07/31/2017
Casas, a conjure woman, veteran rootworker, and New Orleans Folk Magic Festival organizer, will bewitch readers with this accessible beginner text about the basics of the “living culture” of the magical tradition of conjure, which was first practiced by enslaved Africans in the American South. Casas emphasizes that the “work” (spell) is incorrect unless it has four core aspects: inclusion of the Bible, veneration of the ancestors, doing only “justified works,” and looking to Spirit rather than to personal power. Casas’s distinctive voice and occasional use of Gullah dialect lend a homeyness to the text, even if Casas comes off as a bit cantankerous. A section on historical figures who practiced conjuring techniques, such as Gabriel Prosser and Harriet “Mama Moses” Tubman, gives the book some context. These mini-histories, together with explicit descriptions of works and methods—even including the complete biblical passages used in each work—support Casas’s expressed interest in making sure that those who were previously unfamiliar with conjure are well grounded in the background of the practice. However, instructions for divination by reading cards or throwing bones are vague. (Sept.)
In this book you'll learn about:
¿ Bone reading
¿ Candle burning
¿ Conjure bags
¿ Building your own conjure altar
In this book you'll learn about:
¿ Bone reading
¿ Candle burning
¿ Conjure bags
¿ Building your own conjure altar
Old Style Conjure: Hoodoo, Rootwork, & Folk Magic
Narrated by Samantha Desz
Starr CasasUnabridged — 6 hours, 15 minutes
Old Style Conjure: Hoodoo, Rootwork, & Folk Magic
Narrated by Samantha Desz
Starr CasasUnabridged — 6 hours, 15 minutes
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Overview
In this book you'll learn about:
¿ Bone reading
¿ Candle burning
¿ Conjure bags
¿ Building your own conjure altar
Editorial Reviews
"Respect, Responsibility and Family … these three words resonate when I reflect on Starr Casas and the gift her knowledge and integrity is to our modern magickal culture. I love Old Style Conjure: it's fascinating, insightful, practical and powerful, just like Starr."
"At last…a book that answers every question you had about Conjure, but were afraid to ask! Written in the folksy style that belongs to Starr Casas alone - and jam-packed with easy to understand explanations, simple working instructions, and fascinating historical tidbits - Old Style Conjure is an absolute treasure. It's a must-read for every practitioner of the ancient arts - and a must-have for every magical library!"
"Old Style Conjure is written in Starr Casas' uniquely heartfelt and down-home conversational style that reads like you're getting advice from your best friend. With her lifetime of Conjure-work, Starr guides you through the roots, recipes, and rites of this powerful practice that is the legacy of those first Africans to come over on the slave ships—ancestors that Conjure-workers uplift and honor for both their sacrifice and their magic. With these tools, you will learn the ways of Southern magic that have been used by both black and white practitioners for centuries—steeped in African wisdom, the spirits of the natural world, and the strength of the Bible—itself a most powerful spell book in the hands of the true Southern Conjurer. If you want to learn the old ways of Southern Conjure from a true expert who has lived it her entire life, then look no further than Starr Casas!"
"Starr Casas is a true national treasure. She is an authentic hereditary practitioner of Conjure, among the most potent forms of traditional American folk magic. A vast repository and staunch defender of rapidly vanishing American folk traditions, Starr Casas is the real deal and Old Style Conjure is her best, most complete and comprehensive work yet. This is a practical book, chockful of Starr's own formulas, rituals, and works. Read it and learn how to effectively use time-tested techniques of Conjure to better your life and achieve your goals. Starr also presents and explains the history and philosophy of Conjure. This knowledge will help you become a better, more effective practitioner of Conjure, but it will also teach you much about the history of the United States. To learn from Starr is to learn from the source. Anyone seeking to comprehend Conjure and benefit from its powerful magic would do well to read Old Style Conjure."
"This is Starr Casas's best work yet, revealing the secrets of Conjure that anyone can use to enrich their lives. Everything you need to know is fully explained. This is a handbook created to be used and cherished, and passed on down from generation to generation."
"Mamma Starr is the real deal and her works and words speaks that truth. This down to earth, practical guide to Conjure is a book you will want to keep forever. Whenever I learn from Starr Casas, she transports me to a place where I see, feel, and hear what needs to be done to get it right. Old Style Conjure is a gift to the folk magic community."
"At last…a book that answers every question you had about Conjure, but were afraid to ask! Written in the folksy style that belongs to Starr Casas alone - and jam-packed with easy to understand explanations, simple working instructions, and fascinating historical tidbits - Old Style Conjure is an absolute treasure. It's a must-read for every practitioner of the ancient arts - and a must-have for every magical library!" --Dorothy Morrison, author of Everyday Magic, The Craft, and Utterly Wicked
"Written by one of the most authentic practitioners of our time, Old Style Conjure by Starr Casas is incredibility rooted in the power of the Old Ways; while at the same time bringing a great deal of relevance and instruction for modern people. This book is a ‘must have’ for those who want to learn more about the inner practices of Conjure." --Raven Grimassi, author of Old World Witchcraft and Grimoire of the Thorn-Blooded Witch
"This is Starr Casas’s best work yet, revealing the secrets of Conjure that anyone can use to enrich their lives. Everything you need to know is fully explained. This is a handbook created to be used and cherished, and passed on down from generation to generation." --Rosemary Ellen Guiley, author of Guide to Psychic Power
"At last…a book that answers every question you had about Conjure, but were afraid to ask! Written in the folksy style that belongs to Starr Casas alone - and jam-packed with easy to understand explanations, simple working instructions, and fascinating historical tidbits – Old Style Conjure is an absolute treasure. It’s a must-read for every practitioner of the ancient arts – and a must-have for every magical library!" --Dorothy Morrison, author of Everyday Magic, The Craft, and Utterly Wicked
"Mamma Starr is the real deal and her works and words speaks that truth. This down to earth, practical guide to Conjure is a book you will want to keep forever. Whenever I learn from Starr Casas, she transports me to a place where I see, feel, and hear what needs to be done to get it right. Old Style Conjure is a gift to the folk magic community." --Jacki Smith, Founder of Coventry Creations and author of Coventry Magic with Candles, Oils, and Herbs
"Old Style Conjure is written in Starr Casas’ uniquely heartfelt and down-home conversational style that reads like you’re getting advice from your best friend. With her lifetime of Conjure-work, Starr guides you through the roots, recipes, and rites of this powerful practice that is the legacy of those first Africans to come over on the slave ships—ancestors that Conjure-workers uplift and honor for both their sacrifice and their magic. With these tools, you will learn the ways of Southern magic that have been used by both black and white practitioners for centuries—steeped in African wisdom, the spirits of the natural world, and the strength of the Bible—itself a most powerful spell book in the hands of the true Southern Conjurer. If you want to learn the old ways of Southern Conjure from a true expert who has lived it her entire life, then look no further than Starr Casas!" —Christian Day, author of The Witches’ Book of the Dead and co-owner of Hex: Old World Witchery
"Mamma Starr is the real deal and her works and words speaks that truth. This down to earth, practical guide to Conjure is a book you will want to keep forever. Whenever I learn from Starr Casas, she transports me to a place where I see, feel, and hear what needs to be done to get it right. Old Style Conjure is a gift to the folk magic community." --Jacki Smith, Founder of Coventry Creations and author of Coventry Magic with Candles, Oils, and Herbs
"Starr Casas is a true national treasure. She is an authentic hereditary practitioner of Conjure, among the most potent forms of traditional American folk magic. A vast repository and staunch defender of rapidly vanishing American folk traditions, Starr Casas is the real deal and Old Style Conjure is her best, most complete and comprehensive work yet. This is a practical book, chockful of Starr’s own formulas, rituals, and works. Read it and learn how to effectively use time-tested techniques of Conjure to better your life and achieve your goals. Starr also presents and explains the history and philosophy of Conjure. This knowledge will help you become a better, more effective practitioner of Conjure, but it will also teach you much about the history of the United States. To learn from Starr is to learn from the source. Anyone seeking to comprehend Conjure and benefit from its powerful magic would do well to read Old Style Conjure." —Judika Illes, author of Encyclopedia of 5000 Spells, Encyclopedia of Spirits, The Big Book of Practical Spells and other books of magic
"Respect, Responsibility and Family … these three words resonate when I reflect on Starr Casas and the gift her knowledge and integrity is to our modern magickal culture. I love Old Style Conjure: it's fascinating, insightful, practical and powerful, just like Starr." --Fiona Horne, author of Pop Goes the Witch: The Disinformation Guide to 21st Century Witchcraft
Product Details
| BN ID: | 2940173066947 |
|---|---|
| Publisher: | Tantor Audio |
| Publication date: | 09/24/2019 |
| Edition description: | Unabridged |
| Sales rank: | 901,684 |
Read an Excerpt
CHAPTER 1
CONJURE BASICS Q&A
I KNOW SOME FOLKS will have a lot of questions about this work, while others who read the book will already know what I am talking about. I want to go over some general questions here.
Q. What is Conjure?
A. Conjure is magic, plain and simply. Conjure was brought over by the slaves from Africa. It is a combination of culture, beliefs, and knowledge brought over by the ancestors.
Q. Where did Conjure come from?
A. Conjure was brought to North America from Africa with the first slaves.
Q. Is it the same work that was done in the African homeland?
A. No! That was not possible. For one thing, the roots, herbs, trees, and the land in general were different. The ancestors weren't allowed to bring anything with them, so none of the things from their homeland came along with them here. Instead, they found things over here that worked for them. So the answer is no, it is not possible for it to be the same exact work.
Q. Who are the ancestors of Conjure?
A. The ancestors of Conjure are the slaves that were captured and brought here on the slave ships to be sold, carrying only their knowledge.
Q. Were the ancestors of Conjure Christians?
A. This question has caused many debates and outright battles. Some folks still refuse to accept the fact that Conjure is hidden within Christianity.
Christianity was already in Africa by the time the ancestors were captured. History tells us this. Those who were not Christians when they were captured were soon forced to become Christians, and they made Christianity work for them, as we will see over and over in this book. So to answer the question: yes, the ancestors of Conjure were Christians.
Q. Can white folks do conjure work?
A. Yes, they can, as long as they honor the ancestors of this work. Those ancestors are the folks who were kidnapped and sold into slavery. They brought this work here and deserve to be honored. And who better to honor them than white folks who at one time enslaved them?
Q. What is a two-headed worker?
A. A two-headed worker is a worker who works with both hands! This means that they can heal or curse, not just one or the other. Most conjure workers are two-headed workers.
Q. How does the Bible fit into Conjure?
A. When the ancestors were forced into Christianity, they hid a lot of their works within the Bible, the spirituals they sang, and the stories they told. It is important that it is understood that as slaves they had no freedom! They had no say in the way they worshipped, but they were smart! They hid their worship within Christianity.
Q. Is Conjure a religion?
A. No! Most conjure workers are Christian, but Conjure is not a religion. Conjure is work that brings about change with prayers, the Bible, roots, herbs, and other ingredients.
Q. Do you have to be initiated?
A. No! There is no initiation or priesthood in Conjure.
Q. Is Conjure the same thing as Santeria or Palo?
A. No! It is a set of works that came out of slavery. It is not a religion.
Q. Are the works in Santeria or Palo the same works as in Conjure?
A. No! They are not. They may be similar, but they are not the same. The work is done differently, and the ingredients used are not the same.
Q. Do you have to be a Christian to be a conjure worker?
A. No, you do not have to be a Christian. But if you remove the Bible, then you are no longer doing conjure work; you are doing something else. The Bible is an integral part of Conjure. There are a lot of folks who would love to take the Bible out of Conjure, but if you do, then it is no longer Conjure. You have to separate the Bible from the churches, because the churches are man-made and men make the rules. Why would you throw a powerful book away just because you don't like the church or the folks who run it? This work is very powerful, and it stands alone without a bunch of hocus pocus to make it be effective.
Q. Who are the ancestors?
A. The ancestors are your blood kin that have passed on. Sometimes folks outside the bloodline become ancestors. If you have a mentor or someone you love dearly, they could become your ancestor.
Q. What is an altar?
A. In conjure work, the altar is a place to say your prayers and meet Spirit. A conjure altar can be as simple as a table covered with a cloth, or it can be as elaborate as you want it to be.
Q. What is the Holy Trinity?
A. The Holy Trinity is God the Father, God the Son, and God the Holy Spirit or Holy Ghost; the sacred number three.
Q. What is a conjure hand?
A. A conjure hand can be a packet, a mojo bag, or a jack ball. Each one of them is made a little differently, but they are all still conjure hands.
* A packet is a piece of red flannel cloth that the ingredients have been loaded into, then it is folded onto a square and you stitch it shut.
* A mojo bag is a small red flannel bag that is hand sewn, then the ingredients are loaded into the bag and it is tied shut.
* A jack ball is different from the packet and the conjure bag because it is wrapped with red cotton string until the ingredients are covered in the shape of a ball.
Q. Is a conjure dollie the same as a voodoo doll?
A. No! A conjure dollie is usually made to represent a target that will be worked on. This dollie is named for the target and may be loaded with the target's personal concerns such as hair, nail clippings, or maybe a photo. Most of the time, a voodoo doll is made to honor the spirits, but they can also be made to represent a target for a work aimed at a target.
Q. Is prayer important?
A. Yes! Prayer is a big part of Conjure.
Q. Do conjure workers believe in karma?
A. No! The concept of karma does not exist in Conjure. This doesn't mean that you can just run wild. Conjure workers believe that it's okay to do any type of work as long as it's justified. In that case, there will be no repercussions.
Q. What does "justified" mean?
A. In conjure work "justified" basically means that the target has to have done you a wrong. I don't mean a slight or they made you mad; you have to have a good reason for the work. It is really important that you understand that you and you alone are responsible for your actions; so make sure you have a good reason for doing the work. Just because you don't like someone is not a good enough reason.
Q. Do works have to be justified?
A. Yes. As a rule, anytime you work on someone, the work should be justified. The "every action causes a reaction" rule works here. You can't cross someone up just because they pissed you off. That would be unjust. Also, if your target did a reversal, then you would get hit by your own work.
Q. What is a "reversal"?
A. A reversal is a set of works that can be done to turn a situation around. Let's say you have had a run of really bad luck and nothing you have done has changed it. You might need to do a set of reversal works to remove whatever is there, and if someone caused your bad luck, they will get it right back. The only way to do a reversal is to utilize a counterclockwise motion. It's like turning back the hand of the clock — you're reversing what's been done. Here's an example of an easy reversal:
1. First, hold a plain white unlit stick candle in your hand.
2. Starting at the crown of your head, circle your body in a counterclockwise motion, moving downwards. Make sure to circle your head and shoulders.
3. When you reach your torso, rather than circling, brush the candle against yourself in a downward and outward motion.
4. Finally, light the candle and pray that whatever is there be removed and sent back wherever it came from.
Q. What do you need to be a good worker?
A. You need faith in yourself to start with. At least 50 percent of this work is the "knowing" it will be a success, claiming success the minute the need for the work arrives. You cannot second-guess yourself or your work. If you do, then you are wasting your time.
Q. Will I go to hell for doing conjure work?
A. Absolutely not! Conjure work is done in the belief that anything one does as justified work is okay. You can't be blamed for doing work that is justified.
Q. Will I be harmed if I work for folks?
A. Some folks tend to be worried about doing works on behalf of others, so I wanted to face that question here. This is a tricky question, because it really has a yes answer and a no answer.
I'll start with the yes. Yes, you can be harmed if you work on someone and you do not have your protections up and you do not do a cleansing after the work.
No, you can't be harmed as long as you are protected, keep up with your cleansing work, and only do justified works.
Q. Am I doing black magic?
A. No! Conjure workers do not have anything to do with black magic. Conjure workers only do justified works; they do not put magic on folks with the intent to harm.
Q. How do I know if a curse is real or not?
A. The very first thing you need to do is divination to see what is really going on and if you indeed have a curse on you or if you are just having a run of bad luck.
Q. How do I know if I am being conjured?
A. Usually when someone has been worked on, signs will manifest. It may just start out as bad luck or your money going out the door, where you end up barely having enough to live on. It could manifest in one accident after the other or everything going wrong at the same time. Family problems just keep happening, one thing after another, or unexplained illnesses just won't go away and when checked out by a doctor they can't find anything wrong. The list can go on and on, but it has to be a continuation of things. One or two things are not enough to claim someone is conjured. The best way to find out for sure is to have a consultation with a worker.
Q. How do I reverse being conjured?
A. There are a set of works called cleansings and reversal works. The cleansing works can be done through some kind of spiritual bath or a brush-down with a candle or with a broom. A brush-down with a chicken foot will also cleanse.
To reverse work, there are sets of works that can be done. Here is an easy reversal:
1. Hold a small unlit stick "taper" candle in your hand and circle it around your head three times counterclockwise.
2. Brush yourself with the candle in a downward direction.
3. Light the candle and let it burn out.
4. Repeat this process daily for twenty-one days. It is preferable to do this after sunset, but you could do it at anytime, as long as the minute hand of the clock is going downward. In other words, between one minute after the hour to twenty-nine minutes after the hour. (When the minute hand moves from the half-hour mark toward the hour — from 7:30 to 8:00, for example — then it is moving upward and it is not the right time for this kind of work.)
Q. Can I start a candle work, then stop the work until the next day? Will it affect the work?
A. I hear this question over and over again from folks who have been told that if they put a candle out during the work it will affect the work and the work will not be a success. This is some rule that someone set for themselves, and it has been passed around and has become some folks' truth. I can't speak for other modalities, but there are no such rules in conjure work.
The truth is that sometimes it is good to let a work rest in between workings. You should put the candles out after you say your prayers. It all depends on the work you are doing. Also, for various reasons, some folks can't leave a candle burning in their home indefinitely and must put it out. This should not affect the work as long as you do the work daily.
Q. Can I blow out a candle?
A. This is a secret I have never before shared. Here is a work to remove someone from your life:
1. First, write the target's name on a stick candle using a knife.
2. Then when the hands of the clock are going down, light the candle, while calling out the target's name three times.
3. Let the candle burn for five minutes. Then call their name three times again and then blow the candle out.
4. Repeat the process daily until the candle is burnt out.
5. Throw any leftover wax in the crossroads.
So you see, sometimes you can blow out a candle!
Q. Can I use matches to light my candles?
A. Yes, you can. Ole folks say that the sulfur from the matches will drive the devil away.
Q. How does the family live with a conjure worker?
A. For me and my family, this has never been an issue. My children grew up around my mama, so it was just natural to them. My mama treated my husband and his mama was a worker, so there has never been an issue. He did tell me once, that if he had known I was like his mama, he would probably not have married me.
I wasn't insulted. I took it as a compliment, because his mama was a very powerful woman. Like my mama, she took care of business. Most workers who are not raised in the culture don't have it that easy. Sometimes they have to even go as far as hiding the work from family members.
My advice is to take it slow. Introduce the work in small doses. Maybe start with a prosperity working or something that they will see as helping and positive. Don't try to shove it in their faces. Take your time and let them get used to the work, little by little. They may never approve and, if that is the case, then just do your work in private.
Conjure is about tricks: you have to learn how to hide your work, while still doing it in plain sight. Just take it real slow; there isn't any rush.
CHAPTER 2
OLE TIME RELIGION
Wrestle On Jacob
I hold my brudder wid a trebling hand,
SOME OF THE WRITINGS you find in Conjure are different than the English most folks speak. That is because this is the Gullah language, as it is still spoken today by the Gullah people, an African American population living on the Sea Islands and coastal areas of South Carolina, Georgia, and northeastern Florida. Gullah is recognized by the US government as a real language; it is not some distant dialect spoken in the past. This is the living language of the Gullah Nation and still very much alive.
In order to really understand Conjure and the culture it comes from, you have to understand the way the ancestors thought. If you were a Southern child, raised in a home where a worker lived, you would have been taught these secrets as you were growing up.
Most folks, when they look at the spiritual above, see a spiritual that talks about Peter fishing and not catching any fish. They don't understand that the words really have nothing to do with Peter. It's a coded message to let folks know what is going on. The prayer house or meetinghouse was the only place the ancestors were allowed to meet and worship. They learned to sing spirituals that the slave masters thought were just church songs, but some were sharing information like the one above.
So what is the message above? You just have to know what you are looking for.
In this spiritual "I hold my brudder wid a trebling hand" lets us know they are afraid. "Wrastl on Ja-cob, Ja-cob day is a breakin" lets us know that the sun is just rising. "Fisherman Peter was out at sea" lets folks know the plantation owner is out of the house. "He cast all night and he cast all day" says he's been out searching all day and all night. "He catch no fish, but he catch some soul" means he caught the ancestor he was looking for, and — "Jacob hang from a trembling limb" — he hung him. "I looked to the East at the breaking of the day, the old ship of Zion went sailing away" tells folks they hung him the next day at daybreak. The old ship Zion is his spirit leaving him, going up into the East to heaven, where it is said the dead will rise on Judgment Day.
As you can see this spiritual really isn't all about biblical matters. It's to let the slaves on the plantation know what was going on. This song really has nothing to do with the biblical Jacob or Peter, but it has everything to do with a runaway slave that got caught and was hung at daybreak the next day.
(Continues…)
Excerpted from "Old Style Conjure"
by .
Copyright © 2017 Starr Casas.
Excerpted by permission of Red Wheel/Weiser, LLC.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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