Off Season

by Anne Rivers Siddons

Overview

Acclaimed novelist Anne Rivers Siddons's new novel is a stunning tale of love and loss.

For as long as she can remember, they were Cam and Lilly--happily married, totally in love with each other, parents of a beautiful family, and partners in life. Then, after decades of marriage, it ended as every great love story does...in loss. After Cam's death, Lilly takes a lone road trip to her and Cam's favorite spot on the remote coast of Maine, the place where they fell in love over and over again, where their ghosts still dance. There, she looks hard to her past--to a first love that ended in tragedy; to falling in love with Cam; to a marriage filled with exuberance, sheer life, and safety-- to try to figure out her future.

It is a journey begun with tender memories and culminating in a revelation that will make Lilly re-evaluate everything she thought was true about her husband and her marriage.

Product Details

ISBN-13:	9780446698290
Publisher:	Grand Central Publishing
Publication date:	07/01/2009
Edition description:	Reprint
Pages:	384
Sales rank:	457,488
Product dimensions:	5.20(w) x 7.90(h) x 1.20(d)

About the Author

Off Season is Anne Rivers Siddons's 17th novel. Her previous bestselling novels include Sweetwater Creek, Islands, Nora Nora, Low Country, Up Island, Fault Lines, Downtown, Hill Towns, Colony, Outer Banks, King's Oak, Peachtree Road, Homeplace, Fox's Earth, The House Next Door, and Heartbreak Hotel. She is also the author of a work of nonfiction, John Chancellor Makes Me Cry. She and her husband, Heyward, split their time between their home in Charleston, SC and Brooklin, ME.

Hometown:

Charleston, South Carolina and a summer home in Maine overlooking Penobscot Bay

Date of Birth:

January 9, 1936

Place of Birth:

Atlanta, Georgia

Education:

B.A., Auburn University, 1958; Atlanta School of Art, 1958

Editorial Reviews

In Siddons's stirring novel, the recently widowed Lily Constable returns to her childhood summer home in Maine to sift through formative memories of her parents and her first love. It's difficult to imagine a more marvelous performance than Jane Alexander's. Alexander captures the strength and vulnerability of Lily from childhood to late middle age, and perfectly renders the physical weight of Lily's grief at her losses. She skillfully navigates the novel's cast of characters, from the slow, deep and thoughtful drawl of Lily's father to the high-pitched, false charm of the vicious young neighbor whose poison darts put tragic events in motion. Alexander also brings to life the great unnamed character in the book-the natural world, giving voice to birds and even a talking cat, and intuitively understanding the life-giving power of the sea. This is an example of how a good novel can become magnificent when it is beautifully told. A Grand Central hardcover (reviewed online). (Aug.)

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Publishers Weekly

Returning to her beloved Maine home to scatter her husband's ashes, Lilly reconstructs her past and makes peace with her future. Fourtime OscarA Award nominee Jane Alexander uses her acting chops to keep New York Times bestselling author Siddons's (Sweetwater Creek) sweetly sentimental story from toppling into sappiness. She imbues Lilly's childhood voice with selfabsorbed innocence, gradually morphing it into that of an adult. When Lilly's husband arrives, her father's importance dwindles-a good thing, since their voices were indistinguishable. While this isn't Siddons's best, her descriptions will have listeners hearing the birds and smelling the ocean. Public libraries should purchase. [Also available from Books on Tape. 10 CDs. library ed. unabridged. 11A½ hrs. ISBN 9781415958858
—Jodi L. Israel

Library Journal

A widow returns to her family cottage in Maine, her late husband's ashes and ornery cat in tow, and ponders her first experience of love and loss. Siddons frames the story around the sudden death of Cam McCall, Virginia architect, while at his wife Lilly's Maine seashore cottage, Edgewater. Though portrayed as eminently trustworthy, Cam has, unbeknownst to Lilly, visited the unheated cottage many times during the "Off Season" while supposedly traveling elsewhere on business. After wrangling about the disposition of Cam's cremains with her spoiled yuppie daughters, Lilly heads north with Silas, Cam's cranky, subliminally conversational cat, and the urn. In her cottage, Lilly revisits the pivotal summer of 1962, when, a wiry 11-year-old tomboy, she led a gang of other kids on a spate of mostly wholesome outdoor activities, occasionally ruffling feathers in this WASP-ruled vacation enclave. Lilly's preadolescence is thorny. She's overshadowed by her charismatic painter mother, who yearns to enter Jackie Kennedy's social circle, and her father, a professor at George Washington University, is too supportive to rebel against. On a lonely ramble to a nearby cliff, Lilly encounters a boy named Jon and is immediately smitten. The two are inseparable until a prissy, meddlesome neighbor child, Peaches, exposes the fact that Jon's father is Jewish, a secret his father had kept from him and his mother. Shocked by the deception, Jon sails into a fog in Lilly's sailboat, and drowns. Lilly retreats into a cocoon of denial and becomes obsessed with underwater swimming. Her isolation is exacerbated when her mother dies of breast cancer and her father keeps her cloistered in benevolent but stiflingdomesticity as the turbulent '60s unfold. In contrast to Siddons's usual heroine, who struggles to achieve self-sufficiency, Lilly is overcome by passivity, which deepens as she's repeatedly blindsided by loss. The inadequately foreshadowed surprise ending involves an ultimate betrayal that will dismay readers almost as much as it does Lilly. Agent: Jennifer Rudolph Walsh/William Morris Agency

Kirkus Reviews

"Mix the lyricism of Siddons's prose; the intense, yet restrained voice of Oscar-winning actress Jane Alexander; and the mysteries of the untamed Maine coastline -and you have the makings of a magical voyage...."—AudioFile

From the Publisher

Upon the death of her husband, Lilly Constable McDowell returns to her summer home in Maine to scatter his ashes and reflect on her life. Jane Alexander gives a convincing performance as the 60-year-old Lilly. As the widow recalls her youth, Alexander lightens her voice enough for the listener to suspend disbelief, especially given her realistic variations in tone. However, Alexander's male characters, with their artificially deepened voices, sound forced and shallow. Further, peripheral females of all ages, except for Lilly's adored and unconventional mother, come across as exaggerated and acted, rather than felt. Alexander’s occasional mispronunciations of Bangor (she intermittently calls it "Banger") will jar listeners familiar with that Maine city. So will the story's unrealistic ending. R.L.L. © AudioFile 2008, Portland, Maine

NOVEMBER 2008 - AudioFile