On the Track

by Leon Redbone

Overview

This is the debut long-player from Leon Redbone (guitar/harmonica/vocals/throat tromnet), a one-man folk/jazz enigma. Although it was incorrectly rumored that the artist was a musical visage of Frank Zappa, Redbone began getting notice during a stint in Toronto, Ontario, in the early '70s. For On the Track (1975), he offers a uniquely authentic revival of turn-of-the-century melodies, including those of the Singin' Brakeman, Mississippi Blue Yodeler Jimmie Rodgers ("Desert Blues") as well as Fats Waller ("Ain't Misbehavin'"). However, he liberally applies the same notable technique to a wide array of pop standards from the likes of Irving Berlin ("Marie") and Johnny Mercer ("Lazy Bones"). The minimalism in the arrangements provides an understated delivery focusing on Redbone's distinguished baritone vocals. This includes his self-proclaimed "throat tromnet" -- an orally generated device that sounds like a combination trombone and trumpet. Accompanying him are quite an aggregate of studio stalwarts -- such as percussionists Ralph McDonald (castanets) and Steven Gadd (drums) as well as legendary jazz heavies Milt Hinton (bass), Garnett Brown (trombone), Seldon Powell (sax), and Jonathan Dorn (tuba). Their contributions are likewise discreet and otherwise tastefully augment the highly developed and melody-intensive arrangements. The Spanish inflections of "My Walking Stick" work subtly behind the artist, supporting rather than detracting from his cool and expressive vocals. The swampy and lethargic "Lazybones" reverberates the swelter of the Delta summertime. Hinton's thick basslines amble along at an even pace -- while Redbone's drowsy vocals contrast the high and tight brass interjections and sonic ornamentation. "Lulu's Back in Town" recalls Rev. Gary Davis' talking blues, as it commences with a brief spoken introduction setting up the premise of the song. The manufactured sound effects of a mostly uninhabited pool hall are in essence a wink of the mind's eye for the listener. Famed jazz producer Joel Dorn was at the helm of these sessions and his experience provides an organic attention to nuance. On the whole, the lack of over-production allows the material room to breathe without stifling the arrangements, yet with enough augmentation to adequately support Redbone's more central delivery. ~ Lindsay Planer

Product Details

Release Date:	12/02/2016
Label:	Third Man Records
UPC:	0813547020895
Rank:	34226

Album Credits

Performance Credits

Leon Redbone   Primary Artist,Guitar,Vocals,Harmonica
Seldon Powell   Saxophone
Patti Bown   Piano
Stephen Gadd   Drums
Steve Gadd   Drums
Gene Orloff   Violin
Joe Venuti   Violin
Don McLean   Banjo
Joe Wilder   Cornet,Trumpet
Jonathan Dorn   Horn,Tuba
Billy Slapin   Clarinet
Emanuel Green   Violin
Phil Bodner   Saxophone
Milt Hinton   Bass
Garnett Brown   Trombone
Ralph MacDonald   Castanets,Percussion
Leo Kahn   Violin
Patricia Brown   Piano
Charles Macey   Guitar

Technical Credits

Traditional   Composer
Shelton Brooks   Composer
Andy Razaf   Composer
Bob Liftin   Engineer,Recording,Remix Engineer
Irving Berlin   Composer
Jack Neville   Composer
Joe Ferla   Engineer
Fats Waller   Composer
Leon Redbone   Arranger,Musician
Johnny Mercer   Composer
Jimmie Rodgers   Composer
Harry Brooks   Composer
William Eaton   Arranger,Horn Arrangements
Hoagy Carmichael   Composer
Al Dubin   Composer
Vince McGarry   Mastering
Joel Dorn   Producer
Public Domain   Composer
Wilton Crawley   Composer
Harry Warren   Composer
Thomas Fats Waller   Composer
Jim McCarthy   Engineer