On Film-Making: An Introduction to the Craft of the Director

On Film-Making: An Introduction to the Craft of the Director

On Film-Making: An Introduction to the Craft of the Director

On Film-Making: An Introduction to the Craft of the Director

Paperback(First Edition)

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Overview

A priceless examination of the filmmaker's craft, from the renowned director of Sweet Smell of Success

After more than twenty years in the film industry as a screenwriter, storyboard editor, and director of memorable films such as The Ladykillers, Alexander Mackendrick turned his back on Hollywood and began a new career as the Dean of one of the country's most demanding and influential film schools. His absolute devotion to the craft of filmmaking served as a powerful impetus to students at the California Institute for the Arts for almost twenty five years, with a teaching style that included prodigious notes, neatly crafted storyboards, and handouts containing excerpts of works by Kierkegaard, Aristotle, and others. At the core of Mackendrick's lessons lay a deceptively simple goal: to teach aspiring filmmakers how to structure and write the stories they want to tell, while using the devices particular to the medium of film to tell their stories effectively.

In this impressive volume, edited by Paul Cronin, the myriad materials that made Mackendrick's reputation as an instructor are collected for the first time, offering a chance for professionals as well as students to discover a methodology of filmmaking that is challenging yet refreshing in its clarity. Meticulously illustrated and drawing on examples from such classic films as North by Northwest, Citizen Kane, and Touch of Evil, Mackendrick's elegant lessons are sure to provide inspiration for a new generation of filmmakers.


Product Details

ISBN-13: 9780571211258
Publisher: Farrar, Straus and Giroux
Publication date: 08/31/2005
Edition description: First Edition
Pages: 336
Sales rank: 127,930
Product dimensions: 6.09(w) x 9.04(h) x 0.98(d)

About the Author

Alexander Mackendrick directed several films, including The Man in the White Suit, which earned him an Oscar Nomination for Screenwriting. He died in 1993.

Paul Cronin is the editor of Herzog on Herzog.

Table of Contents

Forewordix
Introductionxiii
Prologuexxxv
Part 1Dramatic Construction
The Pre-Verbal Language of Cinema3
What is a Story?9
Exposition22
Modernist Trends27
A Technique for Having Ideas36
Slogans for the Screenwriter's Wall40
Exercises for the Student of Dramatic Construction44
When Not to Write a Shooting Script66
Once Upon a Time...76
Activity versus Action86
Dramatic Irony92
William Archer Revisited97
Plausibility and Willing Suspension of Disbelief111
Density and Subplots in Sweet Smell of Success116
Cutting Dialogue160
The Solomon Exercise165
The Director and the Actor179
Part 2Film Grammar
The Invisible Imaginary Ubiquitous Winged Witness197
How to be Meaningless200
Mental Geography204
Condensing Screen Time209
Drawing Lesson218
Point of View222
The Axis235
Shot-to-Shot Relationships251
Camera Coverage258
Camera Movement272
Citizen Kane280
Epilogue289
Note on the editor293
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