From the Publisher
Like its young protagonist, One Half from the East dances between hope and hard realities. Obayda’s struggle to define herself in a world that is all too eager to do the job for her is captivating.” — Cassie Beasley, author of Circus Mirandus
“Told in clear, vivid prose that combines detailed descriptions of daily life with a good dose of adventure, this story... This is an excellent title that will offer students a window into life in Afghanistan and open interesting, age-appropriate conversations about gender expectations and roles in different countries.” — School Library Journal (starred review)
“By focusing on gender inequality as seen through the lens of a traditional society, Hashimi lets readers see themselves in Obayda’s emotions, even as the outcomes remain true to the Afghan culture Hashimi portrays so fluently.” — The Horn Book
“The first-person point of view in this novel will be impactful and meaningful to readers. Hashimi’s Obayda will provide readers with insightful information about Islamic culture, and particularly the Afghani culture, as it relates to girls.” — Voice of Youth Advocates (VOYA)
“With beautiful language, rich characters, and a perspective not often seen in children’s literature, this heartbreaking story will leave a lasting mark.” — Booklist
Cassie Beasley
Like its young protagonist, One Half from the East dances between hope and hard realities. Obayda’s struggle to define herself in a world that is all too eager to do the job for her is captivating.
Voice of Youth Advocates (VOYA)
The first-person point of view in this novel will be impactful and meaningful to readers. Hashimi’s Obayda will provide readers with insightful information about Islamic culture, and particularly the Afghani culture, as it relates to girls.
The Horn Book
By focusing on gender inequality as seen through the lens of a traditional society, Hashimi lets readers see themselves in Obayda’s emotions, even as the outcomes remain true to the Afghan culture Hashimi portrays so fluently.
Booklist
With beautiful language, rich characters, and a perspective not often seen in children’s literature, this heartbreaking story will leave a lasting mark.
Booklist
With beautiful language, rich characters, and a perspective not often seen in children’s literature, this heartbreaking story will leave a lasting mark.
School Library Journal
★ 08/01/2016
Gr 4–8—After Obayda's policeman father loses a leg in a car bombing in Kabul, her family moves to a rural village to be near their extended relatives. When her father retreats from life because of his injury, an aunt suggests that the girl be allowed to be a bacha posh and live as a boy. Obayda would have a better education and more opportunities, and the presence of a boy would bring luck, and perhaps a baby brother, to the family. "Obayd" struggles at first, but once she makes friends with Rahima (another bacha posh), she gains confidence and enjoys her new life. Their joy is short-lived. When Rahima is married off to a local warlord at the age of 13, Obayda makes a desperate attempt to keep her freedom. Told in clear, vivid prose that combines detailed descriptions of daily life with a good dose of adventure, this story has more information about bacha posh than Deborah Ellis's The Breadwinner and is a welcome addition to books about Afghanistan such as Trent Reedy's Words in the Dust and Andrew Clements's Extra Credit. The depiction of a country and family in turmoil is realistically handled, and Obayda's father does recuperate from his injuries with her help. VERDICT This is an excellent title that will offer students a window into life in Afghanistan and open interesting, age-appropriate conversations about gender expectations and roles in different countries.—Karen Yingling, Blendon Middle School, Westerville, OH
OCTOBER 2016 - AudioFile
Narrator Ariana Delawari’s guileless tone embodies young, vulnerable Obayda, whose comfortable life in Kabul is turned upside down when her father loses a leg in a street bombing, forcing the family to move to the small village where his family can help with his recovery. Reading without an accent in a childlike pitch, yet giving authentic voice to Afghani names and phrases, Delawari makes Obayda’s story accessible to any young listener. When Obayda is forced to become a “bacha posh”—a girl dressed as a boy—in order to bring good luck to the family, she discovers the advantages given to boys and the dangers that life may hold for girls. Strong writing is paired with an appropriately youthful narration, offering cultural awareness and hope for the future. S.G. Winner of AudioFile Earphones Award © AudioFile 2016, Portland, Maine
Kirkus Reviews
2016-06-28
Obayda’s family moved to a rural village after a Kabul bomb blast took her father’s leg and the family’s livelihood; in a bid to attract good fortune, relatives persuade her mother to transform Obayda, 10, youngest of four daughters, into a bacha posh: a boy.Her mother adopts this traditional, underground practice reluctantly. Obayda’s apprehensive but wants to help: her father was injured getting her medicine. Transformed by a haircut, boy attire, and new name—Obayd—she joins the boys’ class at school. After a rocky start, she makes friends and discovers the joys of wearing pants; exempted from chores, she plays and climbs trees. Catapulted from youngest daughter to only son, she’s served meat while her sisters get sauce and vegetables. Freedom’s intoxicating, but at puberty she’ll become a girl again—this time for good. Rahima, the central character of the Afghan-American author’s similarly themed novel for adults, The Pearl that Broke Its Shell (2014), returns here. Given vast inequities between the sexes, bacha posh (variants exist elsewhere, too) injects cultural flexibility. Yet despite its utility (a pre-pubescent son can work, helping to support the family; a girl cannot), bacha posh may leave psychological and emotional scars, issues Hashimi touches on gently. Well-told through appealing characters, this tale sheds light from a unique cultural perspective on the link between vastly different, rigidly enforced roles for boys and girls and gender-identity issues. (author’s note) (Fiction. 8-12)
