Monica Edinger
The story is tightly centered around the three sisters. In spare, poetic prose Williams-Garcia layers nuanced descriptions and brief, evocative scenes to create three utterly distinctive characters—Fern, the youngest, looking out a bus window and singing to herself; the usually brazen Vonetta freezing up with stage fright at a rally; and the stoic Delphine remembering her mother before she left them…In One Crazy Summer Williams-Garcia presents a child's-eye view of the Black Panther movement within a powerful and affecting story of sisterhood and motherhood.
—The New York Times
Mary Quattlebaum
…Rita Williams-Garcia has a fine ear for the squabbles and fierce loyalties of siblings and a keen eye for kid-centered period details, including collect phone calls, go-go boots and the TV dolphin Flipper. With authenticity and humor, she portrays the ever-shifting dynamics among ultra-responsible Delphine, show-off Vonetta and stubborn Fern. As the first-person narrator, Delphine proves to be a wry, thought-provoking observer of the need for societal change…it's refreshing to read a novel that resists easy sentiment. Williams-Garcia serves up a nuanced tale of family love that's also a lively valentine to the revolutionary '60s and the people—adults and children—who helped define that era.
—The Washington Post
Publishers Weekly
Williams-Garcia (Jumped) evokes the close-knit bond between three sisters, and the fervor and tumultuousness of the late 1960s, in this period novel featuring an outspoken 11-year-old from Brooklyn, N.Y. Through lively first-person narrative,readers meet Delphine, whose father sends her and her two younger sisters to Oakland, Calif., to visit their estranged mother, Cecile. When Cecile picks them up at the airport, she is as unconventional as Delphine remembers (“There was something uncommon about Cecile. Eyes glommed onto her. Tall, dark brown woman in man's pants whose face was half hidden by a scarf, hat, and big dark shades. She was like a colored movie star”). Instead of taking her children to Disneyland as they had hoped, Cecile shoos them off to the neighborhood People's Center, run by members of the Black Panthers. Delphine doesn't buy into all of the group's ideas, but she does come to understand her mother a little better over the summer. Delphine's growing awareness of injustice on a personal and universal level is smoothly woven into the story in poetic language that will stimulate and move readers. Ages 9–12. (Jan.)
Kirkus Reviews
A flight from New York to Oakland, Calif., to spend the summer of 1968 with the mother who abandoned Delphine and her two sisters was the easy part. Once there, the negative things their grandmother had said about their mother, Cecile, seem true: She is uninterested in her daughters and secretive about her work and the mysterious men in black berets who visit. The sisters are sent off to a Black Panther day camp, where Delphine finds herself skeptical of the worldview of the militants while making the best of their situation. Delphine is the pitch-perfect older sister, wise beyond her years, an expert at handling her siblings: "Just like I know how to lift my sisters up, I also knew how to needle them just right." Each girl has a distinct response to her motherless state, and Williams-Garcia provides details that make each characterization crystal clear. The depiction of the time is well done, and while the girls are caught up in the difficulties of adults, their resilience is celebrated and energetically told with writing that snaps off the page. (Historical fiction. 9-12)
From the Publisher
★ “Delphine is the pitch-perfect older sister, wise beyond her years, an expert at handling her siblings...while the girls are caught up in the difficulties of adults, their resilience is celebrated and energetically told with writing that snaps off the page.” — Kirkus Reviews (starred review)
★ “Regimented, responsible, strong-willed Delphine narrates in an unforgettable voice, but each of the sisters emerges as a distinct, memorable character, whose hard-won, tenuous connections with their mother build to an aching, triumphant conclusion.” — Booklist (starred review)
★ “The setting and time period are as vividly realized as the characters, and readers will want to know more about Delphine and her sisters after they return to Brooklyn.” — Horn Book (starred review)
★ “Emotionally challenging and beautifully written, this book immerses readers in a time and place and raises difficult questions of cultural and ethnic identity and personal responsibility. With memorable characters (all three girls have engaging, strong voices) and a powerful story, this is a book well worth reading and rereading.” — School Library Journal (starred review)
“Delphine’s growing awareness of injustice on a personal and universal level is smoothly woven into the story in poetic language that will stimulate and move readers.” — Publishers Weekly
“In One Crazy Summer Williams-Garcia presents a child’s-eye view of the Black Panther movement within a powerful and affecting story of sisterhood and motherhood.” — Monica Edinger, The New York Times
“One Crazy Summer absolutely blew me away. What an amazing and beautifully written story. This novel is just glorious.” — Jacqueline Woodson, author of the Newbery Honor Book After Tupac & D Foster
Horn Book (starred review)
★ “The setting and time period are as vividly realized as the characters, and readers will want to know more about Delphine and her sisters after they return to Brooklyn.
Jacqueline Woodson
One Crazy Summer absolutely blew me away. What an amazing and beautifully written story. This novel is just glorious.
Booklist (starred review)
★ “Regimented, responsible, strong-willed Delphine narrates in an unforgettable voice, but each of the sisters emerges as a distinct, memorable character, whose hard-won, tenuous connections with their mother build to an aching, triumphant conclusion.
Booklist (starred review)
★ “Regimented, responsible, strong-willed Delphine narrates in an unforgettable voice, but each of the sisters emerges as a distinct, memorable character, whose hard-won, tenuous connections with their mother build to an aching, triumphant conclusion.
Horn Book
"The setting and time period are as vividly realized as the characters, and readers will want to know more about Delphine and her sisters after they return to Brooklyn..."
Booklist
"Regimented, responsible, strong-willed Delphine narrates in an unforgettable voice, but each of the sisters emerges as a distinct, memorable character, whose hard-won, tenuous connections with their mother build to an aching, triumphant conclusion."
School Library Journal
Gr 4–7—The tumultuous summer of 1968 is the setting for this splendid story (Amistad, 2010) by Rita Williams-Garcia. Delphine, almost 12, along with her sisters Vonetta and Fern, fly across the country to visit their mother, Cecile, who long ago abandoned the family to pursue her poetry. The girls ache for hugs and kisses but desperately try not to hope too much. Good thing. When they arrive at her green stucco house in poor, mostly-black Oakland, California, their mother constantly mutters "didn't want you to come." Cecile fobs the sisters off on the local Black Panther community center, and the girls spend their summer days eating cold eggs and learning that the Black Panthers are more about serving their community and protecting the rights of black citizens than shoot-outs with the police. While U.S. politics roil and boil in the background, Delphine seethes over her crazy mother. Their final confrontation is both poignant and satisfying as we come to understand Cecile. Sisi Aisha Johnson infuses each character with a distinct personality and the tone is upbeat and even humorous. She perfectly captures each character's voice, and her delivery is silky smooth and perfectly paced. Seeing the historic summer of '68 through the eyes of sensitive, intuitive Delphine is a treat. Featuring flawless writing and narration, this is storytelling at its finest. Sure to garner numerous awards.—Tricia Melgaard, Centennial Middle School, Broken Arrow, OK
