A dusty box discovered in the wreckage of a once prosperous plantation on Agate Hill in North Carolina contains the remnants of an extraordinary life: diaries, letters, poems, songs, newspaper clippings, court records, marbles, rocks, dolls, and bones. It's through these treasured mementos that we meet Molly Petree.
Raised in those ruins and orphaned by the Civil War, Molly is a refugee who has no interest in self-pity. When a mysterious benefactor appears out her father's past to rescue her, she never looks back.
Spanning half a century, On Agate Hill follows Molly’s passionate, picaresque journey through love, betrayal, motherhood, a murder trial—and back home to Agate Hill under circumstances she never could have imagined.
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On Agate Hill
A dusty box discovered in the wreckage of a once prosperous plantation on Agate Hill in North Carolina contains the remnants of an extraordinary life: diaries, letters, poems, songs, newspaper clippings, court records, marbles, rocks, dolls, and bones. It's through these treasured mementos that we meet Molly Petree.
Raised in those ruins and orphaned by the Civil War, Molly is a refugee who has no interest in self-pity. When a mysterious benefactor appears out her father's past to rescue her, she never looks back.
Spanning half a century, On Agate Hill follows Molly’s passionate, picaresque journey through love, betrayal, motherhood, a murder trial—and back home to Agate Hill under circumstances she never could have imagined.
A dusty box discovered in the wreckage of a once prosperous plantation on Agate Hill in North Carolina contains the remnants of an extraordinary life: diaries, letters, poems, songs, newspaper clippings, court records, marbles, rocks, dolls, and bones. It's through these treasured mementos that we meet Molly Petree.
Raised in those ruins and orphaned by the Civil War, Molly is a refugee who has no interest in self-pity. When a mysterious benefactor appears out her father's past to rescue her, she never looks back.
Spanning half a century, On Agate Hill follows Molly’s passionate, picaresque journey through love, betrayal, motherhood, a murder trial—and back home to Agate Hill under circumstances she never could have imagined.
Lee Smith is the author of fourteen novels, including Fair and Tender Ladies, Oral History, Saving Grace, and Guests on Earth, as well as four collections of short stories, including Me and My Baby View the Eclipse and News of the Spirit. Her novel The Last Girls was a New York Times bestseller as well as a co-winner of the Southern Book Critics Circle Award. A retired professor of English at North Carolina State University, she has received an Academy Award in Fiction from the American Academy of Arts and Letters, the North Carolina Award for Literature, and the Weatherford Award for Appalachian Literature.
Read an Excerpt
Dear Diary, This book belongs to me Molly Petree age thirteen today May 20 in the year of our Lord 1872, Agate Hill, North Carolina. I am an orphan girl. This is my own book of my own self given to me by the preachers wife Nora Gwyn who said, This little diary is for you my dear unfortunate child, to be your friend and confi dent, to share all your thoughts and deepest secrets for I know how much you need a friend and also how much you love to read and write. I do believe you have a natural gift for it. Now it is my special hope that you will set down upon these pages your own memories of your lovely mother and your brave father, and of your three brothers as well, and of all that has befallen you. For I believe this endeavor might help you, Molly Petree. So I urge you to take pen in hand commencing your diary with these words, Thy will be done O Lord on Earth as it is in Heaven, Amen.
Well, I have not done this!
And I will not do it either no matter how much I love pretty Nora Gwyn who looks like a lady on a fancy plate and has taught me such few lessons as I have had since Aunt Fannie died. NO for I mean to write in secrecy and stelth the truth as I see it. I know I am a spitfire and a burden. I do not care. My family is a dead family, and this is not my home, for I am a refugee girl.
I am like the ruby-throated hummingbird that comes again and again to Fannies red rosebush but lights down never for good and all, always flying on. And it is true that often I feel so lonesome for all of them that are gone.
I live in a house of ghosts.
I was born before the Surrender and dragged from pillar to post as Mamma always said until we fetched up here in North Carolina after Columbia fell. Our sweet Willie was born there, into a world of war. He was real little all waxy and bloody, and Old Bess put him into a dresser drawer while the fires burned red outside the windows. Mamma used to tell it in that awful whisper which went on and on through the long hot nights when she could not sleep and it was my job to wet the cool cloths required for her forehead which I did faithfully. I loved my mamma. But I was GLAD when she died, I know this is a sin. I have not told it before. But I am writing it down anyway as Nora Gwyn said and I will write it all down every true thing in black and white upon the page, for evil or good it is my own true life and I WILL have it. I will.
I am the legal ward of my uncle Junius Jefferson Hall who is not really my uncle at all but my mothers first cousin a wise and mournful man who has done the best he could for us all I reckon. We arrived here during the last days of the War to a house running over all ready thus giving Uncle Junius more than thirty people on this place to feed, negro and white alike. Uncle Junius used to be a kind strong man but he is sick and seems so sad and lost in thought now since Fannie died.
