On Stage Alone: Soloists and the Modern Dance Canon

Soloists ignited the modern dance movement and have been a source of its constant renewal. Pioneering dancers such as Loïe Fuller, Isadora Duncan, Ruth St. Denis, and Maud Allan embodied the abstraction and individuality of the larger modernist movement while making astounding contributions to their art. Nevertheless, solo dancers have received far less attention in the literature than have performers and choreographers associated with large companies.

In On Stage Alone, editors Claudia Gitelman and Barbara Palfy take an international approach to the solo dance performance. The essays in this standout volume broaden the dance canon by bringing to light modern dance soloists from Europe, Asia, and the Americas who have shaped significant, sustained careers by performing full programs of their own choreography.

Featuring in-depth examinations of the work of artists such as Michio Ito, Daniel Nagrin, Ann Carlson, and many others, On Stage Alone reveals the many contributions made by daring solo dancers from the dawn of the twentieth century through today. In doing so, it explores many important statements these soloists made regarding topics such as freedom, personal space, individuality, and gender in the modern era.

1110873124
On Stage Alone: Soloists and the Modern Dance Canon

Soloists ignited the modern dance movement and have been a source of its constant renewal. Pioneering dancers such as Loïe Fuller, Isadora Duncan, Ruth St. Denis, and Maud Allan embodied the abstraction and individuality of the larger modernist movement while making astounding contributions to their art. Nevertheless, solo dancers have received far less attention in the literature than have performers and choreographers associated with large companies.

In On Stage Alone, editors Claudia Gitelman and Barbara Palfy take an international approach to the solo dance performance. The essays in this standout volume broaden the dance canon by bringing to light modern dance soloists from Europe, Asia, and the Americas who have shaped significant, sustained careers by performing full programs of their own choreography.

Featuring in-depth examinations of the work of artists such as Michio Ito, Daniel Nagrin, Ann Carlson, and many others, On Stage Alone reveals the many contributions made by daring solo dancers from the dawn of the twentieth century through today. In doing so, it explores many important statements these soloists made regarding topics such as freedom, personal space, individuality, and gender in the modern era.

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On Stage Alone: Soloists and the Modern Dance Canon

On Stage Alone: Soloists and the Modern Dance Canon

On Stage Alone: Soloists and the Modern Dance Canon

On Stage Alone: Soloists and the Modern Dance Canon

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Overview

Soloists ignited the modern dance movement and have been a source of its constant renewal. Pioneering dancers such as Loïe Fuller, Isadora Duncan, Ruth St. Denis, and Maud Allan embodied the abstraction and individuality of the larger modernist movement while making astounding contributions to their art. Nevertheless, solo dancers have received far less attention in the literature than have performers and choreographers associated with large companies.

In On Stage Alone, editors Claudia Gitelman and Barbara Palfy take an international approach to the solo dance performance. The essays in this standout volume broaden the dance canon by bringing to light modern dance soloists from Europe, Asia, and the Americas who have shaped significant, sustained careers by performing full programs of their own choreography.

Featuring in-depth examinations of the work of artists such as Michio Ito, Daniel Nagrin, Ann Carlson, and many others, On Stage Alone reveals the many contributions made by daring solo dancers from the dawn of the twentieth century through today. In doing so, it explores many important statements these soloists made regarding topics such as freedom, personal space, individuality, and gender in the modern era.


Product Details

ISBN-13: 9780813042916
Publisher: University Press of Florida
Publication date: 08/12/2012
Sold by: Barnes & Noble
Format: eBook
Pages: 224
File size: 2 MB

About the Author

Claudia Gitelman is associate professor emerita at Rutgers University. Her most recent book is The Returns of Alwin Nikolais: Bodies, Boundaries and the Dance Canon, coedited with Randy Martin.
Barbara Palfy was founding editor of Studies in Dance History and is an associate editor of other important dance journals

Table of Contents

List of Illustrations vii

Introduction Claudia Gitelman 1

1 Michio Ito s Shadow: Searching for the Transnational in Solo Dance Carrie J. Preston 7

2 Alone into the World: Reflections on Solos from 1919 by Vaslav Nijinsky and Mary Wigman Ramsay Burt 31

3 The Solo That Isn't a Solo: Ann Carlson's Dances with Animals Janice Ross 55

4 Aesthetics of Early Modernist Solo Dance in Central Europe Karl Toepfer 73

5 Exotica and Ethereality: The Solo Art of Maud Allan Julie Malnig 119

6 Modernity and Nationalism in Solo Dance in Brazil: The Bailado of Eros Volúsia and the Performance of Luiz de Abreu Sandra Meyer 141

7 Strange Heroes Deborah Jowitt 163

8 Anna Huber: A Conceptual Moment in Switzerland Renée E. D'Aoust 187

List of Contributors 203

Index 205

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