novel about forgiveness and redemption. Cherise Boothe's youthful voice is perfect for the novel's heroine and her 40-year-old mother. The dialogue is peppered with enough self-help platitudes and caustic asides to make this production crackle with good humor. Boothe maintains a lively tone that is equally effective for the angry young woman and her mother, who has been dubbed as "the chocolate Martha Stewart." P.R. © AudioFile 2009, Portland, Maine

Product Details

BN ID:	2940171255022
Publisher:	Recorded Books, LLC
Publication date:	06/20/2008
Edition description:	Unabridged

Read an Excerpt

Orange Mint and Honey

A Novel

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By Carleen Brice

One World/Ballantine

Copyright © 2008 Carleen Brice
All right reserved.
ISBN: 9780345499066

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Chapter 1

What Would Nina Simone Do?

i should have known things were getting bad when Nina Simone showed up. Don’t get me wrong. I love Nina. I’ve been listening to her since History of Jazz sophomore year. The professor taught us to worship the great men of jazz, but it was the women who drew me in: Billie Holiday, Ella Fitzgerald, Sarah Vaughan, Dinah Washington, Bessie Smith, Mildred Bailey. They were queens, priestesses, goddesses—encouraging me, pointing me away from danger, schooling me in the ways of life. Especially Nina Simone.

I listened to Nina Simone a thousand times, and I always got something from her music. But the night she came to me for the first time she must have known I needed more than a song could offer. I knew a famous singer—and a dead one at that—shouldn’t have been in my bedroom, but somehow I wasn’t surprised to see her because I had been wishing she were there. Wishing she would tell me what to do.

Usually when I was down I could keep going. But this time I bumped up against something that I couldn’t get over, a wall as hard and cold and impossible to see through as frosted glass. I had lost my job writing grant proposals for an indigent-care clinic,stopped going to class, and received an eviction notice from my landlord. But still all I could do was listen to music, hanging on to the life preserver of Nina Simone’s eerie, regal voice.

That night, I was listening to the fast version of “House of the Rising Sun.” It’s a live recording, seven minutes long. Nina gets so into it, you can’t make out what she’s singing. Behind her, the band chants “rising sun, rising sun” over and over, and the audience claps to the fast beat. The piano, the clapping hands, and the tambourine sound like church and juke joints, like sweat and heat, free and alive. I started dancing. I hadn’t had the energy to get out of my pajamas for a week, but “House of the Rising Sun” had me shaking my head back and forth, twirling in circles, and pumping my arms and legs up and down like I was performing a tribal ritual, like I was one of Alvin Ailey’s dancers. I danced through the song three times until all thoughts of jobs and grad school and unpaid bills were erased from my mind, and I could sleep.

At 3:33 a.m. I opened my eyes and Nina Simone was there, as if I had conjured her, standing in front of my bedroom window, blue moonlight spotlighting her features—thick lips, proud nose, slanted eyes rimmed in kohl like Cleopatra’s. I had been asking myself for days WWNSD (What would Nina Simone do?) and now she had come to tell me. I didn’t know if she was a ghost or a hallucination, and I didn’t care. Eyes wide, heart thumping like the speakers in the car of a teenaged boy, I sat up and waited for Nina Simone to say something wise, to tell me how to fix the mess I’d made of my life, to comfort me, and convince me that I had everything I needed to move forward inside me.

“You’ve really screwed up now,” she said.

“What?”

“You heard me.”

That’s how low I had sunk. Even the spirits of the dead or my own daydreams were turning on me. “I thought you were going to offer me some advice!”

“You’re a grown woman. Why should I tell you what to do?”

It sounded bad when she said it. But I was tired. Tired of always having to figure things out, tired of always having to do everything myself. I’d been taking care of myself since I was eight years old. So for someone else to tell me what to do was exactly what I wanted. For once in my life, I wanted someone else to carry the load. “Because I need help!” I shouted. They were words I had never said before. But then again Nina Simone had never been in my apartment before. It was a night of firsts.

”You got that right,” she said, taking in the mounds of dirty clothes, used Kleenexes, heaps of junk mail, textbooks, CDs, notebooks, and milk-crusted cereal bowls and teacups.

“What I need is . . . is just a break. A rest. A time-out.”

Just the week before, Carl, my advisor, had convinced me that time off was what I needed. Actually, he had “strongly suggested” that I take a year off.

“No!” I had yelled, the most intense emotion I had shown in forever. As exhausted and sick of everything as I was I couldn’t just drop out. I couldn’t be away from school for an entire year.

He stared at me, even more worried.

“I mean, I can’t fall that far behind. I can take a semester off. You’re right, a semester off will do me some good.”

“Okay,” he said, relief washing over his face.

I guess since that MIT student set herself on fire a few years ago—even after visiting the mental health service—the plan was to get depressed college students off campus ASAP. Let them be someone else’s lawsuit in the making.

“What will you do with your time off?”

“I have no idea.” What did people do with time off? I had never taken a day off in my life. If I didn’t have to work, I still had papers to write or tests to study for. Even during the summers I took at least one class or put in extra hours at work. I’d never even skipped school before now. Playing hooky was something that bad kids, going-to-end-up-just-like-their-parents kids did.

“What about your family? Friends? Don’t you have anybody who can help?”

You would think that since I was sitting in front of him in dirty, rumpled clothes and a bandanna on my head, looking like “Who shot John?” as my old hairdresser Belinda used to say, he would know the answer to that question.

Of course, being an academic, he wasn’t much better dressed. Like me, he had on the requisite khakis and button-down shirt. We could have been twins except his clothes probably didn’t come straight out of the hamper. He still thought I was like all his other students, who got care packages, plane tickets, and checks from home. But all I ever got from Nona were postcards from her new, allegedly sober, life. And friends? The last good friend I had was in high school. Stephanie was still back in Denver. I hadn’t spoken to her since we graduated.

“I’ll be fine,” I said.

“I don’t know what’s going on, but you might want to see someone. You know? A professional. I want you to come back ready to finish your thesis.”

My thesis was just one of many things that had stalled. I nodded, exhausted. All I wanted to do was go back home and turn on my music.

“Let’s touch base in a month or so. Send me an e-mail, let me know how you’re doing.”

“I’ll be fine,” I repeated.

Though, clearly, I was far from fine. Things had only gotten worse. I had been “resting” for a week now, and look what happened: A dead woman was sitting in my bedroom talking to me.

“Go home, Shay,” Nina Simone said.

She knew my name.

“You need to go home,” she said.

She must have read my mind, which shouldn’t have been too hard considering there was a good chance she was being generated from the same place. But like Carl, she didn’t understand.

The last time I saw Nona I was in my junior year in college. She came to Iowa City when she reached the step where they make you apologize. She was very pregnant, and I couldn’t believe how ugly she was. Her face was all broken out and she must have gained fifty, sixty pounds. Not just in her breasts and stomach, but in her face, arms, hands, back, butt, and thighs. The bags under her eyes were puffed up like pot stickers. Even her feet were fat.

When I saw her, saw how heavy and zitty she was, I was almost happy she had come. I kept my eyes on her bloated feet the whole time she read her apology. Her voice shook. I don’t remember exactly what she said. Something about being sorry she let me down, sorry I learned I couldn’t trust her. But I remember her saying something about us “being mother and daughter again” and, even though I was looking down at her feet, I saw her rest her hand on her stomach when she said the word mother.

That was too much. Acting like her pregnancy was a good thing, not a horrible, stupid mistake. I had actually been hopeful when she told me she was going to A.A. For the first few months I thought, Wow, she’s really going to do it this time. Stupid me, I actually let myself believe her. Then she got pregnant. Knocked up by a guy she met in A.A., who promptly left her high and dry just like my own father had; and there she was expecting me to believe that things were different. She couldn’t even do A.A. without going off with some guy! She was thirty-six years old and she had never heard of birth control? Never heard of AIDS or chlamydia or herpes?

She told me she hoped I would give her another chance. I think she wanted me to shout “I forgive you!” and throw myself into her arms. But I just stared at her feet, at the flesh rising like bread dough over the straps of her red sandals.

Nina Simone gingerly toed a pair of jeans out of her way, revealing the panties I had worn with them weeks ago tangled up inside, and walked toward me. I hoped she wouldn’t get too close. It had been a while since I had seen soap and water. I was cloaked in a cloud of funk toxic enough to re-kill a dead woman.

She sat on the foot of my bed. “You could rest. Let your mother take care of you.”

I snorted. “That’s not how it worked. I took care of Nona. And I’m done.”

“Maybe it would be different. Maybe you’ve got nothing to lose.”

I doubted it would be very different, but she was right about my having nothing to lose. Spending the next few months in my old VW Bug didn’t sound very appealing. But still I hesitated.

“Go home,” Nina Simone urged, her long earrings swinging like chandeliers.

So I picked up the phone and called Nona for the first time in seven years.

Continues...

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Excerpted from Orange Mint and Honey by Carleen Brice Copyright © 2008 by Carleen Brice. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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