Opera, Emotion, and the Antipodes Volume I: Historical Perspectives: Creating the Metropolis; Delineating the Other

by Jane Davidson (Editor), Michael Halliwell (Editor), Stephanie Rocke (Editor)

Overview

There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives.

Product Details

ISBN-13:	9780367651053
Publisher:	Taylor & Francis
Publication date:	08/01/2022
Series:	Routledge Research in Music
Pages:	252
Product dimensions:	6.12(w) x 9.19(h) x (d)

About the Author

Jane W. Davidson has performed in and directed opera for more than 30 years. She is currently Head of Performing Arts at the University of Melbourne’s Faculty of Fine Arts and Music. She has published widely, across the field of music psychology, musicology and practice as research. She is president of the Australian Music and Psychology Society.

Michael Halliwell has enjoyed a career as an opera singer in Europe and as an academic at the University of Sydney Conservatorium of Music. He has published widely, and is president of the International Association for Word and Music Studies.

Stephanie Rocke is a Research Fellow at the University of Melbourne affiliated with ARC Centre of Excellence for the History of Emotions with wide-ranging interests and publications in music and culture across time.

Table of Contents

List of figures vii

Notes on contributors ix

Prologue xi

Acknowledgements xiii

Part I Context and concepts 1

Introducing the themes and concepts in Opera, Emotion, and the Antipodes Jane W. Davidson Michael Halliwell Stephanie Rocke 3

1 Historical accounts and emotions contexts of opera in Australia since colonisation Jane W. Davidson Stephanie Rocke 17

Part II Western opera in the Antipodean metropolis and regional circuits (Victoria 1840-1920) 37

2 Setting the scene; preparing the backdrop: establishing the cultural and emotional space for opera in early Melbourne (1840-1851) Esmeralda Rocha Stephanie Rocke 39

3 Opera and emotion in gold rush Melbourne (1851-1890) Esmeralda Ralda Stephanie Rocke 50

4 The art of the impossible: Fanny & Martin Simonsen's family odyssey Caroline Anne Ellsmore 78

5 Henry Tate's 'Marvellous Melbourne': heartfelt responses to opera and the opera companies of his lifetime (1873-1926) Christine Mercer 111

Part III 'The Other' opera 135

6 'Ethiopian' entertainers and opera burlesque: blackface parodies in colonial Australia Helen J. English 137

7 Smoking opium, puffing cigars, and drinking gingerbeer: Chinese Opera in Australia Michael Williams 166

8 Chinese Opera and racism in colonial Victoria 1853-1870 Stephanie Rocke 209

Index 233