On The Margins Of La Dolce Vita
Ele D'Artagnan was born in Venice in 1911. By 1950 he moved to Rome, living a precarious existence but able to enter into the thriving film business in Cinecittà. From the early '50-s to the early '70-s, he acted in many Italian films, including Fellini's "Toby Dammit", "City of Women", "Casanova", and "Amarcord". Between films, he lived on the streets or in a squatter's shack on the Tiber banks, and he passed the time painting, often using pieces of cardboard found on the street and a box of crayons that a schoolkid had given him. Without formal training, D'Artagnan was nonetheless blessed with an ebullient imagination, and he was able to develop a coherent and original style, combining elements of naif and psychedelia, where the bright colors and dreamlike symbolism seem to perfectly capture the spirit of the euphoric Roman Dolce Vita.
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On The Margins Of La Dolce Vita
Ele D'Artagnan was born in Venice in 1911. By 1950 he moved to Rome, living a precarious existence but able to enter into the thriving film business in Cinecittà. From the early '50-s to the early '70-s, he acted in many Italian films, including Fellini's "Toby Dammit", "City of Women", "Casanova", and "Amarcord". Between films, he lived on the streets or in a squatter's shack on the Tiber banks, and he passed the time painting, often using pieces of cardboard found on the street and a box of crayons that a schoolkid had given him. Without formal training, D'Artagnan was nonetheless blessed with an ebullient imagination, and he was able to develop a coherent and original style, combining elements of naif and psychedelia, where the bright colors and dreamlike symbolism seem to perfectly capture the spirit of the euphoric Roman Dolce Vita.
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On The Margins Of La Dolce Vita

On The Margins Of La Dolce Vita

On The Margins Of La Dolce Vita

On The Margins Of La Dolce Vita

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Overview

Ele D'Artagnan was born in Venice in 1911. By 1950 he moved to Rome, living a precarious existence but able to enter into the thriving film business in Cinecittà. From the early '50-s to the early '70-s, he acted in many Italian films, including Fellini's "Toby Dammit", "City of Women", "Casanova", and "Amarcord". Between films, he lived on the streets or in a squatter's shack on the Tiber banks, and he passed the time painting, often using pieces of cardboard found on the street and a box of crayons that a schoolkid had given him. Without formal training, D'Artagnan was nonetheless blessed with an ebullient imagination, and he was able to develop a coherent and original style, combining elements of naif and psychedelia, where the bright colors and dreamlike symbolism seem to perfectly capture the spirit of the euphoric Roman Dolce Vita.

Product Details

BN ID: 2940161783108
Publisher: Zawadzki & Co
Publication date: 11/28/2018
Sold by: Barnes & Noble
Format: eBook
File size: 2 MB
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