Open Mic Night at Westminster Cemetery

by Mary Amato

Overview

When Lacy wakes up dead in Westminster Cemetery, final resting place of Edgar Allan Poe, she's confused. It's the job of Sam, a young soldier who died in 1865, to teach her the rules of the afterlife and to warn her about Suppression—a punishment worse than death.

Lacy desperately wants to leave the cemetery and find out how she died, but every soul is obligated to perform a job. Given the task of providing entertainment, Lacy proposes an open mic, which becomes a chance for the cemetery's residents to express themselves. But Lacy is in for another shock when surprising and long-buried truths begin to emerge.

Product Details

ISBN-13:	9781512465310
Publisher:	Lerner Publishing Group
Publication date:	09/01/2018
Pages:	272
Product dimensions:	5.60(w) x 8.30(h) x 1.10(d)
Age Range:	13 - 17 Years

About the Author

Mary Amato is an award-winning children's and YA book author, songwriter, and poet who lives in Maryland. Her books have been translated into foreign languages, optioned for television, and produced onstage.

Editorial Reviews

10/08/2018
This foray into experimental, gothic theatrical storytelling by Amato (Guitar Notes) intriguingly integrates modern sensibilities with archaic authoritarianism. Lacy Brink is a 16-year-old with a penchant for poetry. While on her way to an open mic night, she wakes up dead, having become a ghost resident of the same Baltimore cemetery that houses Edgar Allan Poe. She’s also the most interesting thing to happen to the residents of the graveyard in over a century. As she attempts to come to terms with her life-challenged state, Lacy is slowly introduced not only to those with whom she’s sharing her afterlife, but also to the 10 rules of etiquette for the cemetery’s residents—a code of conduct governing everything from behavior to appearance and occupation (“No screaming, no yelling, no wailing”). Failure to follow the list can get one removed from the community. To prove her worth, Lacy attempts to set up an open mic night—much to the dismay of the leader of the spirits, Mrs. Steele. While the intricate worldbuilding and characterization are richly imagined, the novel’s playbook format distracts with frequent tense shifts and asides; clunky execution further muddies the underlying messages about rectifying past transgressions. Ages 13–18. Agent: Nancy Gallt, Gallt & Zacker Literary. (Sept.)

Publishers Weekly

"The plot arc here is rendered refreshing and clever by Amato's choice of form: the narrative is conveyed as a play . . ."—The Bulletin of the Center for Children's Books

From the Publisher

07/01/2018
Gr 10 Up—When 16-year-old Lacy—now dead—first appears to the eternal inhabitants of Westminster Cemetery, they are quick to inform her of specific rules in place if she wishes to dwell aboveground between midnight and daybreak. Buried within the cemetery is famous poet Edgar Allan Poe, and his wife, Virginia Clemm Poe, among others who perished during that era. Since Lacy is also a burgeoning poet who died on her way to an open mic night, she offers to host something similiar for the deceased residents. The event upsets some but excites others who are bored with the only other late-night entertainment: tea time. Emotions run high as the participants share their spoken-word poetry and spill long-held secrets. Lacy's character is somewhat likable given her unique situation, but her recurrent swearing doesn't quite line up with her personality. The book is written as a two-act screenplay with prose exposition at the beginning of each scene and interspersed throughout. Unfortunately, this format makes the pacing feel stilted and the story hard to follow. Even with the lure of Poe as a featured character, readers won't necessarily feel motivated enough to find out why he is there; there are too many other issues to sort out in the text. VERDICT Purchase only where there are fans of Poe and spoken-word poetry.—Mandy Simon, State Library of Ohio

School Library Journal

2018-06-18
A newcomer arrives at Westminster Cemetery and shakes things up amongst the Dead. Of the 178 cemetery residents, only 10 arise regularly. One is 17-year-old Sam, who died wearing his Civil War uniform over 150 years ago. Ever the tortured artist, Sam longs to be a writer like Edgar Allan Poe—the cemetery's most famous resident. When Lacy Brink, 16, arrives—the first "recently Deceased" person since 1913—Sam is immediately smitten. But Sam's straight-laced mother, Mrs. Steele, wants to see vulgar (read: modern) Lacy Suppressed (read: confined to her grave for all eternity). As newly-assigned President of the Entertainment Committee, Lacy dares to host an open mic night among the rule-bound residents. Will she succeed, or will her antics get her Suppressed (and crush poor Sam's heart)? "Originally written for the Deceased," this play in two acts blends prose with stage directions for a hybrid structure. The resulting alchemy capitalizes on the strengths of both media to create a unique, fully-realized world. The secondary characters—some based on real people—read as caricatures against the more realistic and nuanced Lacy. But this duality also equates to good comedy. Given the stuck-in-time atmosphere, though, some residents' dialogue seems mismatched (give or take a few choice phrases) to the antiquated necropolis. All characters are assumed white.Quoth the Raven, "Encore." (Paranormal script/prose hybrid. 13-adult)

Kirkus Reviews